For 50 years, lampposts, electrical boxes, concrete pillars, pavements, benches, planters, and retaining walls on the streets of Hong Kong could be seen as one large canvas for the “King of Kowloon” (九龍皇帝) to leave his unique calligraphy works. Sometimes, he wrote to proclaim his ancestral land ownership of the Kowloon Peninsula before the British rule, while at other times he would write about his family. Seen by many as acts of a crazy man, the “King of Kowloon” or Tsang Tsou Choi (曾灶財) was probably the most well known graffiti artist the city had seen in the 20th century. Fined by the government numerous times, insulted by neighbours, and even disowned by his own family, Tsang Tsou Choi was mocked by Hong Kong for decades. Whenever his calligraphy was washed or painted over by the authorities, he would restore the works right after. His works were largely seen as public nuisance until the 1990’s, when local artists, fashion designers, art directors, interior designers, furniture makers, graphic designers, musicians began to use Tsang’s unique calligraphy on design products. In his final years, Tsang’s works finally began to gain public recognition with successful shows both in Hong Kong and abroad, including the Venice Biennale in 2003, and even went for auctions at the Sotheby’s.
A decade after Tsang’s death (2007), street art in Hong Kong has already entered a new chapter. Far from the vibrancy and sophistication of London’s or New York’s, street art is nonetheless much widely accepted and welcomed by the public in Hong Kong nowadays. In recent years, the city has been frequented by international street artists, such as Invader from France, who has secretly put up his iconic pixelated 8-bit video game images all over the city. In December 2019, the popular show “Banksy: Genius or Vandal?” arrived in Hong Kong and created quite a stir on the social media. The free spirit, unique artistic expression, cool character, coupled with satirical imagery, political controversy, and social criticism of street art have been welcomed by the young generations, especially in the era of social media when everybody has something to say and share.
In Hong Kong, one of the most popular areas to see interesting street art is Central-Sheung Wan (中上環). Thanks to HKwalls, the non-profit organization who has been organizing annual street art festival since 2014, several neighbourhoods in Hong Kong have already become hotspots showcasing the talents of local and international artists. In their debut year of 2014, HKwalls paired artists with properties owners in Sheung Wan and successfully added 17 street murals in the neighborhood, then another 50+ works in Sheung Wan and Stanley Market in the following year. The event moved to Sham Shui Po in 2016, Wong Chuk Hang in 2017, then returned to Central and Western District in 2018 before moving on to Wanchai (2019) and Sai Kung (2021). HKwalls has successfully brought in great artistic talents from all over the world to Hong Kong, transformed the urban scenery of old neighborhoods, and raised public appreciation of street art to a whole new level.
For a city well known of its quick, dramatic and relentless urban changes, the impermanent and transient beauty of street art suit perfectly to echo the ephemeral spirit of Hong Kong. Here if you see an interesting street art, you better document it right away. Next time around, the mural may be gone forever.
In 1890, a golden bell was installed at the main building of Wellington Barracks (威靈頓兵房), one of the three military barracks (the other two being Victoria and Murray Barracks) located between the business districts of Central (中環) and Wanchai (灣仔). The golden bell became a landmark and eventually led to the naming of the area, Kam Chung (金鐘), which literally means “golden bells”. The former naval dockyard known as Admiralty Dock gavethe area its English name, Admiralty. For over 120 years, the military barracks had been a major obstruction for urban development, creating a bottleneck between Central and Wanchai. This situation remained for much of the colonial era until the late 1970’s, when the governor has finally convinced the military department to release the land. Demolition of the barracks began in late 1970’s and gave way to a series of developments that make up the present Admiralty: High Court, Government Offices, metro station, transport interchange, various commercial towers, the Asia Society complex, the luxurious retail and hotel complex known as Pacific Place, and the 8-hectare Hong Kong Park on the lower slope of Victoria Peak.
Hong Kong Park occupies much of the former Victoria Barracks (域多利兵房). During construction, a number of historical buildings were preserved, including the Flagstaff House, Cassels Block, Wavell House, and Rawlinson House. The park design respected the natural topography of the site, maintaining a naturalistic setting for all to enjoy. Opened in 1991, Hong Kong Park was an instant hit for Hong Kongers. Combining the natural context and heritage buildings with the new water features, wide range of landscape elements, amphitheatre, lookout tower, large conservatory, and Southeast Asia’s largest aviary, the park has ensured that there would always be something to suit everyone’s taste. A combined visit to the nearby Zoological and Botanical Gardens would satisfy the desire of anyone who desires for a moment of tranquility in the heart of Hong Kong’s business district.
