Similar to the Taj Mahal and Fatehpur Sikri, the Agra Fort has been inscribed in the UNESCO World Heritage List since the 1980s, making it one of the three must-see attractions in Agra. Known as the Red Fort of Agra, the Agra Fort served as the royal residence of the early Mughal emperors until 1638 when the capital was moved to Delhi. It was constructed during the golden age of the Mughal Empire under two prolific builders: Emperor Akbar the Great and his grandson Shah Jahan. While Akbar is well known for founding the short lived capital Fatehpur Sikri, Shah Jahan is perhaps best known for erecting the most perfect Mughal architecture ever, the Taj Mahal. On the ruins of an earlier fort, Akbar rebuilt the Agra Fort with red sandstone. Akbar’s Agra Fort was completed in 1573 but was later transformed by Shah Jahan into its current mix of red sandstone and white marble buildings.
After visiting the Taj, we dropped by Joney’s Place, the local eatery where we had dinner the night before for breakfast. We had a few hours to spare before our walking tour at 2:30pm. Agra Fort was the obvious choice for us. An auto rickshaw brought us to the busy fort entrance in no time. Just like the Red Fort in Delhi, Agra Fort was very popular with local tourists.
Despite served as the royal residence, the Agra Fort appeared like a heavily fortified complex from its exterior.
Inside Agra Fort, Diwan-i-am was the main audience hall in the complex.
Built between 1631 to 1640, the 201′ by 67′ Diwan-i-am was the hall where Emperor Shah Jehan addressed the general public and his guests.
Constructed by Shah Jahan in 1637, the Anguri Bagh (Grape Garden) was used as a vineyard to make wine for the emperor.
Stone colonnade flanked three sides of the Anguri Bagh.
Khas Mahal was built by Shah Jahan for his daughter Jahanara and Roshanara.
Adjacent to the Khas Mahal, covered verandahs and the marble terraces offered visitors a fantastic view of the Yamuna River.
The Musamman Burj is one of the most splendidly crafted buildings in the complex.
While Akbar built his buildings with sandstone, his grandson Shah Jahan preferred white marble just like another of his other project, the Taj Mahal.
Musamman Burj, an octagonal tower with great views of the Yamuna River, was built by Shah Jahan for his beloved wife Mumtaz Mahal.
Together with his daughter Jahanara Begum, It was here that Shah Jahan spent his last few years as a captive of his son Aurangzeb.
From here, Shah Jahan spent his final moments on his death bed facing the Taj Mahal, the tomb of his beloved wife.
Tourists love to take pictures against the beautiful marble lattice work. This woman didn’t even notice the approach monkey as she posed for photo.
Known as the Gem Mosque, the Nagina Masjid is a small marble mosque built by Shah Jahan.
Built by Emperor Akbar, the Jahangiri Mahal Palace was the primary zenana to house his Rajput wives. Compared to his grandson Shah Jahan’s buildings, Akbar’s buildings were mainly built with red sandstone.
Jahangiri Mahal Palace is one of the oldest surviving building in Agra Fort and also the largest part in the compound.
A beautiful dome ceiling at the Jahangiri Mahal Palace.
Only 30 out of 500 buildings of the Jahangir Mahal Palace survive to the present. Many had been destroyed by Shah Jahan and later the British.
After the visit, we returned to the main entrance and hopped on an auto rickshaw to return our hotel.
Standing at the edge of the City Palace of Jaipur, the Hawa Mahal was part of the women’s chambers of the former royal palace. Built in 1799 by Maharaja Sawai Pratap Singh, the sandstone facade with a honeycomb of latticed bay windows is the most recognizable building in Jaipur. The splendid facade is actually the back side of the palace building, where royal ladies were able to watch the activities and occasional festival events on the street through one of the 953 small windows. Today, the five-storey palace building is open to visitors. With narrow stairways and passageways and shallow rooms, the top three floors can get a little crowded during the tourist high season.
