ultramarinus – beyond the sea

Posts tagged “garden

DAY 9 (4/4): SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh, India, 2018.12.02

Charbagh is a Islamic quadrilateral garden based on the four gardens of Paradise in the Quran.  Across the Yamuna River exactly opposite to the Taj Mahal lies the ruined site of Shah Jahan’s charbagh.  Identified by Mughal Emperor Shah Jahan as the most appropriate location to view the Taj, Mehtab Bagh was once occupied with pavilions, pools and fountains, and planted with fruit trees and flowers.  With an identical width and perfect alignment with the Taj, the garden was seen as part of the master plan of the Taj Mahal.  However after years of neglect, Mehtab Bagh was almost forgotten in the modern days until a major restoration work in 1990s.  Today the garden has become the most popular spot in town to view the sunset of Taj Mahal.  Our tour guide Gautam Pratap with Agra Walks took us to Mehtab Bagh by car.

IMG_2819The car took us to cross Yamuna River.

IMG_2826After we crossed the river, we soon arrived at some underprivileged neighborhoods.

IMG_2845According to our guide, the neighborhood that we passed by was mainly occupied by a “lower” caste of inhabitants.

IMG_2862According to our guide, interactions between people of different castes is usually rare.

IMG_2868Even life for domestic animal is harsh here.

IMG_2878Children having fun along the road.

IMG_2891After paying an admission, we were led to the central axis in the garden directly facing the Taj Mahal.

DSC_2970Ruins of the former pavilion and platform lie directly across from the Taj Mahal.

DSC_2997Once the official royal garden to view the Taj Mahal, Mehtab Bagh has become a popular place once again for tourists to view the Indian icon during sunset.

IMG_2921Pollution of the Yamuna River poses a major threat to the timber fountain and marble facade of the Taj.  Due to river pollution, millions of small bugs appear at Taj Mahal and produce green excrement on the marble walls.

IMG_2935Some visitors would go to the riverside ground east of the Taj to photograph it without paying the admission fee.  The ground is particular popular in early morning.

DSC_3016From Mehtab Bagh, it is the riverside sunset that draws tourists and locals for a magical moment to end the day.  For us, it was the grand finale for our Agra experience.  Before sunrise the next morning, we would board the express train for our return journey to Delhi.

 

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Posts on 2018 Rajasthan:-

Day 1: Jodhpur
DAY 1.1: IN TRANSIT TO RAJASTHAN
DAY 1.2: PAL HAVELI & THE OMELETTE MAN, Jodhpur
DAY 1.3: SPLENDOR OF THE SUN FORT, Mehrangarh, Jodhpur
DAY 1.4: SUNSET OVER THE BLUE CITY, Mehrangarh, Jodhpur
DAY 1.5: SADAR MARKET AND GHANTA GHAR CLOCKTOWER, Jodhpur

Day 2: Jodhpur, Osian, Jaisalmer
DAY 2.1: MARBLE CENOTAPH JASWANT THADA, Jodhpur
DAY 2.2: MEDIEVAL STEPWELLS, Mahila Bagh Ka Jhalra, Gulab Sagar, & Toorji Ka Jhalra, Jodhpur
DAY 2.3: PILGRIM OASIS IN THAR DESERT, Sachiya Mata Temple, Osian
DAY 2.4: SUNRISE AT THE FIRST GATE OF GOLDEN FORT, Jaisalmer

Day 3: Jaisalmer
DAY 3.1: THE GOLDEN LIVING FORT, Jaisalmer
DAY 3.2: JAIN TEMPLES PART 1, Jaisalmer
DAY 3.3: JAIN TEMPLES PART 2, Jaisalmer
DAY 3.4: FORT PALACE, Jaisalmer

Day 4: Jaisalmer
DAY 4.1: RESERVOIR OF THE GOLDEN CITY, Gadsisar Lake, Jaisalmer
DAY 4.2: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer
DAY 4.3: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer
DAY 4.4: DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer
DAY 4.5: LAST STROLL IN THE GOLDEN CITY, Jaisalmer

Day 5: Pushkar
DAY 5.1: RANIKHET EXPRESS
DAY 5.2: 52 BATHING GHATS, Pushkar
DAY 5.3: SUNSET OVER SACRED WATER, Pushkar

Day 6: Pushkar & Jaipur
DAY 6.1: SUNRISE OVER PUSHKAR LAKE, Pushkar
DAY 6.2: GRANDEUR OF THE MAHARAJA, City Palace, Jaipur
DAY 6.3: IN SEARCH OF 1860 CARL ZEISS CAMERA, Jaipur

Day 7: Jaipur
DAY 7.1: AMBER FORT, Jaipur
DAY 7.2: JAIGARH FORT, Jaipur
DAY 7.3: MAHARAJA’S ASTRONOMICAL LEGACY, Jantar Mantar, Jaipur
DAY 7.4: PALACE OF WINDS, Hawa Mahal, Jaipur

