FROM SUGAR REFINERY & DOCKYARDS TO RESIDENTIAL & BUSINESS HUB, Quarry Bay (鰂魚涌), Hong Kong
In 1974, the master plan to redevelop 96 acres of Swire’s land in Quarry Bay was approved by the Hong Kong government. The proposal included converting Taikoo Sugar Refinery into the city’s second business hub that is now known as Taikoo Place (太古坊), and transforming 53 acres of former Taikoo Dockyards into Taikoo Shing (太古城). Literally translated as “Swire’s City”, Taikoo Shing contains 61 residential towers (12,698 apartment flats) and one of the island’s largest shopping and commercial complex known as Cityplaza (太古城中心). The development of Taikoo Shing led the dramatic transformation of Swire from an industrial giant into a real estate developer and business conglomerate.
After inheriting the family trading business Swire Group from his father in 1847, British businessman John Samuel Swire took the company overseas to expand his cotton and sugar trade in China. In Shanghai, he established Taikoo Sugar Refinery and later the shipping business China Navigation Company, laying the foundation for the modern Swire Group (太古集團). In 1881, John Samuel Swire selected a site at Quarry Bay (鰂魚涌) in Hong Kong, below lush green Mount Parker (柏架山) to establish his sugar refinery factory. The factory expanded rapidly to become the world’s largest sugar refinery in 1925. After John Samuel Swire died, the company further developed the adjacent land into a massive dockyard that serviced, repaired, and built vessels for their shipping business China Navigation Company. Completed in 1907, Taikoo Dockyard (太古船塢) constructed some of the world’s largest ships in early 20th century, along with its Kowloon counterpart Whampoa Dockyard (黃埔船塢). With the sugar refinery and dockyards, Quarry Bay emerged as the largest industrial district in Hong Kong before WWII. After the sugar refinery ceased production and the dockyard moved to Tsing Yi Island in early 1970’s, Swire Group looked to reinvent itself for the contemporary era, and to transform Quarry Bay into a new residential and business hub. The 1974 master plan opened up a whole new world for Swire, diversify the company’s profile with real estate, retail services, and hospitality.
Four decades have passed since Taikoo Dockyard was turned into Taikoo Shing, and Taikoo Sugar Refinery into Taikoo Place. After work, we would sometimes walk from our office to Taikoo Shing for grocery. The 20-minute walk along Quarry Bay Promenade Pet Garden (鰂魚涌寵物公園) is one of the most pleasant harbourfront walks in Eastern Hong Kong Island. Constructed in late 2012, the pet garden offers a great venue for pet dogs and people to mingle, and lookouts to enjoy the spectacular view of Victoria Harbour and East Kowloon. As the waterfront walk reaches Taikoo Shing, the decommissioned Fireboat Alexander Grantham, Hong Kong’s flagship fireboat that served the city between 1953 to 2002, was on display at the promenade. Built in early 1950’s by Hong Kong & Whampoa Dock Co. Ltd., the fireboat is a splendid reminder of the city’s shipbuilding history, the once thriving industry at the Victoria Harbour when Hong Kong has yet become a financial and business hub.
DAY 10 (3/3): NIZAMUDDIN BASTI, Delhi, India, 2018.12.03
Before dinner, the last activity of our Indian journey 2018 was a guided tour in Nizamuddin Basti, a 14th century community centered around the shrine of the Sufi saint Hazrat Nizamuddin Auliya. Despite located just ten minutes of walk from the UNESCO World Heritage site Humayun’s Tomb, the Muslim neighborhood is relatively under visited. From online research, we learnt about the local charity organization, the Hope Project, offers tour of the community for anyone who is interested in the Nizamuddin Basti neighborhood. Found by Sufi teacher, Pir Vilayat Inyat Khan, the Hope Project runs a community health centre, a school, vocational training classes, credit program, etc in Nizamuddin Basti. Through email, we arranged a guided tour of the basti with them. Unfortunately, we were running late by the time we left Humayun’s Tomb. We weren’t sure if our arranged tour was still available. After entering the neighborhood, it took us quite some time to locate the office in the midst of busy lanes. Gratefully, the staff there were willing to take us for a walk, despite the mosques had closed. After the walk in Nizamuddin Basti, we took the metro to United Coffee House at Connaught Place for dinner. We had also dined there on the last day of our trip back in 2016.
The first thing we encountered was the outer wall of Kalan Masjid, also known as Kali Mosque or Large Mosque. The mosque was built in 1370.
We passed by the entrance of the Kalan Masjid, but were unable to enter the complex.
All the lanes in Nizamuddin Basti were busy with people and motorcycles.
Basti residents can find everything they need in their historical neighborhood.
