ultramarinus – beyond the sea

Posts tagged “design

TEMPLE • SCHOOL • RESIDENCE • DESIGN CENTRE – REINCARNATION OF THE PMQ (元創方), Sheung Wan (上環), Hong Kong

Between Sheung Wan and Central lies a tranquil stepped alleyway known as Shing Wong Street (城皇街). In Chinese tradition, “Shing Wong” is the guardian deity of city wall, or in a broader sense, the patron saint of the neighbourhood. Shing Wong Street reminds us that there was once a Shing Wong Temple (城皇廟) stood at the site bounded by Shing Wong Street (城皇街), Staunton Street (士丹頓街), Aberdeen Street (鴨巴甸街), and Hollywood Road (荷李活道), a relatively large plot of land in the old Victoria City. Probably built in 1843 or earlier, some consider the former Shing Wong Temple the oldest temple in colonial Hong Kong. Its importance was soon overtaken by Man Mo Temple (文武廟) further down Hollywood Road. In 1870’s, Shing Wong Temple was temporarily converted into a mental health asylum. And then in the 1880’s the government bought the temple and redeveloped it into the new campus of Central School (中央書院), the city’s first upper primary and secondary school to provide modern education. The school was later renamed as Victoria College (維多利亞書院) in 1889 and later the Queen’s College (皇仁書院). Merchant tycoon Sir Robert Ho Tung, and Sun Yatsen, the Father of Modern China were some of the well known graduates from the college’s early years. The Neo-Classical college building was one of the most expensive construction projects in 19th century Hong Kong.

For half a century the splendid Queen’s College building stood proudly in Upper Sheung Wan, until 1941 when the school was forced to close down due to WWII. The building suffered devastating destruction during the war and became nothing more than ruins and rubble when the city was liberated from Japanese occupation. In 1948, the ruins were cleared to make way for a new era. In 1951, a functionalist building was erected for a completely different purpose: residential compound for the police force. Sitting on four levels of platforms, the Police Married Quarters offered about 170 dwelling units. The functionalist compound served its intended purpose for another half a century, until the last residents moved out in 2000. Subsequently the government rezoned the site for private residential development. The heritage site was at risk to be lost forever.

“Save the Trees” was the first slogan local resident Katty Law put up in 2005 to protest against the felling of the Hollywood Road “stone wall trees” of the Police Married Quarters. Among a few other residents from the local neighborhood, Law found a NGO known as Central and Western Concern Group (中西區關注組). The neighborhood group successfully persuaded the government to consider removing the site from residential redevelopment and engaging in archaeological examination of the site. The government agreed to study the site. This eventually led to discovering the historical foundation of the former Queen’s College. In 2009, the government finally announced preserving the former Police Married Quarters and revitalizing it into a hub for art and design that is known as PMQ today. In 2014, the PMQ reincarnated one more time. A glass canopy was constructed over the central court, where public events would now be held. The former residential units were retrofitted into studio spaces for selective tenants including designers, artists, galleries, fashion designers, jewellery designers, lifestyle shops, vintage stores, cultural institutions, cafes, bakeries, and restaurants. A new hub for tourists and art lovers has been reborn upon the legacies of a temple, school and police residence.