Day 8: Bhangarh, Abhaneri & Agra
DAY 8.1: ON THR ROAD TO AGRA
DAY 8.2: HAUNTED RUINS, Bhangarh, Rajasthan
DAY 8.3: CHAND BAORI, Abhaneri, Rajasthan
DAY 8.4: THE ABANDONED CAPITAL OF MUGHAL EMPIRE, Fatehpur Sikri, Agra, Uttar Pradesh
DAY 8.5: FRIDAY MOSQUE, Fatehpur Sikri, Agra, Uttar Pradesh

Day 9: Agra
DAY 9.1: CROWN OF THE PALACES, Taj Mahal, Agra, Uttar Pradesh
DAY 9.2: AGRA FORT, Agra, Uttar Pradesh
DAY 9.3: RAWATPARA SPICE MARKET, Agra, Uttar Pradesh
DAY 9.4: SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh

Day 10: Delhi
DAY 10.1: TRAIN 12627, Agra to Delhi
DAY 10.2 : HUMAYUN’S TOMB, Delhi
Day 10.3: NIZAMUDDIN BASTI, Delhi

 


DAY 7 (1/4): AMBER FORT, Jaipur, Rajasthan, India, 2018.11.30

Getting up early was the key to beat the crowds.  Our goal was to reach Amber Fort (or Amer Fort) before 8:30am.  From our hotel in Jaipur, we had no problem flagging down an auto-rickshaw to cover the 10+ km to the valley of Kalikho Hills.  The trip took roughly half an hour.  At 8:15am, the majestic Amber Fort bathed in the morning glow came in sight while our auto-rickshaw approached Maota Lake.  After getting off, we had the option of walking uphill to the fort or riding one of the 103 elephants to approach the hill fort in the maharaja’s way.  Dozens of Indian elephants carrying foreign tourists on crimson howdahs zigzagged their way up to the arrival courtyard is a common sight at Amber Fort every morning.   Yet, recently complaints filed in court had exposed the ill treatment of the elephants.  We decided not to support the elephant owner.  Walking uphill to the main gate Suraj Pol was a causal 15-minute walk.  At the arrival courtyard Jalebi Chowk, we were soon overwhelmed by the enormous scale and exquisite details of the architecture.  First built in 1592 by Man Singh I on earlier fort structures, the citadel was further expanded by Jai Singh I in the 17th century.  The fort and its palace complex remained as the political centre of the region until 1727, when the capital was moved to Jaipur.

DSC_1810We get off the auto rickshaw right by Maota Lake, the main source of water for the Amber Fort.  The fort and its reflection glowed under the morning sunlight.

DSC_1820We gave up the idea of riding the elephants and walked uphill on the same path as the elephants.

DSC_1827Many tourists preferred to take the exotic elephant ride to reach the fort.

DSC_1865Amber Fort is situated in a valley of Kalikho Hills, 11km northeast of Jaipur.

DSC_1896The progression of elephants making their way up and down the fort has become a common scene at Amber everyday.

DSC_1846We entered through Suraj Pol Gate into Jalebi Chowk, the arrival courtyard of Amber Fort.

IMG_2817We got our admission tickets at Jalebi Chowk and headed up a grand stair to the Singh Pol (Lion Gate).  Through the gate we entered into the first palace courtyard that was dominated by Diwan-i-aam or Hall of Public Audience.

IMG_0671Built in 1639, the elegant Diwan-i-Aam or Hall of Public Audience is an open pavilion that served as an audience hall.

IMG_2845The Diwan-i-Aam or Hall of Public Audience is a beautiful piece of Rajput architecture.

DSC_1872From the courtyard of Diwan-i-Aam, we entered the inner palace through the beautiful Ganesh Pol Gate.

DSC_1903The three storey Ganesh Pol was built in 1640.  It marks the main gateway into the inner palace.

IMG_0692Beyond Ganesh Pol lies the Aram Bagh or Pleasure Garden.  The garden is flanked one end by the  Sukh Niwas or Hall of Pleasure and the other by Sheesh Mahal or the Mirror Hall at lower level and Jas Mandir or Hall of Private Audience at upper.

IMG_2856The Sukh Niwas or Hall of Pleasure marble rooms of Sukh Mahal were cooled by water channeled in the walls and floor.

IMG_2921Across the courtyard from Sukh Niwas stands the Sheesh Mahal or Mirror Hall.

IMG_0709The Sheesh Mahal or Mirror Hall was the private chambers of the maharaja and his queen.  Small pieces of mirrors and glasses filled the ceiling and walls.  The space was particularly atmospheric at night under candle light.

DSC_1922The last courtyard we came to was Man Singh I Palace Square, where the Zenana once lived.  This is the oldest part of the palace.  The Baradari pavilion in the middle was the meeting place of the royal ladies.

