Before returning to 1st Gate Home Fusion Hotel, we dropped by Nathmal Ji Ki Haveli, another famous haveli in Jaisalmer. The haveli was built for Diwan Mohata Nathmal, the chief minister of Jaisalmer who served between 1885 – 1891. The haveli was supposedly built by two architects, Hathi and Lulu, who happened to be brothers. Each brother started building the mansion’s from a different facade, and thus the two sides are said to carry subtle differences if looked closely. Unlike Patwon Ki Haveli, Nathmal Ji Ki Haveli is not a museum, nor is it open to the public. Visitors like us can only reach as far as the entrance courtyard that was flanked by a few souvenir shops selling miniature paintings. After a brief stay, we took a leisure stroll back to the hotel. Wandering in the busy market streets of old Jaisalmer and seeing all the vibrant interactions of the locals was a delight. Such delight would left us pleasant memories of the Golden City before we moved on to our next destination by night train.
Nathmal Ji Ki Haveli is considered to be one of the grandest haveli in Jaisalmer.
The two yellow sandstone elephants of Nathmal Ji Ki Haveli are iconic representations of Jaisalmer’s splendid architectural carvings.
Visitors can only go as far as the entrance courtyard of Nathmal Ji Ki Haveli.
After stopping by at Nathmal Ji Ki Haveli, we wandered a bit in old Jaisalmer to find our way back to 1st Gate Home Fusion Hotel.
In the maze like network of small streets, we passed by two stone workers who were preparing stone blocks from a pile of local yellow sandstone.
At a street intersection, a group of men gathered for some sort of discussion at a beautiful veranda.
Shops lined on both sides of small market streets. Cows were free to roam around on the streets (and shops).
It was strange to see cows roaming freely on the streets while some ended up becoming leather goods in shops.
Despite the remote desert location, fresh vegetables were sold in abundance.
It was late in the afternoon and there were only two vendors left at this market square.
Most shops were completely open to the streets, including these tailor shops.
Just like other places in Rajasthan, garments of vivid colours were always the most popular among locals.
For snacks, sweet pastries seemed to be the way to go.
Cakes with sharp colours and sweet flavour: Indian style.
We passed by the popular Bhatia Sweets near the first gate of the fort. Both locals and foreign visitors gathered here for their regional sweets ghotua laddu, kalakand, etc.
We returned to 1st Gate Home Fusion Hotel near the fort, where we had dinner at the rooftop restaurant again. Despite we had already check out of our room, the manager let us stay at the massage room until it was time for us to leave for our midnight train.
DAY 4 (4/5): DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer, Rajasthan, India, 2018.11.27
From our guidebook we picked Saffron Restaurant for lunch. Situated on the leafy rooftop of Nachna Haveli Hotel, Saffron Restaurant offers an atmospheric venue away from the busy lanes of Jaisalmer. The building complex is owned by the Nachna family. They are direct descendants of Maharawal Jaisal, the founder of Jaisalmer. The Nachna Haveli was partially converted into a heritage hotel in 1996.
We entered the Nachna Haveli Hotel through a elegant gateway.
Beyond the gate, we arrived at a sleepy and lush green courtyard.
Comfortable seating adjacent to the courtyard offers visitors and guests a great place to escape from the afternoon heat.
We were told to go upstairs to the roof for the Saffron Restaurant.
Compared to the dusty and often busy street outside, the leafy and tranquil rooftop of Saffron Restaurant felt like a paradise to us.
At Saffron, it was a big surprise to find that film shooting was going on at part of the rooftop. It was a scene of causal talk between a mother and daughter while hanging the laundry.
After lunch, we went to check out the guidebook recommended handicraft shop Desert Handicrafts Emporium.
Desert Handicrafts Emporium is owned by LN Khatri, a knowledgeable historian and folklorist of the Thar region.
After purchasing two embroidered pieces, Mr. Khatri led us to his Thar Heritage Museum. With a decent collection of artefacts and antiques from various desert villages.