The name Shing Wong Street (城皇街) is the only reminder of the former Shing Wong Temple that once occupied the site of the PMQ in the mid-19th century. [Shing Wong Street as seen from the side platform of the PMQ, Sheung Wan, 2020]
Retaining walls surrounding the PMQ date back to the era of the former Queen’s College. [Stone wall trees at PMQ’s retaining wall along Shing Wong Street, Sheung Wan, 2020]
Protecting the stone wall trees on the retaining wall along Hollywood Road was the spark that inspired Katty Law to found Central and Western Concern Group, a NGO that focuses on protecting the neighbourhood heritage of Central and Western District. PMQ’s retaining wall is the most obvious remnant from the era of the former Queen’s College. [Stone wall trees on PMQ’s retaining wall along Hollywood Road, Sheung Wan, 2020]
Bounded by Hollywood Road, Aberdeen Street, Shing Wong Street and Staunton Street, the former Queen’s College was one of the most important construction project in the city during the 1880’s. [Queen’s College along Hollywood Road with the sloped Aberdeen Street on the left, photograph by Arnold Wright, 1908, Public Domain]
A block further uphill from Hollywood Road, the PMQ is also accessible from Staunton Street in SOHO. The functionalist architecture from 1951 reflects a pragmatic and efficient living culture in the postwar era. [PMQ along Staunton Street, Sheung Wan, 2020]
In contrast to the functionalist approach of the PMQ, the Neo-Classical architecture of the former Queen’s College (also named Victoria College) represented a distant era of the bygone Victoria City. [Junction of Staunton and Shing Wong Street, photograph published by Robert Crisp Hurley in 1897. Image courtesy of “Sixty Diamond Jubilee Pictures of Hong Kong”, University of Bristol (www.hpcbristol.net). (CC BY_NC_ND 4.0)]
To deal with the change of levels of the site, the PMQ is situated on a series of platforms defined by stone retaining walls. [The terracing PMQ complex as seen from Aberdeen Street, Sheung Wan, 2020]
Built in 1918, the underground public toilet at the junction of Aberdeen and Staunton Street was the only female underground public toilet in Hong Kong. Listed as an historical building, the facility is no longer in use. [Junction of Aberdeen and Staunton Street, Sheung Wan, 2020]
Serving as the main entrance and event space, the courtyard of the PMQ is accessible from the sloped Aberdeen Street. [The PMQ as seen from Aberdeen Street, Sheung Wan, 2019]
Before the Covid 19 pandemic, the PMQ courtyard often hosts large scale art installations, outdoor exhibitions or handicraft market. Inspired by the Chinese proverb “MAKE HAPPY THOSE WHO ARE NEAR AND THOSE WHO ARE FAR WILL COME,” the Gather for Gifts of Love Pavilion by British designer Morag Myerscough defined the entrance of the 2019 Christmas Bazaar. [PMQ courtyard, Sheung Wan, 2019]
During the Covid 19 pandemic, Littleurbanmountain Design (小市山設計) kept their rotating Christmas Trees in a “social distancing arrangement”. [PMQ courtyard, Sheung Wan, 2020]
Often, the courtyard features an introductory display for the main exhibit housed in the Qube exhibition block on the 2nd floor behind the courtyard. [Installation of the Hanzi Exhibition (漢字展), PMQ courtyard, Sheung Wan, 2018]
Under the glass canopy, large installation can reach up to about four storey high. Kaws, a famous American artist and designer, captured everyone’s attention with his enormous Mickey Mouse like clown figures in 2019. KAWS: Along the Way [PMQ courtyard, Sheung Wan, 2019]
Further into the courtyard, two columns are enhanced with mosaic artwork by French street artist Invader and figure wall painting by local artist Little Thunder (門小雷). [PMQ courtyard, Sheung Wan, 2020]
Historical foundations of the former Queen’s College can be visited by tour. Visitors can also have a peek of the foundations from the glass floor at the courtyard. [PMQ courtyard, Sheung Wan, 2020]
The cover area of the courtyard often hosts handicraft markets or live performances. [PMQ courtyard, Sheung Wan, 2020]
Chairs designed by Prouve, Wegner, Eames, etc. are on display near the main courtyard. [PMQ courtyard, Sheung Wan, 2020]
One level lower than the courtyard, the former Central Junior Police Call Clubhouse is now home to a fancy French restaurant managed by renowned Chef Julien Royer. [Central Junior Police Call Clubhouse, PMQ, Sheung Wan, 2020]
The recreational clubhouse of the former residence was converted into the Hollywood Road Police Primary School in the 1950’s, and then into the Central Junior Police Call Clubhouse in 1981. [Louise restaurant, PMQ, Sheung Wan, 2020]
Several cool looking concrete seats are placed on the lower platform of PMQ. [PMQ, Sheung Wan, 2020]
The stone retaining wall and its adjacent granite steps at the lower platform have been around since 1889. [PMQ, Sheung Wan, 2020]
Step art has been popular with selfies of visitors. The event “Hong Kong on Steps: Tales of Our City” regularly transform the 20 or so staircases into painting canvases. [PMQ, Sheung Wan, 2020]
A handful of new features have been added during the conversion of PMQ into a public building, including signage. [PMQ, Sheung Wan, 2021]
Above the Qube exhibition block, a lush green roof garden on the 4th floor offers a pleasant resting area for visitors. [PMQ, Sheung Wan, 2014]
After a few years, a number of shop have moved out, complaining the lack of visitors at PMQ during weekdays. [PMQ courtyard, Sheung Wan, 2021]
Snacks and drinks are always the most popular way to engage visitors during festivals and events. [PMQ courtyard, Sheung Wan, 2018]
Striking the balance between an NGO and a retail complex has proven to be difficult. Many shops continues to seek for the right business model. Handicraft workshops or children art classes are some of the most popular way for the tenants to generate income. [PMQ, Sheung Wan, 2021]
Many old features, including the window frames and handles, are carefully preserved at PMQ. [PMQ, Sheung Wan, 2014]
We regularly go to Levain Bakery for their artisan sourdough bread. Sometimes, we would sit down at their balcony for breakfast. [Levain Bakery, PMQ, Sheung Wan, 2020]
SOHOFAMA promotes healthy eating and happy living, emphasizing on chemical-free, and local organic food. [PMQ at Staunton Street, Sheung Wan, 2014]
Sake Central has everything about sake, from the handmade cups to the sake products from all over Japan. [PMQ at Staunton Street, Sheung Wan, 2020]