Famous for its restless and often stressful urban living, sparing the time to take a walk in the park can be a luxury for many Hong Kongers. In fact, many may not even notice the existence of parks and gardens in the business district of Hong Kong. Behind the towering skyscrapers of Central (中環), a rather hidden 5.6 hectares area on the slope of Victoria Peak stands the oldest public park in Hong Kong. Long before the city was promoted as a shopping paradise, or a foodie haven of Michelin star restaurants, or a recreational hub of amusement parks and vibrant nightlife, or an exotic destination of subtropical beaches and seaside hiking trails, Hong Kong Botanical Gardens (香港植物公園) was one of the primary tourist attractions in the Victoria City. Founded in 1864 and completely opened to the public in 1871, the gardens was established in times when botanical gardens were founded by colonial powers in different locations around the world. The Hong Kong Botanical Gardens was used by the British as a regional hub to study plant species collected from the Far East before transferring back to the Kew Gardens in England, or before planting at other areas in Hong Kong.
Bounded by Garden Road (花園道), Robinson Road (羅便臣道), Glenealy (己連拿利) and Upper Albert Road (上亞厘畢道) in the Mid-Levels (半山), Hong Kong Botanical Gardens is often referred to as Bing Tau Fa Yuen (兵頭花園) by the locals. Literally means “Head of Soldiers” Garden, “Bing Tau Fa Yuen” references to the former Governor’s House built at the Garden’s location. In 1975, the official name of the Gardens was changed to Hong Kong Zoological & Botanical Gardens (香港動植物公園), as a result to the growing collection of display animals. Despite initial researches of botanical science (which led to the founding of Hong Kong Herbarium in 1878) at the Gardens, most people would remember the Gardens as a place to check out animals and floral displays. Though the history of how the Gardens had played a role in botanic research for tree planting on the Hong Kong Island shall always be remembered. After all, transforming Hong Kong Island from a barren and rocky island with no forests, no trees and only grass in the 19th century (resulted from centuries of reckless deforestation) into the relatively lush green metropolis that we see today was no small feat.
Situated right across from my primary school, Bing Tau Fa Yuen is an essential part of my childhood memories. Going to Bing Tau Fa Yuen (兵頭花園) to check out the howler monkeys, orangutans, peacocks and even jaguars was a small after-school treat for me as a child. Every spring, Azalea (杜鵑花) would flourish across the park, attracting a large crowd to take selfies. Many years have gone by and the neighborhood has significantly transformed since my childhood’s time. Though the annual blossom at Bing Tau Fa Yuen is one of the few things that could remain unchanged throughout the years.
Entangling roots stretch across the surface of granite walls might remind people of the Ta Prohm Temple at Angkor Wat instead of the city of Hong Kong. Commonly known as “Stone Wall Trees” (石牆樹), the urban scenery of Chinese Banyan (Ficus microcarpa 細葉榕) enrooted on historical granite walls is a unique scene in Hong Kong, especially in Central-Western District where the heart of the old Victoria City was located. In 1841 when the British first landed in Hong Kong, the bare, rocky and hilly terrain of the island posed a huge challenge for establishing a settlement. Apart from land reclamation along the coast, the British also create habitable land by constructing flat terraces on the slope of Victoria Peak (Tai Ping Shan 太平山). From the mid 19th century onwards, local granite was used to construct retaining walls for the terrace constructions. To make the relatively bare island more habitable, trees were planted across the city to provide shade and visual interest. Many foreign tree species from other British colonies such as India and Australia were brought to Hong Kong. Due to its suitability to the local climate and ability to grow rapidly, Chinese Banyan (細葉榕) were widely planted. From these banyan trees, birds and bats ate the figs and spread the seeds all over the city, and into stone joints of the retaining walls. This led to the birth of the stone wall trees.