One of the most interesting display was a Gyan Chaupar (meaning ‘Game of Knowledge) game, which sometimes can be referred as the Snake and Ladder game. The game has been around in India since the 2nd century. It is a game that involves educating people about religious vice and virtue.
Displays at the Thar Heritage Museum are grouped in such a way that visitors can easily learn about the specific life and work of various kinds of people in the Thar Desert.
Opium was popular in Rajasthan in the old days. Khatri’s museum designates a corner to display the artefacts used for opium smoking.
Mr. Khatri’s father was actually a ghee collector in the Thar Desert. A number of old ghee containers are on display.
The displayed items in the museum reflect a bygone era of the Thar Desert.
Embroideries with gold and silver threads are popular in villages of the Thar Desert.
Vintage black and white photographs in the museum convey a romantic sense of the bygone Rajasthan.
Mr. Khatri was kind to show us around and talked about the highlights of his collection. The visit offered us a thorough glimpse of what life was like back in old Rajasthan.
DAY 4 (3/5): ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer, Rajasthan, India, 2018.11.27
Over to the left below the archway, we paid the admission and stepped into the other haveli that was open to public. Known as Kothari’s Patwa Haveli, this beautiful mansion was restored and converted into a museum by the government. Despite all five havelis look similar, distinctive arches, gateways, mirror works, wall paintings, and architectural carvings differentiate each haveli from one another. To our surprise and slight disappointment, the restored interiors of Kothari’s Patwa Haveli actually looked quite new and polished. Much of the haveli had became a museum with artefact and antique furniture displays.
Kothari’s Patwa Haveli is located at the beginning of the lane where the building bridges across to form an archway.
Admission tickets were sold by a staff sitting across the lane from the entrance of Kothari’s Patwa Haveli.
After a flight of stair, we reached the level right above the lane archway. From there, we came close to see the ornate carvings of the balcony.
From the window above the archway, we gained a unique view of all five mansions of the Patwon Ki Haveli.
No matter how many times we had seen the splendid craftsmanship of sandstone carvings in Rajasthan, we were still overwhelmed by the sandstone carvings of Kothari’s Patwa Haveli.
The multi-level Kothari’s Patwa Haveli centers around a internal courtyard.
Today, the internal courtyard is occupied by a textile and embroidery shop.
The staff carefully laid out the blankets and textiles for their customers.
The museum displays occupy the upper levels of the haveli. We basically circled around the internal courtyard through a series of interconnected rooms.
One of the first room that we encountered was set up as a dining room.
The living room was one of the best restored spaces at Kothari’s Patwa Haveli, with colourful murals and fine pieces of furniture.
Antique furniture, music instruments, and clocks were on displayed in the living room.
Each important room in the haveli has a unique ceiling design.
The colourful and gold murals of Jivan Vilas was one of the highlights of the haveli. Again the restorations looked fresh and vivid that the sense of history was completely gone.
An antique Chaupar/ Chopat game was on display on a vintage rug. This game had been played in India since the 4th century.
From the roof terrace, we had some good views of the surrounding neighborhood.
As well as the lane that lined in front of the mansions of Patwon Ki Haveli.
After touring Patwon Ki Haveli, we exited the lane through the archway and found our way to the Saffron Restaurant for lunch.
Standing on the Trikuta Hill, the Golden Fort of Jaisalmer has withstood the sandstorms and wind of the Thar Desert for 800 years. Bathed in a honey glow under the setting desert sun, visitors often describe the Golden City of Jaisalmer as the picture-perfect castle of A Thousand and One Night. The spectacular Jaisalmer was once a significant trading city frequented by camel caravans on the ancient Silk Road. Today it is an UNESCO World Heritage site and the westernmost destination for visitors coming to Rajasthan. Beyond the desert to the west is the Indian border with Pakistan. Many come to Jaisalmer by the 18-hour train service from Delhi to cover the 780km distance. We chose to take a flight from Delhi to Jodhpur, and then a hired car from Jodhpur to Jaisalmer. After a brief stop at Osian, by the time we reached our hotel at Jaisalmer it was already after dark.