HERITAGE VOGUE OF HOLLYWOOD ROAD (荷李活道), Central – Sheung Wan (中上環), Hong Kong

For two years in a row in 2017 and 2018, part of Hollywood Road in Old Central was closed off to host an one-day street carnival known “Heritage Vogue • Hollywood Road”. Live performances, activity booths, and temporary displays were set up to promote heritage preservation in Hong Kong. Being the second oldest street in the city and home to a range of heritage buildings, Hollywood Road in Central and Sheung Wan offers the perfect venue for such an event. In fact, Hollywood Road has long been an urban magnet for all history buffs and foreign tourists. Completed in 1844, Hollywood Road in Central – Sheung Wan was the vital connection linking the military barracks at Possession Point and the city centre in Central during the early colonial times. Today, it passes by some of Hong Kong’s most well known attractions and heritage buildings: Hollywood Park (荷李活道公園), Lascar Row antique market (摩羅街), Man Mo Temple (文武廟), Former Police Married Quarters PMQ (元創方), and Former Central Police Station Tai Kwun (大館), and also popular areas including the foodie paradise of NOHO, the entertainment Mecca of SOHO, and the vibrant Graham Street Market (嘉咸街市). To the disappointment of some people, Hollywood Road has nothing to do with the Hollywood in LA. Instead, there are two main theories behind the street’s naming. First, some say there were once holly trees, also known as Christmas berries, planted along the road. However, historical accounts dispute that holly trees were actually imported to Hong Kong years after the road was built and named. One type of holly tree (冬青) were actually widely planted in the Tai Ping Shan area as a type of Chinese medicine when Western medicine has yet being widely accepted by the people in Hong Kong. The second theory refers to the Hollywood House in Henbury, which was the former residence of John Francis Davis, the second governor (1844 – 1848) of colonial Hong Kong.

For decades, visitors coming to Hollywood Road would notice the abundance of antique shops and art galleries. Before massive land reclamation took place over a century ago, Hollywood Road was not far from the waterfront. Traders, sailors and smugglers would bring their overseas merchandises to sell at Hollywood Road. Gradually, Hollywood Road has become a vibrant marketplace for trading all sorts of curios and antiques from China and around the world. Today these antique shops and galleries continue to attract tourists from all over the world. The former Police Married Quarter, a listed modernist building, was preserved, renovated and opened to the public in 2014 as a mixed use art and design compound known as the PMQ. The project has brought new life into the historical street. In 2018, the long awaited Tai Kwun, or the former Central Police Station Compound also opened its doors to the public. Took 8 years and HKD 3.8 billion to complete, Tai Kwun is the most extensive conservation and revitalization project in Hong Kong. World renowned architect Herzog & de Meuron was involved in the master planning and architectural design of Tai Kwun, transforming the former police compound into a welcoming heritage and art centre. The completion of Tai Kwun and PMQ have dramatically transformed the cultural scenery of Hollywood Road, consolidating Hollywood Road as a primary tourist attraction in Hong Kong.