All tourists in Jaipur would take pictures of the famous facade from the main street, while not every one would actually visit the building interior. We were curious to experience how it might feel to peek back at the main street through one the small windows, and thus decided to pay a brief visit of the palace. Finding the entrance of Hawa Mahal required a bit of research. Entered through a retail side street, we arrived at a back lane where the real entrance and ticket office of Hawa Mahal were located.
The splendid facade of Hawa Mahal is the most recognizable building in Jaipur.
To enter the building, visitors must find their way into the back alleyway where the main entrance is located.
Through a series of doors and gateways, we arrived at the primary courtyard of Hawa Mahal.
A feature water fountain dominated the primary courtyard of Hawa Mahal.
We had little interest on the water feature. Instead, our primary aim was to check out the small windows and the views from the top two levels of the palace.
We walked up a level at a time. Colourful stained glass windows were everywhere, providing a pleasant visual effects for the interiors.
While many small windows were locked up, some were opened for visitors to check out the street views.
It wasn’t difficult for visitors to imagine the elusive lives of the royal ladies behind the small windows.
The ramp tower led us to the top floor. From the top floor, we could enjoy the view back into the royal palace.
The pink facade of Hawa Mahal matches perfectly with shops across the street.
There was another courtyard complex connected to the Hawa Mahal on the ground level.
Looking straight down the iconic facade was a little frightening.
Across the street, restaurant patios lined up on the roof and top terraces for anyone who might have the time and mood to sit down with a drink, and take in views of the romantic sunset and iconic facade.
Stairs and hallways on the top floors were really narrow.
By the time we reached the top level it was almost sunset time.
Before leaving Hawa Mahal, we found our way to check out a corner pavilion at the terrace level.
We stopped by a rooftop cafe across the street to enjoy the sunset scenery of the iconic Hawa Mahal.
Before the sun disappeared below the horizon, flood lights at the base of Hawa Mahal were turned on for the night view. We bid farewell to Hawa Mahal and returned to the Peacock Restaurant for our final dinner in Jaipur.
DAY 4 (3/5): ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer, Rajasthan, India, 2018.11.27
Over to the left below the archway, we paid the admission and stepped into the other haveli that was open to public. Known as Kothari’s Patwa Haveli, this beautiful mansion was restored and converted into a museum by the government. Despite all five havelis look similar, distinctive arches, gateways, mirror works, wall paintings, and architectural carvings differentiate each haveli from one another. To our surprise and slight disappointment, the restored interiors of Kothari’s Patwa Haveli actually looked quite new and polished. Much of the haveli had became a museum with artefact and antique furniture displays.
Kothari’s Patwa Haveli is located at the beginning of the lane where the building bridges across to form an archway.
Admission tickets were sold by a staff sitting across the lane from the entrance of Kothari’s Patwa Haveli.
After a flight of stair, we reached the level right above the lane archway. From there, we came close to see the ornate carvings of the balcony.
From the window above the archway, we gained a unique view of all five mansions of the Patwon Ki Haveli.
No matter how many times we had seen the splendid craftsmanship of sandstone carvings in Rajasthan, we were still overwhelmed by the sandstone carvings of Kothari’s Patwa Haveli.
The multi-level Kothari’s Patwa Haveli centers around a internal courtyard.
Today, the internal courtyard is occupied by a textile and embroidery shop.
The staff carefully laid out the blankets and textiles for their customers.
The museum displays occupy the upper levels of the haveli. We basically circled around the internal courtyard through a series of interconnected rooms.
One of the first room that we encountered was set up as a dining room.
The living room was one of the best restored spaces at Kothari’s Patwa Haveli, with colourful murals and fine pieces of furniture.
Antique furniture, music instruments, and clocks were on displayed in the living room.
Each important room in the haveli has a unique ceiling design.
The colourful and gold murals of Jivan Vilas was one of the highlights of the haveli. Again the restorations looked fresh and vivid that the sense of history was completely gone.
An antique Chaupar/ Chopat game was on display on a vintage rug. This game had been played in India since the 4th century.
From the roof terrace, we had some good views of the surrounding neighborhood.