IMG_2900From the Suhag Mandir at the upper level of Ganesh Pol, royal ladies could look out into the Diwan-i-Aam or Hall of Public Audience.

IMG_0706A cleaning staff at Man Singh I Palace Square.

DSC_1935The Baradari pavilion at the centre of Man Singh I Palace Square.

IMG_0640From Amber Fort, we entered a tunnel and path that was supposed leading to the ramparts of Jaigarh Fort further uphill.

 

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Posts on 2018 Rajasthan:-

Day 1: Jodhpur
DAY 1.1: IN TRANSIT TO RAJASTHAN
DAY 1.2: PAL HAVELI & THE OMELETTE MAN, Jodhpur
DAY 1.3: SPLENDOR OF THE SUN FORT, Mehrangarh, Jodhpur
DAY 1.4: SUNSET OVER THE BLUE CITY, Mehrangarh, Jodhpur
DAY 1.5: SADAR MARKET AND GHANTA GHAR CLOCKTOWER, Jodhpur

Day 2: Jodhpur, Osian, Jaisalmer
DAY 2.1: MARBLE CENOTAPH JASWANT THADA, Jodhpur
DAY 2.2: MEDIEVAL STEPWELLS, Mahila Bagh Ka Jhalra, Gulab Sagar, & Toorji Ka Jhalra, Jodhpur
DAY 2.3: PILGRIM OASIS IN THAR DESERT, Sachiya Mata Temple, Osian
DAY 2.4: SUNRISE AT THE FIRST GATE OF GOLDEN FORT, Jaisalmer

Day 3: Jaisalmer
DAY 3.1: THE GOLDEN LIVING FORT, Jaisalmer
DAY 3.2: JAIN TEMPLES PART 1, Jaisalmer
DAY 3.3: JAIN TEMPLES PART 2, Jaisalmer
DAY 3.4: FORT PALACE, Jaisalmer

Day 4: Jaisalmer
DAY 4.1: RESERVOIR OF THE GOLDEN CITY, Gadsisar Lake, Jaisalmer
DAY 4.2: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer
DAY 4.3: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer
DAY 4.4: DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer
DAY 4.5: LAST STROLL IN THE GOLDEN CITY, Jaisalmer

Day 5: Pushkar
DAY 5.1: RANIKHET EXPRESS
DAY 5.2: 52 BATHING GHATS, Pushkar
DAY 5.3: SUNSET OVER SACRED WATER, Pushkar

Day 6: Pushkar & Jaipur
DAY 6.1: SUNRISE OVER PUSHKAR LAKE, Pushkar
DAY 6.2: GRANDEUR OF THE MAHARAJA, City Palace, Jaipur
DAY 6.3: IN SEARCH OF 1860 CARL ZEISS CAMERA, Jaipur

Day 7: Jaipur
DAY 7.1: AMBER FORT, Jaipur
DAY 7.2: JAIGARH FORT, Jaipur
DAY 7.3: MAHARAJA’S ASTRONOMICAL LEGACY, Jantar Mantar, Jaipur
DAY 7.4: PALACE OF WINDS, Hawa Mahal, Jaipur

Day 8: Bhangarh, Abhaneri & Agra
DAY 8.1: ON THR ROAD TO AGRA
DAY 8.2: HAUNTED RUINS, Bhangarh, Rajasthan
DAY 8.3: CHAND BAORI, Abhaneri, Rajasthan
DAY 8.4: THE ABANDONED CAPITAL OF MUGHAL EMPIRE, Fatehpur Sikri, Agra, Uttar Pradesh
DAY 8.5: FRIDAY MOSQUE, Fatehpur Sikri, Agra, Uttar Pradesh

Day 9: Agra
DAY 9.1: CROWN OF THE PALACES, Taj Mahal, Agra, Uttar Pradesh
DAY 9.2: AGRA FORT, Agra, Uttar Pradesh
DAY 9.3: RAWATPARA SPICE MARKET, Agra, Uttar Pradesh
DAY 9.4: SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh

Day 10: Delhi
DAY 10.1: TRAIN 12627, Agra to Delhi
DAY 10.2 : HUMAYUN’S TOMB, Delhi
Day 10.3: NIZAMUDDIN BASTI, Delhi

 


DAY 2 (1/4): MARBLE CENOTAPH JASWANT THADA, Jodhpur, Rajasthan, India, 2018.11.25

After settling ourselves from a terrifying incident with a stray dog near our hotel in early morning, we were ready to venture out again in Jodhpur for a few more hours before our hired car came pick us up to move on to Jaisalmer.  Similar to our visit of Mehrangarh Fort the day before, our tuk tuk took us into the winding lanes north of Pal Haveli and climbed uphill until reaching a bronze equestrian statue of Rao Jodha, the founder of Jodhpur in the 15th century.  We soon reached our first destination of the day, the magnificent marble monument of Jaswant Thada.  Built in 1899 by Maharaja Sardar Singh, the Jaswant Thada is a cenotaph for Maharaja Jaswant Singh II and the cremation ground for the Marwar royal family.

dsc_0447Standing adjacent to the Deity Pond in Rao Jodha Desert Rock Park, Jaswant Thada is surrounded by the arid landscape of Jodhpur.

img_8764From the parking lot, we entered into a garden right by Deity Pond.  A short flight of steps led us to the main garden terrace.

dsc_0452At the main garden terrace, the first thing we encountered was a beautiful gazebo.