During the “Heritage Vogue • Hollywood Road” event, Hollywood Road was closed off between Tai Kwun and PMQ to host the street carnival. Live performances, activities booths, and temporary displays were set up to promote heritage preservation in Hong Kong. [Tai Kwun at Hollywood Road, Central, 4th November 2018]
The carnival was a rare opportunity in Hong Kong to promote heritage preservation through a large scale public event. [Junction of Lyndhurst Terrace and Hollywood Road, Central, 4th November 2018]
Passing by a number of heritage buildings, temples, and antique markets, the 1km Hollywood Road is a popular historical trail among tourists.
Trippen, a German shoemaker that we love, marks the intersection of Hollywood Road and Queen’s Street Central. The emergence of Trippen several years ago signaled a change of identity for Hollywood Road from traditional to modern and hip. [Junction of Hollywood Road and Queen’s Street Central, Sheung Wan, 2020]
In the recent ten fifteen years, restaurants, pubs and art galleries have taken over some of the old retail spaces along Hollywood Road. While 208 Duecento Otto serves Neapolitan pizza and other Italian culinary delights on Hollywood Road. The adjacent Chachawan, on the other hand, offers dishes from Thailand’s Northeast Isaan Region. [208 Hollywood Road, Sheung Wan, 2021]
Since 2008, art gallery Contemporary by Angela Li has been an active player in the art scene in Hong Kong, curating exciting exhibitions in Sheung Wan. [Shop window displaying an installation from The Lost Time Travel Machine, an exhibition by artist Angela Yuen at Contemporary by Angela Li, Hollywood Road, Sheung Wan, 2020]
In the past, Hollywood Road Park (荷李活道公園) was named as Possession Point. This was where the Royal Navy landed and raised a British flag on Hong Kong Island before signing the Treaty of Nanjing in 1841. It was also the site of a former Dai tat dei (大笪地), a night bazaar with affordable eateries, stall vendors and street performers. [Hollywood Road Park, Sheung Wan, 2020]
Possession Point in the 19th century. [CC BY_NC_ND 4.0, Photograph by Robert Crisp Hurley. Image courtesy of Sixty Diamond Jubilee Pictures of Hong Kong, Historical Photographs of China, University of Bristol (www.hpcbristol.net)]
26 January 1841, Commodore Gordon Bremer formally took possession of Hong Kong Island. They landed at an area known as Possession Point (水坑口). Today, Possession Point is marked by Hollywood Road Park as well as Possession Street (水坑口街). [Junction of Possession Street and Queen’s Street Central, Sheung Wan, 2020]
The western half of Hollywood Road is the world famous antique marketplace. [Junction of Hollywood Road and Possession Street, Sheung Wan, 2020].
Each antique shop on Hollywood Road has its unique style and shopfront design. [Hollywood Road, Sheung Wan, 2021]
Each antique shop at Hollywood Road might have its unique specialty. For example, Ever Arts Gallery is specialized in wooden furniture from the Ming and Qing Dynasty, while its neighbour focuses on old jade stones. [Hollywood Road, Sheung Wan, 2021]
Liang Yi Museum (兩依藏博物館) hosts one of the largest furniture collection from the Ming and Qing Dynasty. [Near the Junction of Hollywood Road and Tank Lane, Sheung Wan, 2020].
Predating all antique shops on Hollywood Road, Man Mo Temple was the hub for the Chinese community during the early days of the founding of Hong Kong. [Man Mo Temple, Sheung Wan, 2020]
Especially attractive to foreign tourists, some antique shops still maintain a traditional appearance. [Friendship Trading Company (興華工藝古玩行), Hollywood Road, Sheung Wan, 2020]
Shopfront of many antique shops appear like a treasure trove that welcomes anyone who has the patience for a treasure hunt. [True Arts and Curios (趣雅閣), Hollywood Road, Sheung Wan, 2020]
The minimalist facade of Gallery 149 emerges as an interesting addition to the traditional cluster of antique shops on Hollywood Road. Specialized in Asian art and antiques, the gallery presents a fusion of styles between the old and new. [Gallery 149, Hollywood Road, Sheung Wan, 2020]
Aberdeen Street marks the boundary between Central and Sheung Wan Districts. At the corner of Aberdeen Street and Hollywood Road stands a heritage building compound known as PMQ, the former Police Married Quarter. [Junction of Aberdeen Street and Hollywood Road, Sheung Wan, 2020]
In 2014, the compound has been converted into a hub for artists and designers to exhibit and sell their creative products. [Near junction of Aberdeen Street and Hollywood Road, Sheung Wan, 2020]
Painted figures of Marilyn Monroe, Audrey Hepburn, Charlie Chaplin and Frank Sinatra dominate the podium facade of Madera Hollywood Hotel. On the ground floor, Villepin Art Gallery bravely entered the art scene of Hong Kong during the year of the pandemic. Founded by Dominique de Villepin, France’s former Prime Minister from 2005 – 2007, and his son Arthur de Villepin, a prominent art collector, Villepin is specialized in Asian art for collectors. [Junction of Peel Street and Hollywood Road, Central, 2020]
Opened in 1948 by Lam Fong Nam, a sugar cane farmer from the countryside, Kung Lee Sugar Cane Drink (公利真料竹蔗水) has been around for over 70 years. Dated back to about 1919, the historical building where Kung Lee situates is an iconic heritage building in the area. [Junction of Peel Street and Hollywood Road, Central, 2020]
Today, Kung Lee Sugar Cane Drink is operated by the fourth generation owner, who successfully modernized the business to attract younger customers, introducing new products such as sugar cane beer, and repainting their metal gate with colourful street art. [Junction of Peel Street and Hollywood Road, Central, 2017]
Apart from new products, Kung Lee Sugar Cane Drink still maintains a nostalgic ambience with decorations from its heyday. [Junction of Peel Street and Hollywood Road, Central, 2020]
Beyond PMQ towards Central, Hollywood Road has entered the entertainment area known as SOHO. The street has become livelier with more retail boutiques, pubs and restaurants. [Junction of Lyndhurst Terrace and Hollywood Road, Central, 2020]
Despite the changes of retail shops and facade decorations, the bend at the junction of Lyndhurst Terrace and Hollywood Road and the old fire hydrant have remained unchanged for decades. [Junction of Lyndhurst Terrace and Hollywood Road, Central, 2020]
Further east towards Central, the Central – Mid Levels Escalators bends up Shelley Street towards SOHO entertainment district and the Mid Levels residential area. [Junction of Central – Mid Levels Escalators and Hollywood Road, Central, 2020]
From the Central – Mid Levels Escalator, Hollywood Road [Junction of Central – Mid Levels Escalators and Hollywood Road, Central, 2020]
The former Central Police Station Compound, also known as Tai Kwun, marks the ending of Hollywood Road. After years of renovations, Tai Kwun opened to the public in 2018 as a art and heritage centre. It immediately became a cultural and tourist hot spot in Hong Kong. [Tai Kwun at Hollywood Road, Central, 2020]