As well as the lane that lined in front of the mansions of Patwon Ki Haveli.
After touring Patwon Ki Haveli, we exited the lane through the archway and found our way to the Saffron Restaurant for lunch.
DAY 4 (2/5): ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer, Rajasthan, India, 2018.11.27
Below the Golden Fort of Jaisalmer, the town flourished in the Medieval times as merchants and desert caravans brought considerable amount of activities and wealth into this remote city at the heart of the Thar Desert. Nowhere else is more convincing than Patwon Ki Haveli to see the legacy of these wealthy merchants. Built in the first half of the 19th century, Patwon Ki Haveli was the oldest and largest haveli (grand mansion) in Jaisalmer. Guman Chand Patwa, a renowned trader of his time, commissioned the construction of five multi-storey townhouses for his five sons. Splendid wall paintings, mirror mosaic, and most ostentatious of all, the amazing sandstone carving on the building facade, have made the haveli an icon for the city comparable to the Golden Fort. One operated by the government and the other privately owned, two out of five havelis are open for the public today. The first haveli we visited was the privately owned mansion located at the right side of the row.
The Patwon Ki Haveli occupies a narrow lane which can be entered at either end. We entered the lane through a beautiful archway.
Upon entering the archway, we were in awe of the intriguing stone carving on the haveli facade over our heads.
Above the archway, the Patwon Ki Haveli extends over to the opposite side of the pedestrian lane.
Along the lane, there were two open spaces across from the Patwon Ki Haveli for us to stand back and admire the beautiful sandstone facade.
Moving closer to the haveli, the balconies and facade details looked stunning.
If we looked closer, we could see the slight differences between each house.
We walked by a house with its doors opened for visitors. It turned out that this was the privately owned haveli opened to the public.
Once stepped into the entrance vestibule, we were immediately overwhelmed by the richly decorated interiors.
At the core, we could look up the lightwell to appreciate the height of the building.
Walking up the haveli, one of the first rooms we encountered was the fascinating private Hindu temple. Though small, the intriguing details of the temple interiors revealed the beautiful craftsmanship of the old Rajasthan.
Across from the small temple facing the street, another small chamber was ornately decorated with paintings and carvings.
Singing from a child musician mingled with laughter from tourists could be heard through the balcony windows.
Another level up were a series of vacant rooms. Small windows for communication and tiny wall niches for candles allowed us to imagine what the space would be like a century ago. Despite there were no furniture and paint restoration, we highly appreciated the vintage and authentic feel of the interiors.
Occasional wall paintings gave a touch of vivid colours to the generally yellowish sandstone building.
At the top level we reached what looked like to be the master bedroom with large windows facing the Jaisalmer Fort on one side.
And balconies looking down to the lightwell on the other side.
A door from the master bedroom led us to a small chamber with an attic and another small room.
We reached the roof terrace near the end of the visit. The view of Jaisalmer Fort was quite amazing.
After a fruitful tour of the old mansion, we walked downstairs and returned to the entrance vestibule, where a beautiful peacock feature guarded the house for decades, welcoming and bidding farewell to visitors.
DAY 5 (4/5): YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県), Japan, 2018.05.29
Other than the Hida beef and sake, the other two places we planned to visit in Takayama were the Miyagawa Morning Market (宮川朝市) and Yoshijima House (吉島家住宅). According to guidebooks, for anyone who are interested in architecture and design, Yoshijima House is a must-go in Takayama. The Yoshijima House has been published in various design magazines and is considered an excellent example of machiya or traditional townhouse architecture of the Hida region. Built in 1907 by master carpenter Nishida Isaburo (西田伊三郎), the student of the fourth Mizuma Sagami (水間相模), the timber house of Yoshijima exemplifies the supreme craftsmanship of the traditional Hida carpentry. Today, the house is designated as a national important cultural property and a popular tourist attraction. From Sanmachi Suji (三町筋) or the old town, Yoshijima House is just a few blocks to the north beyond a water channel.
The sugitama (杉玉) outside of Yoshijima House reveals its original identity as a well known sake breweries in Takayama.