OLYMPUS DIGITAL CAMERAAs a delightful example of 19th century Rajasthani temple architecture, the Jaswant Thada is beautiful in many ways, from the finest ornaments to the overall architectural proportion.  The row of chhatri (folly domes) on the roof signifies the wealth and status of the royal family.

dsc_0464The mausoleum presents the splendid marble carving, especially the jali work (lattice) of the Indian craftsmen.

dsc_0506Before entering the building, we took our time to examine the beautiful craftsmanship of the stonework and jali (lattice).

dsc_0472Visitors can enter the cenotaph through a side door.

OLYMPUS DIGITAL CAMERANo shoes are allowed in the cenotaph.

dsc_0493We were greatly attracted by the layers of marble carving.

dsc_0490The interior featured photos and illustrations of the Marwar rulers, and memorial altar for Maharaja Jaswant Singh II.

OLYMPUS DIGITAL CAMERAWe loved the fine jali work (stone lattice), which looked like paper art made by laser cutting.

OLYMPUS DIGITAL CAMERANatural light entered the building through the beautiful jali, providing a soft lighting effect for the interior.

dsc_0500Sunlight penetrated through the thin pieces of marble, creating an illumination effect on certain parts of the wall.

dsc_0501A vivid green is applied to the wooden doors and windows, creating a beautiful contrast to the colour palette of the architecture.

OLYMPUS DIGITAL CAMERAOn our way back to the parking lot, we passed by a traditional musician once again.

dsc_0536We stopped for a few minutes to admire the Rajasthani folk music before heading back to the parking lot.

dsc_0543From the parking lot of Jaswant Thada, we had a final overview of the majestic Mehrangarh Fort.

 

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Posts on 2018 Rajasthan:-

Day 1: Jodhpur
DAY 1.1: IN TRANSIT TO RAJASTHAN
DAY 1.2: PAL HAVELI & THE OMELETTE MAN, Jodhpur
DAY 1.3: SPLENDOR OF THE SUN FORT, Mehrangarh, Jodhpur
DAY 1.4: SUNSET OVER THE BLUE CITY, Mehrangarh, Jodhpur
DAY 1.5: SADAR MARKET AND GHANTA GHAR CLOCKTOWER, Jodhpur

Day 2: Jodhpur, Osian, Jaisalmer
DAY 2.1: MARBLE CENOTAPH JASWANT THADA, Jodhpur
DAY 2.2: MEDIEVAL STEPWELLS, Mahila Bagh Ka Jhalra, Gulab Sagar, & Toorji Ka Jhalra, Jodhpur
DAY 2.3: PILGRIM OASIS IN THAR DESERT, Sachiya Mata Temple, Osian
DAY 2.4: SUNRISE AT THE FIRST GATE OF GOLDEN FORT, Jaisalmer

Day 3: Jaisalmer
DAY 3.1: THE GOLDEN LIVING FORT, Jaisalmer
DAY 3.2: JAIN TEMPLES PART 1, Jaisalmer
DAY 3.3: JAIN TEMPLES PART 2, Jaisalmer
DAY 3.4: FORT PALACE, Jaisalmer

Day 4: Jaisalmer
DAY 4.1: RESERVOIR OF THE GOLDEN CITY, Gadsisar Lake, Jaisalmer
DAY 4.2: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer
DAY 4.3: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer
DAY 4.4: DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer
DAY 4.5: LAST STROLL IN THE GOLDEN CITY, Jaisalmer

Day 5: Pushkar
DAY 5.1: RANIKHET EXPRESS
DAY 5.2: 52 BATHING GHATS, Pushkar
DAY 5.3: SUNSET OVER SACRED WATER, Pushkar

Day 6: Pushkar & Jaipur
DAY 6.1: SUNRISE OVER PUSHKAR LAKE, Pushkar
DAY 6.2: GRANDEUR OF THE MAHARAJA, City Palace, Jaipur
DAY 6.3: IN SEARCH OF 1860 CARL ZEISS CAMERA, Jaipur

Day 7: Jaipur
DAY 7.1: AMBER FORT, Jaipur
DAY 7.2: JAIGARH FORT, Jaipur
DAY 7.3: MAHARAJA’S ASTRONOMICAL LEGACY, Jantar Mantar, Jaipur
DAY 7.4: PALACE OF WINDS, Hawa Mahal, Jaipur