KITAKARO SAPPORO HONKAN (北菓楼札幌本館), Sapporo (札幌), Hokkaido (北海道), Japan, 2019.06.24

Day 10 (3/6).

During our Hokkaido trip, we visited three works by Japanese architect Tadao Ando (安藤 忠雄): the Chapel on the Water in Tomamu, the Hill of the Buddha in Makomanai Takino Cemetery, and in Sapporo, the Kitakaro Sapporo Honkan (北菓楼札幌本館).  The Japanese confectionery store is housed in the two-storey brick masonry building that was once the first library (北海道庁立図書館) and the first ever art museum in Hokkaido.  Then, after being used as an archive of public records, the most recent renewal by Tadao Ando opened the building to the public once again.  Ando’s team has done a great job in preserving the masonry structure and interior features of the original building such as the elegant stair at the building corner.  They also created an airy atrium space with white cross vault ceiling and large bookcases on the upper level to remind visitors the building’s history as a library.  Today, the lower level serves as a flagship store selling Kitakaro’s confectionery while the upper level is a popular cafe.

IMG_0853The historical library building (北海道庁立図書館) is a beautiful piece of architecture dated to 1920’s.

IMG_0842The original masonry facades are well preserved.

IMG_0845Little contemporary touches give new life to the former library building.

IMG_0794The main entrance of the confectionery shop, a glazed box attached to the side of the history building, presents a visual contrast to the original structure and suggests a sense of respect to the heritage building by not mingling a “fake antique” with the old.