We checked in at First Gate Home-Fusion, a historical haveli converted hotel, at around 19:30.
Our pleasant room was on the upper floor with a pleasant balcony.
After checking in, we went up to the rooftop restaurant at our hotel.
Situated near the first gate of the fort, the rooftop restaurant of our hotel offers gorgeous views of the iconic fort.
Specialized in Indian and Italian cuisine, we ordered a combination of both for our first dinner at Jaisalmer.
From the balcony of our hotel room, we patiently waited for the sunrise at the east horizon.
Below our balcony was a quiet side street of small guest houses.
On the street, dogs, cows and local residents passed by our balcony every so often.
From the balcony we enjoyed the spectacular sunrise for two days in a row.
For two days in a row we witnessed the same little girl fed the street dogs while on her way to school.
Soon after sunrise, locals in colourful dresses came out to clean the street.
At the other side of the balcony, we also enjoyed a splendid view of the fort.
Under the rising sun, the yellow sandstone of the fort was illuminated in a golden glow.
Sunlight penetrated into our room through a tiny window.
Outside our room, sunlight also spilled into the hallway through high windows.
After breakfast, it was time for us to step out and explore the magnificent Jaisalmer.
DAY 6 (5/6): GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山), Nanto (南砺市), Toyama Prefecture (富山県), Japan, 2018.05.30
The idea of staying a night in a traditional gassho-zukuri house prompted us to come all the way to Ainokura, the remotest of the three UNESCO World Heritage villages in the Japanese Alps. A few centuries-old gassho-zukuri houses in Ainokura have been converted into minshuku (民宿) or Japanese style bed-and-breakfast. A typical minshuku stay offers a Japanese tatami room, as well as dinner and breakfast served in a traditional dining room around an Irori (囲炉裏) hearth. Based on online reviews and guidebook recommendations, we booked our stay at Gassho Minshuku Nakaya, a 350-year old gassho-zukuri located near the end of the village. The interior of the house was as expected full of wooden panels, tatami flooring and timber lattices. The bathroom and toilets were clean and modern, while the dining room and its Irori hearth provided a feature for all visitors.
Outside of the minshuku, gassho-zukuri houses scattered along the few winding paths and surrounded by patches of terracing flower beds and rice paddy fields. Historically, Ainokura was self sustained not by farming, but by making traditional paper and raising silkworm. Since the decline of silkworm raising in the 1950s, some fields of mulberry trees uphill from the village were converted into agricultural fields for vegetables and rice paddy. Today, rice paddy fields dominate the scenery of Ainokura. As the most important staple food in Asia, rice cultivation represents the lifeline for many nations, including Japan. Apart from rice fields, small beds of colourful flowers can be found all over the village. Flowers are planted adjacent to rice terraces, or along winding paths, or in front of village homes, leaving touches of lovely colours among the lush green palette, even in the greyest rainy day.
Gassho Minshuku Nakaya is a well-preserved 350-year-old gassho-zukuri house in the UNESCO World Heritage village.
The thatched roof and timber wall panels of the minshuku look just like other traditional farm houses in the village.
Just like any typical Japanese house, there is a decent entrance vestibule at the Gassho Minshuku Nakaya.
The guest area is limited at the ground floor only, with traditional tatami bedrooms, dining room, and bathroom.
In the dining room above the Irori (囲炉裏) hearth, a jizaikagi (自在鉤) or free hook is attached to the beam structure of the house.
Our room was a Japanese style tatami room with traditional decorations.
Upon arrival, we were given green tea and snacks.
Outside of Gassho Minshuku Nakaya, lovely flowers could be found in many fields and flower beds.
One of the most impressive flower beds we saw was just opposite to the front door of our minshuku.
The small flowers in front of Minshuku Yomoshiro present a subtle beauty.
Colourful flowers along the village paths lighted up the scenery in a rainy day.
We found some of the most impressive flowers at the terracing flower beds in the midst of the lush green rice paddy fields.
And more flowers…
Late May. Rice seedlings had just planted not long ago. Rows of footprints were visible in the rice paddy fields.