Day 8: Bhangarh, Abhaneri & Agra
DAY 8.1: ON THR ROAD TO AGRA
DAY 8.2: HAUNTED RUINS, Bhangarh, Rajasthan
DAY 8.3: CHAND BAORI, Abhaneri, Rajasthan
DAY 8.4: THE ABANDONED CAPITAL OF MUGHAL EMPIRE, Fatehpur Sikri, Agra, Uttar Pradesh
DAY 8.5: FRIDAY MOSQUE, Fatehpur Sikri, Agra, Uttar Pradesh

Day 9: Agra
DAY 9.1: CROWN OF THE PALACES, Taj Mahal, Agra, Uttar Pradesh
DAY 9.2: AGRA FORT, Agra, Uttar Pradesh
DAY 9.3: RAWATPARA SPICE MARKET, Agra, Uttar Pradesh
DAY 9.4: SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh

Day 10: Delhi
DAY 10.1: TRAIN 12627, Agra to Delhi
DAY 10.2 : HUMAYUN’S TOMB, Delhi
Day 10.3: NIZAMUDDIN BASTI, Delhi


DAY 7 (6/7): THE SUBTLE BEAUTY OF A WARRIOR’S REFUGE, Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町), Kanazawa (金沢), Ishikawa Prefecture (石川県), Japan, 2018.05.31

We wandered around Nagamachi (長町) on narrow lanes flanked both sides by yellow earth walls.  We slowly found our way to Nomura Samurai House and arrived at the house’s forecourt about an hour before its closing time.  Once we took off our shoes, we were free to walk around the former samurai house.  It was hard to imagine that such a tranquil complex with a picturesque garden and tea house was actually the home of a powerful samurai (warrior official who served the feudal lord) in the Edo Period.  In the 16th century, Nomura Denbei Nobusada, an official of the first feudal lord of the Kaga Domain Toshiie Maeda, was assigned with the Nomura Family House.  12 generations had passed until the 19th century when the Nomura lost their property during the Meiji Restoration.  It was the historical moment of transition when the samurai system quickly became obsoleted against rapid modernization of Japan.  A business man and shipowner named Kubo Hikobei bought the house in mid 20th century.  He restored the garden and house and was responsible for several alterations, which included adding a tea house.  The focal point of the Nomura Samurai House was undoubtedly the small  garden at the back of the house.  Stone lanterns, stepping stones, pine trees, a small waterfall, a tranquil water pond, and several curious koi fish form a beautiful picture to welcome visitors and exemplify the essence of traditional Japanese gardens.  Journal of Japanese Gardening even claims that the small Nomura garden is one of the top three gardens in the entire nation.  While judging beauty is purely subjective to the eye, the layering of natural scenes and careful arrangement of the verandas, pathways, stepping stones and stone bridges would definitely slow down the pace of visitors.  Only with patience and a peaceful heart could one fully appreciates the carefully configured beauty of the garden at Nomura.

01After a path made of large stepping stones, a humble entrance welcomed all visitors at the entrance garden.

02Prominently displayed at the foyer was a samurai armour.

03The painted screen doors at the tatami drawing room were quite eye-catching.

04Japanese cypress wood, rosewood, ebony, paulownia wood, etc were used for different functions inside the house.

05The family altar is lavishly decorated with gold paint and leaves.  Kanazawa has been a famous place for gold leaf manufacturing for over 400-years.

OLYMPUS DIGITAL CAMERAThe Japanese is almost a synonym to fine craftsmanship.  All nails in the Nomura House are carefully kept out of sight.

OLYMPUS DIGITAL CAMERAAt the back garden, trees and shrubs of different sizes provide a layered backdrop to the stone lantern.

OLYMPUS DIGITAL CAMERAThe boundary of garden and architecture almost disappears.  Walking or sitting at the wooden veranda would make one forget all the troubles.

09Irregular stepping stones, rectangular stone bridges, and the smooth wooden veranda allow spectators to appreciate the beauty of the garden at his/her own pace.

OLYMPUS DIGITAL CAMERAA plinth like water basic reveals a certain contemporary charm of minimalism.  Gentle ripples and the sound of the dripping water create an almost spiritual effect to the visitor experience.

11At the end of the veranda, we found our way into another small outdoor space and a stair up to the tea house.

12The transitional space between the garden and the stair to the tea house is another masterpiece of landscape design.

13Before one reaches the stair up to the tea house, a small water feature reminds visitors of the purity and vitality of water.

14The outdoor spaces at Nomura Samurai House are full of beautiful surprises.

15A large variety of bamboo, timber and stones have been used to create a rich palette of textures.

OLYMPUS DIGITAL CAMERAJust like many tea houses in Japan, the tiny tea house at Nomura Samurai House is an artwork in itself.

OLYMPUS DIGITAL CAMERAFrom the tea house, the lush-green vegetation of the garden defines the ambience.