IMG_0810The original stone stair is well kept.  It leads visitors up to the cafe on the upper level.

IMG_0835This stone stair has become a popular photo shooting spot for visitors.

IMG_0837The ground level is occupied by the confectionery store.  Here visitors can appreciate the white vaulted ceiling overhead and the airy atrium.

IMG_0809The red brick walls are well preserved, while the new vaulted structure is completely detached from the old masonry facade.

IMG_0831From the upper level visitors can appreciate the variety of the colourful boxes of sweets available.

IMG_0808The interior design of the cafe is inspired by the building’s former use as a library.  Bookcases are used as feature walls that stand out from the white surroundings.

IMG_0830The cafe is popular with both locals and tourists .

IMG_0822It is pleasant to dine in such an airy environment with super high ceiling.

IMG_0824Spaghetti with scallop in cream sauce.  The cream sauce is surprisingly light but rich in scallop flavour.  The cream sauce has the subtle sweetness of the fresh scallops.

IMG_7943This is Kitakaro’s Special Omelet Rice. What lies underneath the layer of fresh and soft omelet is a combination of rice and Hokkaido beef.  It is served with a rich sweet sauce. This dish might look simple but the combined aromatic flavor from the fresh Hokkaido ingredients is really remarkable.

IMG_7944The famous cream puff with smooth and silky cream that melts in the mouth, leaving behind a milky aftertaste that lingers.

IMG_7968Hokkaido is famous for its lavender fields in the summer.  Just like Ando’s Hill of the Buddha, lavender is used at the Kitakaro Sapporo Honkan (北菓楼札幌本館) to give some pleasant colours to the historical structure.

* * *

Introduction
HOKKAIDO ROAD TRIP, Hokkaido (北海道)

Day 1 – from Tokyo to Shiretoko Peninsula
Day 1.1 TSUKIJI OUTER MARKET (築地場外市場)
Day 1.2 ARRIVAL IN SHIRETOKO, Utoro (ウトロ)

Day 2 – Utoro
Day 2.1 SHIRETOKO FIVE LAKES (知床五湖)
Day 2.2 UTORO FISHERMAN’S WIVES CO-OPERATIVE DINER (ウトロ漁協婦人部食堂)
Day 2.3 FUREPE FALLS (フレペの滝)

Day 3 – Rausu
Day 3.1 RUSA FIELD HOUSE (ルサフィールドハウス)
Day 3.2 JUN NO BANYA (純の番屋)

Day 4 – Rausu
Day 4.1 MOUNT RAUSU (羅臼岳)
Day 4.2 FANTASTIC ORCAS, Nemuro Strait (根室海峡)

Day 5 – Lake Mashu & Lake Akan
Day 5.1 SUNRISE AT LAKE MASHU (摩周湖)
Day 5.2 MOUNT MASHU TRAIL (摩周岳) , Teshikaga (弟子屈)
Day 5.3 SILENT NIGHT AT LAKE AKAN (阿寒湖)

Day 6 – On the road from Lake Akan to Furano
Day 6.1 FISHERMEN BELOW MISTY OAKAN (雄阿寒岳), Lake Akan (阿寒湖)
Day 6.2 TREATS OF OBIHIRO (帯広), Tokachi (十勝)
Day 6.3 ARRIVING IN FURANO (富良野)

Day 7 Furano & Biei
Day 7.1 LAVENDER BUDS, Nakafurano (中富良野)
Day 7.2 FARM TOMITA (ファーム富田), Nakafurano (中富良野)
Day 7.3 BI.BLE, Biei (美瑛)
Day 7.4 PATCHWORK ROAD & PANORAMA ROAD, Biei (美瑛)
Day 7.5 NINGLE TERRACE (ニングルテラス)

Day 8 – from Furano to Otaru
Day 8.1 CHURCH ON THE WATER (水の教会), Hoshino Resorts Tomamu (星野リゾート トマム)
Day 8.2 HILL OF THE BUDDHA (頭大仏), Makomanai Takino Cemetery (真駒内滝野霊園)
Day 8.3 SEAFOOD, CANAL, & HISTORY, Otaru (小樽)
Day 8.4 RAINY NIGHT IN OTARU, Otaru (小樽)