From outside, a traditional outer wall conceals the inner garden of the Yoshijima House.
Beyond the entrance vestibule, we entered into a large and airy hall. The middle part of the hall with hard flooring indicated where the sake shop was once situated, whereas the raised tatami areas belonged to the living spaces of the Yoshijima family.
We were told by the museum staff to take the wooden stair and visit the upper level first.
On the upper level, we walked through a series of tatami spaces. These spaces were used by the children of the family back in the old days.
The simplicity of design details and building materials express a sense of minimalism that is still dominating Japanese architectural design.
Occasional design elaborations such as the painted cupboard panels provide a touch of artistic beauty and focus.
Level difference is being used as a means to define two separated spaces.
The wood stairs are beautiful but a little steep.
Small architectural details throughout the building highlight the level of family status and quality of the carpentry.
The ground floor of Yoshijima House reveals the flexibility of partitioning in a traditional Japanese house. All rooms are interconnected with sliding doors, allowing utmost freedom for space planning.
There is no specific function for each 6-tatami room. When a table is set up in the tatami room then it will become a dining room. And when bedding is arranged, the same room will be transformed into a bedroom.
When all sliding panels are removed, the ground floor will become one large space for special uses.
Like many Japanese houses, a courtyard flanked with verandas provides pleasant semi-outdoor spaces for the house users.
During our visit, artworks and magazines about the Yoshijima House were on displayed at the former sake making and storage area, where beautiful jazz music was playing in the background.
The most famous feature of the Yoshijima House is the prominent posts and beams at the main hall. The spaces with the charcoal brazier set were used as living and dining room for the family.
The high windows allow light to create a pleasant ambience at the main hall.
The beauty of wood is essential to the interiors of the house. The wood beams and posts are covered with thin layer of lacquer, and have been periodically polished with cloth by the family since completion.
The antique clock on the wall reminded us the Meiji Era at the turning of the 20th century when Japan opened its doors to welcome Western technologies and knowledge and went through a rapid process of modernization.
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CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE
Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)
Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)
Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)
Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)
Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)
Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)
Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)
Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)
After the Second Anglo-Burmese War in 1852, the East India Company’s annexation of Pegu province put Yangon into British hands. In 1885, the Third Anglo-Burmese War resulted in Britain’s complete annexation of Burma, and Rangoon (now Yangon) was named as the capital of Burma (now Yangon). From 1852 until Burma gaining independence in 1948, Rangoon saw major urban transformation under the British, with splendid colonial structures constructed all over the downtown. After independence, political and military turmoil among ethnic groups threatened the survival of the new nation, and then in 1962, a coup d’etat brought the nation into a 48-year military dictatorship until the first civilian elected president came to power in 2010. During the period of political turmoil and authoritarian rule, Yangon, together with much of Myanmar, was largely isolated from the outside world. Many colonial buildings from the British era were neglected and left for natural decay. Ironically, Yangon’s decades of lack of development led to the successful preservation of Southeast Asia’s largest concentration of colonial architecture. Recently, international investment began to pour in as the country gradually opened up. Some historical buildings had since then became redevelopment targets for foreign developers. Before heading north to visit Shwedagon Pagoda, we spent a brief time wandering around the lower downtown of Yangon to admire its awesome but fading colonial architecture.
Yangon City Hall, one the most prominent colonial building in the city, stands across the street from Sule Pagoda. Designed by Burmese architect U Tin and completed in 1940, the City Hall is a fine example of Burmese colonial architecture where local influence (in this case the multi-tiered pyatthat roof) has been incorporated into the otherwise largely Western design. The City Hall building exemplifies nationalist Burmese architecture at the twilight stage of colonial rule.
Across the street from the City Hall, the Ayeyarwady Bank occupies the former Rowe & Co. Department Store building. Completed in 1910, the Rowe & Co. Department Store was the most splendid shopping venue in Rangoon. This century-old building featured a innovative steel structural frame, electric lifts and ceiling fans over a century ago.