Many locals smiled to us while we toured around the 600-year old neighborhood.
Through the historical gateway, we entered to the forecourt of Chausath Khamba, the tomb complex built by Mughal noble Mirza Aziz Koka in 1623 at the time of Emperor Jahangir.
The forecourt of Chausath Khamba was recently landscaped by the Aga Khan Trust.
The forecourt of Chausath Khamba is frequented by children coming to meet friends and play cricket.
The actual Chausath Khamba is a square shape marble building supported by 64 columns.
The marble hall is divided into 25 bays and covered by 25 domes concealed in the roof structure.
Chausath Khamba houses the tomb of Mirza Aziz Koka, his father Ataga Khan, and other unidentified people.
Adjacent to Chausath Khamba stand the Ghalib Academy and Mazar-e-Ghalib, the tomb of Ghalib, a famous 19th century Persian poet. Our tour with the Hope Project ended at Mazar-e-Ghalib.
On our way out of the neighborhood, the street eateries reminded us that it was almost dinner time.
The monumental and modernist Nizamuddin Markaz Mosque is the centre for the Tablighi network. It was busy with evening prayers as we left the basti.
Due to the Sufi request for divine love, rose is popular among locals.
We followed the main road out towards Mathura Road, where we could walk back to the metro.
We then took the metro to Connaught Place for dinner.
Just like two years ago, we sat down at United Coffee House for their local Indian cuisine.
We sat down at a table on the ground floor and took our time to enjoy the meal and ambience of the restaurant.
Another night flight to return home, another wonderful Indian journey completed. We returned back to the Airport Express Station to pick up our backpacks and hopped on an airport bounded train. This concluded the record of our India 2018 trip.
Posts on 2018 Rajasthan:-
Day 1: Jodhpur
DAY 1.1: IN TRANSIT TO RAJASTHAN
DAY 1.2: PAL HAVELI & THE OMELETTE MAN, Jodhpur
DAY 1.3: SPLENDOR OF THE SUN FORT, Mehrangarh, Jodhpur
DAY 1.4: SUNSET OVER THE BLUE CITY, Mehrangarh, Jodhpur
DAY 1.5: SADAR MARKET AND GHANTA GHAR CLOCKTOWER, Jodhpur
Day 2: Jodhpur, Osian, Jaisalmer
DAY 2.1: MARBLE CENOTAPH JASWANT THADA, Jodhpur
DAY 2.2: MEDIEVAL STEPWELLS, Mahila Bagh Ka Jhalra, Gulab Sagar, & Toorji Ka Jhalra, Jodhpur
DAY 2.3: PILGRIM OASIS IN THAR DESERT, Sachiya Mata Temple, Osian
DAY 2.4: SUNRISE AT THE FIRST GATE OF GOLDEN FORT, Jaisalmer
Day 3: Jaisalmer
DAY 3.1: THE GOLDEN LIVING FORT, Jaisalmer
DAY 3.2: JAIN TEMPLES PART 1, Jaisalmer
DAY 3.3: JAIN TEMPLES PART 2, Jaisalmer
DAY 3.4: FORT PALACE, Jaisalmer
Day 4: Jaisalmer
DAY 4.1: RESERVOIR OF THE GOLDEN CITY, Gadsisar Lake, Jaisalmer
DAY 4.2: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer
DAY 4.3: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer
DAY 4.4: DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer
DAY 4.5: LAST STROLL IN THE GOLDEN CITY, Jaisalmer
Day 5: Pushkar
DAY 5.1: RANIKHET EXPRESS
DAY 5.2: 52 BATHING GHATS, Pushkar
DAY 5.3: SUNSET OVER SACRED WATER, Pushkar
Day 6: Pushkar & Jaipur
DAY 6.1: SUNRISE OVER PUSHKAR LAKE, Pushkar
DAY 6.2: GRANDEUR OF THE MAHARAJA, City Palace, Jaipur
DAY 6.3: IN SEARCH OF 1860 CARL ZEISS CAMERA, Jaipur
Day 7: Jaipur
DAY 7.1: AMBER FORT, Jaipur
DAY 7.2: JAIGARH FORT, Jaipur
DAY 7.3: MAHARAJA’S ASTRONOMICAL LEGACY, Jantar Mantar, Jaipur
DAY 7.4: PALACE OF WINDS, Hawa Mahal, Jaipur
Day 8: Bhangarh, Abhaneri & Agra
DAY 8.1: ON THR ROAD TO AGRA
DAY 8.2: HAUNTED RUINS, Bhangarh, Rajasthan
DAY 8.3: CHAND BAORI, Abhaneri, Rajasthan
DAY 8.4: THE ABANDONED CAPITAL OF MUGHAL EMPIRE, Fatehpur Sikri, Agra, Uttar Pradesh
DAY 8.5: FRIDAY MOSQUE, Fatehpur Sikri, Agra, Uttar Pradesh
Day 9: Agra
DAY 9.1: CROWN OF THE PALACES, Taj Mahal, Agra, Uttar Pradesh
DAY 9.2: AGRA FORT, Agra, Uttar Pradesh
DAY 9.3: RAWATPARA SPICE MARKET, Agra, Uttar Pradesh
DAY 9.4: SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh
Day 10: Delhi
DAY 10.1: TRAIN 12627, Agra to Delhi
DAY 10.2 : HUMAYUN’S TOMB, Delhi
Day 10.3: NIZAMUDDIN BASTI, Delhi
DAY 2 (1/4): YEBISU GARDEN PLACE AND TOKYO PHOTOGRAPHIC ART MUSEUM, Ebisu (恵比寿), Tokyo, Japan, 2017.06.15