18Before leaving Nomura Samurai House, a display bonsai reminded us the beauty of many traditional Japanese art did require tons of patience, techniques, care and imagination to maintain.  What might seem to be a simple pot plant was in reality had gone through decades of care and subtle alterations.

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CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)


DAY 7 (4/7): A STROLL THROUGH THE HISTORICAL HEART OF KANAZAWA, Kenroku-en Garden (兼六園), Kanazawa (金沢), Ishikawa Prefecture (石川県), Japan, 2018.05.31

Since early 20th century, Kenroku-en Garden (兼六園) of Kanazawa (金沢) has appeared in travel literature along with Koraku-en (後楽園) of Okayama (岡山) and Kairaku-en (偕楽園) of Mito (水戸) as the Three Great Gardens in Japan (日本三名園).  Today, Kenroku-en Garden remains as a popular destination in the heart of Kanazawa.  For most visitors, it is not only the crafted beauty of the manmade landscapes that is astonishing, but also the continuous effort and care throughout generations involved in maintaining the beautiful trees that leave many in awe.  Unfortunately we didn’t come at the right season to appreciate the visually stunning yukitsuri (雪つり), which literally means “snow hanging.”  It is a traditional protection of the famous pine trees against potential damages caused by heavy snow, whose delicate limbs would be supported by bamboo poles and ropes arranged in conical arrays.  In winter, a number of pine trees in the garden would appear like suspension bridge structures.

Kenroku-en Garden (兼六園), which literally means Garden of Six Attributes, refers to the six traditional qualities of a perfect Chinese garden.  The six attributes include spaciousness, tranquility, artificiality, antiquity, abundant water, and broad views.  Next to the ground of Kanazawa Castle, the 11.4 hectare Kenroku-en was built by the Maeda Family (前田氏) in the 17th century.  The garden was established in 1652 when a water system was constructed to divert river water to feed the artificial streams and ponds within the site.  Garden features such as tea houses, fountains, stone lanterns, statues, flower beds, planters, and tree groves dot around the larger Kasumigaike Pond and the smaller Hisagoike Pond.  These artificial ponds could be seen as allegories of the sea, with miniature islands symbolizing mythical isles inhabited by divine deities.  Greenery were planted to offer scenery of distinct seasons: plum and cherry blossoms in spring, irises and azaleas in summer, and red maple foliage in autumn.  Out of the roughly 8750 trees, there are dozens of feature pine trees.  These feature trees, such as the Karasaki Pine, have received years of attentive care in order to maintain their unique visual characteristics.

Kenroku-en Garden was quite crowded during our visit.  It was a day before the city-wide celebrations of Hyakumangoku Festival (百万石まつり).  On the second day of the festival, tea service would be provided in Kenroku-en.  Unfortunately we couldn’t stay for a few more days to fully experience this popular annual event.  We entered the garden via the Mayumizaka Gate (真弓坂口) across from the 21st Century Museum of Contemporary Art.  We wandered aimlessly on the winding paths, hopping from one area to another to check out the picturesque ponds and unique pine trees in the garden.  After strolling around the Hisagoike Pond and Kasumigaike Pond, we decided to leave the busy garden and walked over to the Kanazawa Castle Park (金沢城公園).  On the lawn in front of the reconstructed castle, staff were busy setting up temporary booths for the upcoming event of the Hyakumangoku Festival.  Unlike Matsumoto Castle that we saw a few days earlier, the original Kanazawa Castle (金沢城) was long destroyed by fire in late 19th century.  A reconstructed complex was erected in 2001 at the original site based on the castle’s appearance in 1850s.  The white and grey colour combination of the castle looked smart and delightful, but somehow the reconstructed complex did look a little too clean and new.  We crossed the castle park and walked towards Oyama Shrine (尾山神社), an interesting building that we wanted to check out before leaving the historical heart of Kanazawa.

OLYMPUS DIGITAL CAMERAAfter D. T. Suzuki Museum , we walked north to the Mayumizaka Gate (真弓坂口) of Kenroku-en Garden.

2We soon arrived at the Hisago-ike Pond, where the famous Midori-taki Waterfall and Kaisekito Pagoda featured in the scenery.

4Right by the Hisago-ike Pond, the chouzubachi (手水鉢 or hand wash basin) in front of the Yugao-tei Tea House was made from the trunk of a fossilized palm tree.

3Design features in Japanese and Chinese gardens often represent miniatures of natural landscape: ponds as sea or rocks as islands.  A small rock cluster in the Hisago-ike Pond symbolizes an mythical island in the Eastern Sea.

6At Kasumiga-ike Pond, larger manmade islands are planted with pine trees and flowers, providing a focal point for spectators from all around the pond.

5Tea houses are common structures in Japanese gardens.  Uchihashi-tei Tea House sits beautifully by the waterfront, overlooking the magnificent scenery of the Kasumiga-ike Pond.