Across the street from the City Hall, the Mahandoola Garden (Maha Bandula Park) has long been a public park at the heart of Yangon since 1868. While we were there, audience seating and a stage were set up for an upcoming event.
Also designed by Burmese architect U Tin, the Independent Monument at Mahandoola Garden (Maha Bandula Park) was erected at the centre of the park in 1948 to commemorate the nation’s independence, replacing the former statue of Queen Victoria at the same location.
Flanking the east side of Mahandoola Garden (Maha Bandula Park), the former High Court is one of the most iconic buildings in Yangon. It was also one of the first in Yangon to have toilet and plumbing facilities as well as electricity. During the military rule, the Supreme Court was replaced by the socialist Council of People’s Justices controlled by the General. Today, Myanmar’s Supreme Court has been relocated to the new capital Naypyidaw.
Further south from Mahandoola Garden, at the intersection of Sule Pagoda Road and Strand Road stands the baby blue and white Myanmar Economic Bank building (formerly Bank of Bengal and then Imperial Bank of India). The Imperial Bank of India was the most prominent bank in colonial Burma, serving like the central bank for the nation.
The former Accountant-General’s Office and Currency Department were housed in a magnificent building with three octagonal towers. These former colonial departments oversaw taxes and trade customs for British Burma, which was belonged to the Government of British India.
Today, the building is in poor condition, especially for the wings along Bank Street and Mahabandoola Garden Street. Overgrown weeds took over parts of the building facade.
The building hasn’t changed much since the Japanese bombing in 1942.
This former Accountant-General’s Office and Currency Department building was partially occupied by Yangon Divisional Court and Department of Pensions nowadays.
Each of the octagonal towers houses a ornate spiral staircase.
The red-brick Customs House is one of the few historical buildings still serving its original functions today.
Since 1916, the two-faced clock has been the iconic feature of the Custom House.
Further down Strand Road, we arrived at Myanmar Port Authority (former Port Trust Office). The corner tower is an iconic landmark for the city, both for today and back in 1920s, when the new building was erected to reflect Rangoon as one of the busiest port in the British Empire.
Myanmar National Airlines occupies the 1920s building of the former Bombay-Burmah Trading Corporation, whose diverse business included exporting teak wood. Right next door stood the splendid Strand Hotel, the 1901 glamorous hotel for affluent visitors in the early 20th century. In 1993, the hotel was fully renovated with a budget of USD 10 million.
The former National Bank of India building (now Myanma Agricultural Development Bank) was built in 1930. Designed by Thomas Oliphant Foster and Basil Ward, the same architects who had done the Myanmar Port Authority building, the beautiful entrance canopy and the golden entrance door remain as special features of Pansodan Road.
Written with “A Scott & Co” and “erected 1902” on the triangular pediment of today’s YCDC (Yangon City Development Committee) building, this colonial architecture had witnessed the era when Rangoon had a strong trading connections with Scotland.
Wandering in Downtown Yangon offered us a chance to see a number of the city’s finest colonial buildings in just a short walk. Throughout the walk, we passed by many anonymous buildings from the British era.
We planned to visit Secretariat (Ministers’ Building), the former administrative centre of British Burma and Yangon’s most important colonial building. On our way, we passed by several more interesting historical buildings. Unfortunately the Secretariat complex was not open to the public. We could barely see it from outside the fence, and decided to move on to Shwedagon Pagoda.