It was a pleasure to get so close to the rice paddy.
At the end of Ainokura near Gassho Minshuku Nakaya, we found some larger rice fields with beautiful reflections of the surrounding mountains.
After spending time to photograph the rice fields, it was about time for dinner.
The illuminated Gassho-zukuri village houses blanketed in thick layer of snow make a fairy tale like postcard scenery have attracted visitors from close and afar, making Shirakawa-go an extremely popular tourist attraction at specific winter weekends. Situated in the remote snow county of the Japanese Alps, gassho rural regions such as Shirakawa-go (白川郷) and Gokayama (五箇山) have been historically isolated from the outside world. A unique rural lifestyle and special vernacular architecture have been developed in the past few centuries to tackle the snowy and wet climate of the mountains. Gassho-zukuri (合掌造り集落), which literally means “hands in prayer”, refers to the exceptionally steep thatch roofs of the regional farmhouses due to the heavy snowfall of the area. These steep roofs have become a unique symbol of the region. In 1995, three of these remote Gassho-zukuri villages: Ogimachi in Shirakawa-go (荻町), Suganuma (菅沼) and Ainokura (相倉) in Gokayama were declared a UNESCO World Heritage site.
Due to its proximity to Hida-Takayama, most visitors opt for a day trip (or half-day trip) to visit Shirakawa-go. Few would venture farther into Gokayama and even less so would stay the night at one of the mountain villages. In recent years, a number of the centuries old Gassho-zukuri farmhouses have been transformed into guesthouses, allowing visitors to experience the villages’ unique beauty and tranquility after the departure of the daytrippers. Being the largest and most accessible Gassho-zukuri village, Ogimachi of Shirakawa-go is the most developed in terms of its tourist facilities. A number of its old farmhouses have been converted into museums, restaurants and souvenir shops. There is even an area called Gasshozukuri Minkaen Outdoor Museum, where historical farmhouses have been relocated and grouped into an open air museum. Taking the 8:25am bus from Takayama, we arrived at Shirakawa-go bus station in about an hour. When we arrived at one of Japan’s most picturesque farming village, steady rain kept on coming down with no end in sight. We stored our backpacks in a locker at the bus station, picked up a village map and bought a transparent umbrella from the tourist office, and off we went to explore touristy yet charming Ogimachi of Shirakawa-go.
Just outside the bus station, we had our first peek of the rural charm of Shirakawa-go. Rhythmical rain drops rippled across the flooded paddy field of lush green rice seedlings.
Despite the rain, we were delighted to enter the tranquil world of Ogimachi.
It was 9:20am. Not too many tourists were around. We stopped by the pond of waterlilies in front of Wada Residence, one of the largest gassho style house in the village.
Ogimachi has a extensive network of irrigation channels. Visitors may occasionally find carps in the water.
A row of cute scarecrows offer an amusing background for photos, and a friendly reminder of Ogimachi’s rural past.
Straw from farm crops are harvested in the autumn, dried as a snow fence around the gassho style house, and used to repair the thatched roof in the spring or autumn. Due to the need of a large labour force, neighbors in the village would come over to help on repairing the thatched roof.
Many gassho style houses, including the Yamaainoie Residence (山峡の家), have been converted into cafes, restaurants, souvenir shops or guesthouses.
The small gassho style house serves as a charming little cafe with splendid views of rice patties.
The entrance of the cafe is decorated with plant pots, wood lattice and a “thinker” statue.
In 1961, the construction of Miboro Dam at Sho River in Takayama was completed. several villages and shrines were submerged, along with about half of the surviving Gassho-zukuri houses.
Today, the biggest concentration of Gassho-zukuri houses are found in Ogimachi, Ainokura, and Suganuma. Important structures, such as the Myozen-ji Temple in Ogimachi, have become rare survivors from the bygone period.
Thatched roof repair works can still be seen in Ogimachi of Shirakawa-go.
The steep angle of the thatched roof of the Gassho-zukuri houses help to prevent snow accumulation, though people, especially outside visitors, have to be cautious of the falling snow below the roof.