On the second day, we decided to stay close to the area around Shibuya. We hopped on the Yamanote Line and went one stop over to Ebisu (恵比寿). Known as the God of Fishermen and Luck, Ebisu is a popular divinity in Japanese mythology. It was then used by Japan Beer Brewery Company to come up with the brand of Yebisu Beer back in 1890. Established their production facilities near Meguro, Yebisu Beer is one of the oldest beer brand in Japan. In the modern era, the train station and the surrounding community was named after the brewery as Ebisu. In 1988, the beer brewery were moved to a new location. The original brewery site at Ebisu was then transformed into a commercial complex consisted of office towers, retail, and museums known as the Yebisu Garden Place. The Western architectural style create a unique atmosphere, attracting young couples and the local community to dine, shop and relax.
Many tourists go to Yebisu Garden Place to visit the Museum of Yebisu Beer. We came specifically to visit Tokyo Photographic Art Museum (TOP Museum). Opened in 1995, the museum is known as the only public museum in Japan dedicated to photography. The museum has recently gone through two years of extensive renovations. Three wall display of world famous photographs marked the museum entrance at the end of a colonnade. Three exhibitions were on and we opted to see them all. The first one was “20 Year Anniversary TOP Collection: Scrolling Through Heisei Part 1”, a selection of works taken by Japanese photographers during the present Heisei era (平成). The second was Museum Bhavan by Dayanita Singh, a renowned female photographer who captures the various faces and colours of the magnificently complicated Indian society. The third was World Press Photo 17, the annual award event to compliment a selection of works by the world’s photojournalists in the past year.
The Yebisu Garden Place offers a lot of pleasant public spaces for the community of Ebisu.
Two traditional red brick buildings mark the entrance plaza of Yebisu Garden Place.
Many people arrived at Yebisu Garden Place about the same time as we did, probably going to work.
We arrived at Yebisu Garden Place in the morning at around 9am. We had breakfast at one of the cafe near the entrance of Yebisu Garden Place.
The interior of the cafe was causal and sleek.
Across from the cafe, the Yebisu Beer Museum offers visitors a glimpse of the history of Japanese beer. While a Mitsukoshi department store occupies the opposite side of the entrance square.
A barrel vault atrium and a gentle ramp frame the central axis of Yebisu Garden Place, with the Chateau Restaurant Joël Robuchon at the terminus.
We then walked under the canopy to the airy Central Square.
The design of Yebisu Garden Place is dominated by classical layout and axial arrangement.
Classical architectural elements include the colonnades that appear in a number of locations in the complex.
At the Central Square, there were benches painted with playful patterns that marked the 20th anniversary of the complex.
Yebisu Garden Place is frequented with locals. We saw a few who came dressed in traditional garments.
The Chateau Restaurant Joël Robuchon is a famous luxurious venue in the area of Ebisu.
Our main reason coming to Yebisu Garden Place was the TOP Museum (Tokyo Photographic Art Museum), formerly known as the Tokyo Metropolitan Museum of Photography.
The entrance colonnade of the TOP Museum offers visitors a pleasant approach.
Shōji Ueda (植田正治)’s Sand Dune and My Wife III (妻のいる砂丘風景III) , an iconic Robert Capa’s D-Day shots, and Robert Doisneau’s Le baiser de l’hotel de ville (Kiss by the Hotel de Ville) provide a dramatic setting for the museum entrance.
We stayed at the museum for about two hours, seeing three exhibitions including “20 Year Anniversary TOP Collection: Scrolling Through Heisei Part 1”, Dayanita Singh’s Museum Bhavan, and World Press Photo 17. The TOP Museum is a fantastic cultural institution for anyone who love photography. It offers temporary exhibitions on four levels of museum spaces.