In 1996, scholar C.Y. Jim found 1275 trees with 30 or so species on about 505 stone walls. Ficus Microcarpa or Chinese Banyan is the most common type of stone wall trees. With hardly any soil to clinch into, these banyans take the wall as their host and spread their intertwining roots on the stone surfaces. After 50 to 100 years, these banyans gradually mature into shading crowns that we see today. Many of these old stone wall trees have survived to the present day, especially in Central – Western District which contains the city’s largest concentration of stone wall trees. The emergence of stone wall trees in Hong Kong, however, was no coincidence. Perfect climate conditions, suitable stone wall surface, and some good fortune of surviving the WWII when many old trees were cut down by the Japanese for timber, all played a part in the story of stone wall trees. After WWII, stone was soon replaced by concrete for retaining wall construction. Concrete walls left little room for new trees to enroot themselves by chance. After a few generations, the resilient stone wall trees have become iconic features for various old neighbourhoods.
Despite over a century serving to improve the micro-climate of the city, cultural and ecological significance of the stone wall trees have gone unnoticed until the recent two decades. In light of the government’s intention to demolish the former Police Married Quarters (PMQ) and its iconic stone wall trees in 2005, the local resident group “Central and Western Concern Group” was formed to fight for preserving the stone wall trees as well as the heritage building. Not only has their effort succeeded in convincing the government to preserve the PMQ, they have also increased the public awareness of the stone wall trees. In 2007, the Mass Transit Railway (MTR) decided to relocate a proposed exit for the new Kennedy Town Station in order to preserve the stone wall trees at Forbes Street. The admirable effort decisively preserved the largest concentration of stone wall trees in Hong Kong. Though not all cases were success stories. In 2015, five 150-year old stone wall banyans at Bonham Road were fell sneakily overnight, just because one of their neighbouring trees toppled some time ago due to heavy rain. In name of public safety, the five healthy trees were cut down before the arrival of a potential typhoon. No detailed study was made before the decision, and that particular typhoon didn’t even come close enough to pose any thread. The hasty action of the government led to a huge loss for the community and sparked public outcry. More and more people become aware that there is an urgent need to develop a strategic plan for protecting these unique urban stone wall trees before it is too late.
Linking a number of tourist attractions like Tai Kwun, PMQ and Man Mo Temple, Hollywood Road is always popular for tourists in Hong Kong. While tourists come for the historical attractions, many locals, on the other hand, come to Hollywood Road for food and drinks. South of Hollywood Road, the narrow Staunton Street (士丹頓街) was once home to wet market vendors, trading offices, family-run stores and small Buddhist convents (庵堂). In fact, Staunton Street was once nicknamed the Street of Buddhist Nuns (師姑街). After the Central – Mid Levels Escalators opened to the public in 1993 and brought an influx of pedestrians from the business district downhill, Staunton Street and the adjacent Elgin Street(伊利近街) have quietly undergone a dramatic transformation. Expatriates started to move into the area. Old shops and Buddhist convents were gradually replaced by bars, pubs, restaurants, comedy clubs, cafes, and wine shops. In 1996, Thomas Goetz, a restaurant owner from Elgin Street, came up with the acronym “SoHo” (蘇豪) for this new entertainment and dining area of Central, referring to the location “South of Hollywood Road”. From then on, the Staunton Street that I used to go as a child to get fresh grocery and pay ritualistic respect to my grandfather at a small Buddhist convent has silently disappeared. Today, SoHo would remain sleepy most of the day, and then bursts into life after sunset. The yell of market vendors and pungent incense smoke have been replaced by causal giggles and laughter, and the smell of beer.
Further away from the Central – Mid Levels Escalators and less than 150m northwest of the buzzing SoHo, Gough Street (歌賦街), Kau U Fong (九如坊) and Aberdeen Street (鴨巴甸街) offer a much more laid-back and tranquil ambience. Once home to family run shops and small printing presses, these sleepy back streets have become a hipper cousin of the nearby SoHo. Known as NoHo for “North of Hollywood Road”, this area is particular attractive to locals who come for the foodie scene: Chinese cuisine, dai pai dong dishes, beef brisket noodles, Japanese ramen, sushi, Western fine dining, unadon, Vietnamese pho, hand-drip cafes, bubble tea, chocolate, etc. Despite its abundance of dining options, the shops here remain small and peaceful. Compared to its noisier neighbour, NoHo is much more low key, as if deliberately staying away from the public limelight. Here visitors would enjoy a sense of discovery and intimacy that is hard to find anywhere else in Central.