A number of Gassho-zukuri houses in Ogimachi of Shirakawa-go have been turned into guesthouses.
Fire hydrants are important in the farming village because of the combustibility of the Gassho-zukuri houses.
Because of the rain, the mountains beyond Ogimachi were covered in beautiful mist while we were there.
Newer houses in a distinct architectural style can also be found in the village.
Due to the unique appearance of the Gassho-zukuri houses and it natural setting, Ogimachi of Shirakawa-go is often considered one of the most picturesque farming village in Japan.
* * *
CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE
Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)
Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)
Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)
Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)
Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)
Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)
Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)
Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)
We arrived at the central gate of the Potala at around 9am. We excitedly looked up at the magnificent icon of Lhasa as we entered the palace ground beyond the first security checkpoint. We found our way towards the main ramp that ascend up to the Potala. Before climbing up, we made a brief stop at a small museum that housed a decent collection of treasures from the palace. Despite its interesting exhibit, we didn’t stay long as we wouldn’t want to miss our time slot for the palace visit. The walk up the main ramp looked easier than it actually was. Because of the 3700m altitude, the climb up the main ramp to the Potala may prove challenging to many tourists who haven’t completely acclimatized to the Tibetan highlands. We took our time walking up to the ticket office near the top palace level. After all the effort of pre-booking and climbing, we finally got a real admission ticket for the Potala. A flight of steps led us up a colourful passage to a open courtyard known as Deyang Shar. After a brief break at Deyang Shar, we walk to the far side of the courtyard and followed other tourists and tour guides up a small set of triple stairs into the White Palace. The Deyang Shar was the final spot of our visit that we were allowed to take photographs.
The first room we arrived at was the throne room of the Dalai Lamas. Walking into the former throne room felt like entering into a scene of Scorsese’s movie Kundun. The visit continued to a series of Dalai Lamas’ former reception rooms, meditation room, study room, etc. After the Dalai Lama’s living quarter in the White Palace, we continued our visit to the Red Palace from the top (3rd floor) down. On our way down the floors and through the chapels and assembly halls, we passed by impressive statues, golden chortens of former Dalai Lamas, mysterious chapels such as Chapel Arya, one of the oldest structures in the Potala built by King Songtsen Gampo. If not the noisy tourists and their rude tour guides were virtually everywhere in the visitor route, our Potala visit would be much more pleasant. One of the highlights was the 12.6m chorten of the 5th Dalai Lama. Gilded with 3.7 kg of gold, the chorten of the 5th Dalai Lama was significantly larger than the other chortens displayed in Chapel of the Holy Born.
In 7th century, King Songtsen Gampo erected his royal palace on the Marpo Ri (Red Hill). A thousand years later, construction of the Potala’s White Palace (Kharpo Podrang) began in 1645 under the order of the 5th Dalai Lama. In late 17th century, the larger Red Palace (Marpo Podrang) was also built to house the funeral chorten of the 5th Dalai Lama. Since then, the Potala has become the residence and final resting place of the Dalai Lamas. In modern days, the Potala was largely spared from the destructing forces of the Red Army during the Cultural Revolution. Extensive renovations took place in the 1990s to restore the palace. Since then, the Potala has been turned into an open air museum that attracts thousands of visitors everyday.
The palace visit took us about 2 hours. We exited the Potala from its back entrance. A prominent walkway zigzagged down the Marpo Ri, leading us to the kora path of pilgrims that surrounded the base of the Potala. We followed the kora path and entered the Zongjiao Lukang Park (宗角祿康公園) north of the palace. Large groups of park users were dancing at different open areas in the park under loud music. We strolled for a bit in the park and then moved on to find a small noodle eatery for lunch.
Unlike the mysterious night scene, the morning view of the Potala was splendid and elegant.
During our visit, we only had access to small parts of the White and Red Palace.
Despite the access and photography restrictions, a visit to the Potala is still a must-do for most tourists in Lhasa.
To reach the ticket office of the Potala, walking up the main ramp is the second major challenge for many tourists (the first challenge being getting up early to queue for the pre-booking.