8At Kasumiga-ike Pond, the famous Karasaki Pine is often considered as the most unique tree in the entire garden.

9Around Kasumiga-ike Pond, there are a number of feature pine trees that are painstakingly reinforced with bamboo and wooden posts in order to maintain their unique postures.

10Thanks to the manmade reinforcement, the crown of some feature pine trees spread out to great extent.

OLYMPUS DIGITAL CAMERANeagari-no-Matsu (根上り松) or Raised Root Pine is one of the most handsome feature pines in the garden.

12Neagari-no-Matsu (根上り松) or Raised Root Pine.

7Near the Kasumiga-ike Pond, the Gankou Bashi or Flying Goose Bridge offers a sense of interest to the garden scenery.  There are eleven tomuro stones arranged in the gesture of flying geese.

13In late May, there was no sakura or autumn maples, though the irises were still quite eye-catching.

14In the Plum-Grove Garden, there are about 200 plum trees with over 20 plum varieties.

15After Kenroku-en, we walked over to the Kanazawa Castle Park (金沢城公園).

16The original Kanazawa Castle was destroyed by fire in the late 19th century.  The elegant Kanazawa Castle that we see today was reconstructed in 2001.

 

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)


DAY 7 (3/7): POETICS OF ARCHITECTURE, D T Suzuki Museum (鈴木大拙館), Kanazawa (金沢), Ishikawa Prefecture (石川県), Japan, 2018.05.31

In counter to a globalized world where International Style architecture can be erected anywhere in the world without connections with the regional culture and landscape, architectural historian Kenneth Frampton suggests Critical Regionalism as an alternative approach that integrates Modernist design with regional essence.  From Kenzo Tange to Tadao Ando and Kengo Kuma, the beauty of traditional Japanese architecture have made a strong presence in modern architectural designs in Japan.  Located just a block southeast of SANAA’s 21st Century Museum of Contemporary Art, the D T Suzuki Museum is an elegant piece of modern architecture that contains deep roots in the beauty of Japanese Zen traditions.  Famous for designing a number of museums in Japan and, the most well known of all, the new wing of New York’s MOMA, architect Yoshio Taniguchi (谷口吉生) completed this small museum in 2011 to commemorate the life and works of Suzuki Daisetz Teitaro (1870-1966), an influential Zen Buddhist philosopher who was largely responsible for introducing Japanese Zen Buddhism to the West.

Famous for the spatial qualities and fine detailing, Yoshio Taniguchi’s D T Suzuki Museum goes much beyond a sleek building that houses a collection of artefacts.  From the humble entrance to a hallway guided by a slit of light, from a cozy exhibition hall that tells the story of the zen master to a small library of Suzuki’s works for visitor’s better understanding on the philosophy of Zen, and from a courtyard of a rugged stone wall and tranquil mirror pool for visitors’ self reflection to a spiritual pavilion surrounded by water for self contemplation, a visit to the D T Suzuki Museum offers an inspiring journey designated for the beauty of spiritual enlightenment, Zen Buddhism and life itself.  Though small in scale, the experience and beauty of D T Suzuki Museum provided us much more food for thought than many catchy and sleek designs that spark a few minutes of wow effect and then nothing more.

OLYMPUS DIGITAL CAMERAReference to traditional Japanese houses and Modernist architecture, a band of vertical strips conceal the humble entrance and glazed reception lobby.

DSC_8154A square abstract pattern of lines and strokes define the logo of the D T Suzuki Museum.

DSC_8157After obtaining our tickets, we followed a hallway with skirting light into the exhibition space.

DSC_8164In the middle of the hallway, an angular glazed corner allowed us to have a peek into the modern zen garden outside.

DSC_8180No photography was allowed in the exhibition and library areas.  After the exhibit, the journey took us out to the courtyard of mirror pond and the contemplation pavilion with its paper-thin roof.

DSC_8247We sat on a wooden bench in front of a stone wall for quite some time to feel the breeze and take in the atmosphere and let the beauty of the courtyard to sink into our hearts.

DSC_8182Water ripples was generated automatically from time to time in the pool, serving as a visual massage to further calm down our mind.

DSC_8192Every elements in the complex are minimal, light and elegant, as if the world has been striped of every excessive and undesirable element with only the essence left behind.

DSC_8183Refined detailing of the pool railing showed us the architect’s careful attention to minimize excessive lines and connection hardware throughout the complex.

DSC_8225At four corners of the pavilion, rainwater chains were provided along with beautiful water feature of small water droplets forming tiny ripples in the pool.

DSC_8237The pavilion for contemplation can be reached from all four sides.  With indirect lighting from the overhead oculus and the four openings each framing a garden view, one can stay, meditate and make peace with him/herself in the pavilion for a long time.

DSC_8257The courtyard wasn’t very big, but it was full of interesting design details and magnificent spots to appreciate order of zen architecture.

OLYMPUS DIGITAL CAMERAThe edge of the pool is carefully treated with a perimeter band of pebble stones.