The former Victoria Prison or Gaol is the third main component of the Tai Kwun Centre of Heritage and Arts. Built in August 1841, some say the prison was the first permanent Western architecture constructed in Hong Kong. It served as the city’s first prison until 2006, when the complex was decommissioned for good. Today, the prison halls are largely preserved as listed historical buildings. Some are opened to the public to showcase the history, while some are being converted into restaurants and bars. But it’s the Prison Yard, the tranquil courtyard in the midst of the prison compound that is the real gem. Under the shade of Frangipani and Candlenut trees, movable beach chairs are provided for relaxation. In the evening, the courtyard is dimly lit to maintain a peaceful ambience.
At either end of the Prison Yard, renowned architect Herzog de Meuron has left their mark by erecting two cubic structures that appear to be floating in mid air above the prison walls. Serving as a theatre, one of the cubic structure is known as JC Cube. The other cube, named JC Contemporary, is a sleek looking museum of contemporary art. Beneath the JC Cube lies the stepped plaza Laundry Steps, where movie screening and live performances would regularly be held. Echoing the brick and stone masonry of the heritage structures, the cast aluminium facade of the cubic structures offer a dramatic contrast between the old and new.
If the Parade Ground courtyard at the lower platform is reserved for the vibrancy of retail and dining activities, the Prison Yard at the upper platform is all about the venues for cultural exhibitions and performances. While the Central Police Headquarters on Hollywood Road and Central Magistracy on Arbuthnot Road were all about establishing an authoritative image to the public, the unpretentious buildings of the Victoria Prison, which have been walled off from the city ever since 1841, offers the perfect setting for contemporary culture and architecture to establish a new identity for the compound. Converting the cold prison blocks into a welcoming urban oasis has so far proven to be successful.
In the business district of Hong Kong, it is always an uphill battle to preserve a heritage building against the power of urban development. The former Police Married Quarters (PMQ) is a rare exception, and so as the former Central Police Station Compound just a few blocks down Hollywood Road. In the past two years, the most exciting new attraction in Hong Kong has to be Tai Kwun (大館). Consisted of 16 heritage buildings, 2 courtyards and 2 new structures, Tai Kwun is the the largest heritage and art compound in the city. Literally means “big station” in Chinese, “Tai Kwun” refers to how people used to call this former police compound over a century ago. Today, Tai Kwun is home to art and history exhibitions, outdoor performances, a 200-seat auditorium, design shops, restaurants and bars. Perhaps everyone acknowledges that there isn’t much old Hong Kong left to see nowadays, that’s why Tai Kwun has become an instant hit on Instagram and made it onto Time magazine’s list of World Greatest Places when the compound first opened to the public in 2018.
The story of Tai Kwun dates as far back as 1841, the year when the British first set foot in Hong Kong. On the slope of Tai Ping Shan in Central, Captain William Caine who also served as Chief Magistrate and Head of Police and Gaol chose the current site bounded by Hollywood Road (荷李活道), Old Bailey Street (奧卑利街), Chancery Lane (贊善里) and Arbuthnot Road (亞畢諾道) to build the city’s first prison, police station and magistracy office all in one compound. Expansions and alterations of the splendid compound gradually establish the authority of the colonial police force upon the public. Most buildings were erected before 1925, despite expansions and alterations continued to transform Tai Kwun well into 1950’s. For 160 years the compound served as Central’s law enforcement hub until 2006 when the compound was finally decommissioned. In 2007, conceptualization of the Tai Kwun revitalization project began to take shape. Construction and conservation work began in 2011 and took 8 years to complete. After spending HKD 3.7 billion from the Hong Kong Jockey Club charity trust, Tai Kwun finally opened its doors in May 2018.
As a child having lived for a decade at the intersection of Old Bailey Street and Chancery Lane just 10m away from the Blue Gate of Victoria Prison, entering the walled compound that has been off limits to the public for the last 160 years has been quite special to me. I used to walk past the prison along Chancery Lane and imagine what might lie on the other side of the high stone wall topped with pieces of broken glass. As the revitalized Tai Kwun unveiled its mysterious face, my childhood curiosity has finally been fed. It is delightful for me to see that Tai Kwun has been carefully preserved, restored and everyone, including me, can finally see, touch and enjoy whatever that are taking place at both sides of the prison walls.