From the main ramp, we could clearly see the Potala Square (布達拉宮廣場) beyond Beijing Road.
After an exhausting climb to the top, we finally reached the entrance gate and the ticket office.
From the entrance gate, we could see the beautiful landscape outside of the city of Lhasa.
The mural of the heavenly guards and other mythical figures caught the attention of every visitors passed through the entrance gate.
The entrance door was beautifully decorated with colourful details.
After the entrance gate, we passed through a flight of colourful stair up to the entrance courtyard of the White Palace called Deyang Shar.
The Deyang Shar is a pleasant courtyard that serves as the entrance for the White Palace, and the courtyard is also the last spot where visitors are allowed to take photographs during their Potala visit.
The visit of the Potala for all tourists begins with the White Palace.
At the Deyang Shar, groups of tourists began their palace visit via a steep stair.
After the visit we exited the Potala at the back side of the palace.
We walked down a pleasant walkway down the Marpo Ri.
The walkway led us down to the kora path of pilgrims that surrounded the base of the Potala.
Along the kora path there were small shrines for pilgrims.
Near the Zongjiao Lukang Park, we passed by a popular shrine frequented by pilgrims.
We followed the kora path and entered the Zongjiao Lukang Park (宗角祿康公園) north of the palace.
We strolled for a bit in Zongjiao Lukang Park and then moved on to find a small noodle eatery nearby for lunch.
* * *
More blog posts on Tibet 2017:
JOURNEY ABOVE THE CLOUDS, Tibet 2017 (西藏之旅2017)
DAY 1: TOUCHDOWN ON THE ROOF OF THE WORLD, Lhasa
DAY 1: TRICHANG LABRANG HOTEL (赤江拉讓藏式賓館), Lhasa
DAY 1: KORA AT BARKHOR STREET (八廓街), Lhasa
DAY 2: FIRST GLIMPSE OF POTALA (布達拉宮), Lhasa
DAY 2: KORA OF DREPUNG MONASTERY (哲蚌寺), Lhasa
DAY 2: DREPUNG MONASTERY (哲蚌寺), Lhasa
DAY 2: JOKHANG MONASTERY (大昭寺), Lhasa
DAY 2 : SPINN CAFE (風轉咖啡館), Lhasa
DAY 2: NIGHT VIEW OF POTALA (布達拉宮), Lhasa
DAY 3: POTALA PALACE (布達拉宮), Lhasa
DAY 3: SERA MONASTERY (色拉寺), Lhasa
Day 4: KORA OF GANDEN MONASTERY (甘丹寺), Lhasa
Day 4: GANDEN MONASTERY (甘丹寺), Lhasa
DAY 4: TEA HOUSE AND FAMILY RESTAURANT, Lhasa
DAY 5: ON THE ROAD IN TIBET
DAY 5: MORNING IN SHANNAN (山南)
DAY 5: SAMYE MONASTERY (桑耶寺), Shannan
DAY 5: SAMYE TOWN (桑耶鎮), Shannan
DAY 6: YAMDROK LAKE (羊卓雍錯)
DAY 6: PALCHO MONASTERY (白居寺), Gyantse
DAY 6: WORDO COURTYARD (吾爾朵大宅院), Shigatse
DAY 7: ROAD TO EVEREST BASE CAMP (珠峰大本營)
DAY 7: EVEREST BASE CAMP (珠峰大本營)
DAY 7: STARRY NIGHT, Everest Base Camp
DAY 8: PANG LA PASS (加烏拉山口), Mount Everest Road
DAY 8: SAKYA MONASTERY (薩迦寺)
DAY 9: TASHI LHUNPO MONASTERY, (扎什倫布寺) Shigatse
DAY 9: ROAD TO NAMTSO LAKE (納木錯)
DAY 9: EVENING AT NAMTSO LAKE (納木錯)
DAY 10: SUNRISE AT NAMTSO LAKE (納木錯)
DAY 10: LAST DAY IN LHASA, Tibet
EPILOGUE: FACES OF LHASA, Tibet