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Blog posts on Myanmar 2017:
Day 1: Yangon, Myanmar
DAY 1: INTRODUCTION OF A SHORT BURMESE CHRISTMAS VACATION
DAY 1: WALK TO 999 SHAN NOODLE HOUSE
DAY 1: SULE PAGODA
DAY 1: COLONIAL ARCHITECTURE
DAY 1: BUSTLING STREET LIFE
DAY 1: GOLDEN WORLD OF SHWEDAGON PAGODA
DAY 1: A PLACE FOR PEOPLE, Shwedagon Pagoda
DAY 1: EVENING MAGIC OF THE GOLDEN SHWEDAGON PAGODA
DAY 1: A FESTIVE NIGHT
Day 3: Bagan
DAY 3: MAGICAL SUNRISE, Old Bagan
DAY 3: NYAUNG-U MARKET, Nyaung-U
DAY 3: SULAMANI TEMPLE
DAY 3: DHAMMAYANGYI TEMPLE
DAY 3: THATBYINNYU TEMPLE
DAY 3: NAPAYA, MANUHA AND GUBYAUKGYI, Myinkaba
DAY 3: SUNSET No. 2, Old Bagan
DAY 3: FINAL NIGHT IN NYAUNG-U
Day 4: Farewell Myanmar
DAY 4: FAREWELL BAGAN FAREWELL MYANMAR
If there was one architect that redefined Japanese architecture during the 1990s it would be Tadao Ando. And if there was one project that best exemplified the essence of Ando’s architecture it would be Ibaraki Kasugaoka Church, or the Church of Light. Located 25km northeast of Osaka, Ando’s Church of Light is a pilgrim destination in the world of architects and designers. The precise use of natural light, minimalist layout, smooth pour in-situ concrete walls, modular spatial proportions, and zenist interplay of void and solid converges into an architectural masterpiece with a volume no bigger than a small house.
The Church of Light opens only on specific days of the week, usually on Sunday but sometimes also Wednesday and Saturday. Visiting the church requires advanced reservation online. It was about 20 minutes of train ride from Osaka Station to Ibaraki, a residential neighborhood in the outskirt of Osaka. From Ibaraki station, it was another short local bus ride to reach the closest bus stop to the Church of Light. It was a peaceful Sunday when we visited, we found our way to the main entrance of the church complex, which was consisted of the Church of Light and the Sunday School, a latter addition to the complex also designed by Ando. We registered with the staff at the reception of the Sunday School, and was then led into the famous Church of Light. Once inside, we had all the time we needed to examine the architecture, take photos, and take in the spiritual atmosphere.
We stayed at the church for over an hour, until it was time for us to return to Osaka Tennoji Station, where we would take the Haruka Express for the Kansai Airport. Nine days of Osaka, Kobe, and the spiritual Kumano Kodo gave us a refreshing spring break, with joyful memories from the splendid cherry blossoms, spiritual scenery, fantastic seafood, to poetic architecture.
A small outdoor gathering space between the school and the church, occupied by a man in suit playing badminton with a young lady. It was lovely to see how people making use of the space and we were both touched by this scene, for some reasons.
After a thorough visit to the Church of Light and a relaxing stroll in the laid back neighbourhood of Ibaraki, we returned to the Osaka Station. The station was busy and filled with people but somehow everything remained in good order.
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Read other posts on 2015 Kansai…
Day 1.0 – Kansai Japan 2015
Day 1.1 – Hanami, Mount Yoshino
Day 1.2 – Feast under the Shades of Sakura, Mount Yoshiko
Day 2 – A Day in Kobe
Day 3 – A Day in Central Osaka
Day 4 – Tanabe – Prelude of the Kumano Kodo
Day 5.1 – Takijiri to Takahara, Kumano Kodo
Day 5.2 – Takahara to Tsugizakura , Kumano Kodo
Day 5.3 – Minshuku Tsugizakura, Kumano Kodo
Day 6.1 – Tsugizakura to Mikoshi-Toge Pass, Kumano Kodo
Day 6.2 – Mikoshi-Toge Pass to Hongu Taisha, Kumano Kodo
Day 6.3 – Kumano Hongu Taisha to Yunomine Onsen, Kumano Kodo
Day 7.1 – Ryokan Adumaya, Yunomine Onsen, Kumano Kodo
Day 7.2 – Yunomine Onsen, Kumano Kodo
Day 7.3 – Kumano Hongu Taisha, Kumano Kodo
Day 7.4 – Wataze Onsen, Kumano Kodo
Day 8.1 – Kumano Nachi Taisha, Kumano Kodo
Day 8.2 – Kii Katsuura, Kumano Kodo
Day 9 – Church of Light, Osaka