DSC_8265From the garden lookout, the pavilion and its reflection appear perfect in geometry under the shade of the willow tree.

DSC_8269The essence of minimalist architecture is evident from the limited number of lines and elements in the design.

DSC_8276.JPGLess doesn’t mean lacking: unique features in the museum garden offer touches of design sophistication to enhance user experience at different spots throughout the journey.

IMG_8572For many tourists, D T Suzuki Museum has provided one of the most pleasant surprises and inspiring moments in their Kanazawa experience.  We couldn’t agree more.

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)


DAY 2 (1/4): YEBISU GARDEN PLACE AND TOKYO PHOTOGRAPHIC ART MUSEUM, Ebisu (恵比寿), Tokyo, Japan, 2017.06.15

On the second day, we decided to stay close to the area around Shibuya.  We hopped on the Yamanote Line and went one stop over to Ebisu (恵比寿).  Known as the God of Fishermen and Luck, Ebisu is a popular divinity in Japanese mythology.  It was then used by Japan Beer Brewery Company to come up with the brand of Yebisu Beer back in 1890.  Established their production facilities near Meguro, Yebisu Beer is one of the oldest beer brand in Japan.  In the modern era, the train station and the surrounding community was named after the brewery as Ebisu.  In 1988, the beer brewery were moved to a new location.  The original brewery site at Ebisu was then transformed into a commercial complex consisted of office towers, retail, and museums known as the Yebisu Garden Place.  The Western architectural style create a unique atmosphere, attracting young couples and the local community to dine, shop and relax.

Many tourists go to Yebisu Garden Place to visit the Museum of Yebisu Beer.  We came specifically to visit Tokyo Photographic Art Museum (TOP Museum).  Opened in 1995, the museum is known as the only public museum in Japan dedicated to photography.  The museum has recently gone through two years of extensive renovations.  Three wall display of world famous photographs marked the museum entrance at the end of a  colonnade.  Three exhibitions were on and we opted to see them all.  The first one was “20 Year Anniversary TOP Collection: Scrolling Through Heisei Part 1”, a selection of works taken by Japanese photographers during the present Heisei era (平成).  The second was Museum Bhavan by Dayanita Singh, a renowned female photographer who captures the various faces and colours of the magnificently complicated Indian society.  The third was World Press Photo 17, the annual award event to compliment a selection of works by the world’s photojournalists in the past year.

OLYMPUS DIGITAL CAMERAThe Yebisu Garden Place offers a lot of pleasant public spaces for the community of Ebisu.

02Two traditional red brick buildings mark the entrance plaza of Yebisu Garden Place.

01Many people arrived at Yebisu Garden Place about the same time as we did, probably going to work.

05We arrived at Yebisu Garden Place in the morning at around 9am.  We had breakfast at one of the cafe near the entrance of Yebisu Garden Place.

5aThe interior of the cafe was causal and sleek.

03Across from the cafe, the Yebisu Beer Museum offers visitors a glimpse of the history of Japanese beer.  While a Mitsukoshi department store occupies the opposite side of the entrance square.

 

06A barrel vault atrium and a gentle ramp frame the central axis of Yebisu Garden Place, with the Chateau Restaurant Joël Robuchon at the terminus.

07We then walked under the canopy to the airy Central Square.

08The design of Yebisu Garden Place is dominated by classical layout and axial arrangement.

OLYMPUS DIGITAL CAMERAClassical architectural elements include the colonnades that appear in a number of locations in the complex.

OLYMPUS DIGITAL CAMERAAt the Central Square, there were benches painted with playful patterns that marked the 20th anniversary of the complex.

OLYMPUS DIGITAL CAMERAYebisu Garden Place is frequented with locals.  We saw a few who came dressed in traditional garments.

11The Chateau Restaurant Joël Robuchon is a famous luxurious venue in the area of Ebisu.

OLYMPUS DIGITAL CAMERAOur main reason coming to Yebisu Garden Place was the TOP Museum (Tokyo Photographic Art Museum), formerly known as the Tokyo Metropolitan Museum of Photography.

14The entrance colonnade of the TOP Museum offers visitors a pleasant approach.

15Shōji Ueda (植田正治)’s Sand Dune and My Wife III (妻のいる砂丘風景III) , an iconic Robert Capa’s D-Day shots, and Robert Doisneau’s Le baiser de l’hotel de ville (Kiss by the Hotel de Ville) provide a dramatic setting for the museum entrance.

OLYMPUS DIGITAL CAMERAWe stayed at the museum for about two hours, seeing three exhibitions including “20 Year Anniversary TOP Collection: Scrolling Through Heisei Part 1”, Dayanita Singh’s Museum Bhavan, and World Press Photo 17.  The TOP Museum is a fantastic cultural institution for anyone who love photography.  It offers temporary exhibitions on four levels of museum spaces.