Day 9 – Yochi & Sapporo
Day 9.1 NIKKA YOICHI DISTILLERY (余市蒸溜所), Yoichi (余市)
Day 9.2 SOUP CURRY NIGHT

Day 10 – Sapporo
10.1 OKKAIDO SHRINE (北海道神宮 )
10.2 MORIHICO COFFEE (森彦珈琲本店)
10.3 KITAKARO SAPPORO HONKAN (北菓楼札幌本館)
10.4 SATURDAYS CHOCOLATE
10.5 GOTSUBO OYSTER BAR(五坪)
10.6 MOUNT MOIWA (藻岩山) & RAMEN HARUKA (ラーメン悠)

Day 11 – Sapporo
11.1 FORMER HOKKAIDO GOVERNMENT OFFICE (北海道庁旧本庁舎)
11.2 RED STAR & GENGKIS KHAN, Sapporo Beer Museum (サッポロビール株式会社)

 


HILL OF THE BUDDHA (頭大仏), Makomanai Takino Cemetery (真駒内滝野霊園), Hokkaido (北海道), Japan, 2019.06.22

Day 8 (2/4).

The fun part of being an architect is that one could never predict what the next project would be until the client knocks on the door.  For Tadao Ando, while he completed his iconic Chapel on the Water in the late 1980s, he might never imagine that over two decades later he would get a chance to realize a Buddhist shrine that houses a 13.5m statue of Buddha in Hokkaido.  Situated in Makomanai Takino Cemetery (真駒内滝野霊園), Ando’s take this time on creating a spiritual encounter with the Buddha image is consisted of an artificial mount planted with 150000 lavender plants and a large oculus over the Buddha’s head.  From parking lot entry to the statue, the diversity of spatial experience allow visitors to cleanse their heart before reaching the Buddha, while the concrete finishes of the architecture offer a neutral environment for lights, shadows and rain to define a spiritual atmosphere for the shrine.

IMG_0202Before reaching Ando’s Buddha, we had a strange encounter with a row of what looked like to be replicas of the Moai statues in Easter island.

DSC_6328The forecourt is dominated by a water feature where visitors must walk around in order to enter the shrine.

DSC_6245.JPGit was windy and rainy and we quickly walked around the water feature.

IMG_0151Because of the wind and rain, we only had a quick look at the fine details of the water feature design.

DSC_6255An cool looking passageway then led us directly into the shrine.

DSC_6259At last, we arrived at the 13.5m Buddha statue.

DSC_6290We decided to walk around the circular shrine to check out all sides of the Buddha, as well as the smaller shrines at the circumference.

DSC_6292The statue is slightly higher than the egg like structure, and the head of the Buddha actually sticks out.

DSC_6300The surrounding wall panels are tilted inwards, allowing visitors to stay dry when walking around the statue even in the rain.

DSC_6301No matter at what angle, the Buddha and the concrete structure look in perfect harmony.  The rippled concrete structure also makes the shrine to appear in a solemn and contemporary ambience.

DSC_6304Everything is in gradients of grey, except the offering flowers.

DSC_6309Most people would walk to the front of the statue to pay their respect, say their prayers and leave some coins for offerings.

DSC_6311Looking back out towards the entrance, the passageway appeared like a tunnel out of a science fiction movie.

DSC_6323Similar to the concrete structure in the shrine, the ceiling structure of the passageway also has a series of ripped vaults.  Above the passageway is the mount planted with 150000 lavender plants.

IMG_0139In August, the Hill of the Buddha will be filled with the fragrance of lavender.

IMG_0138Before we left, we checked out a small display adjacent to the forecourt of water feature of Ando’s drawings, sketches and photos of the construction.  For architecture lovers, the detour to the Hill of Buddha is well worth the time and effort.

* * *

Introduction
HOKKAIDO ROAD TRIP, Hokkaido (北海道)

Day 1 – from Tokyo to Shiretoko Peninsula
Day 1.1 TSUKIJI OUTER MARKET (築地場外市場)
Day 1.2 ARRIVAL IN SHIRETOKO, Utoro (ウトロ)

Day 2 – Utoro
Day 2.1 SHIRETOKO FIVE LAKES (知床五湖)
Day 2.2 UTORO FISHERMAN’S WIVES CO-OPERATIVE DINER (ウトロ漁協婦人部食堂)
Day 2.3 FUREPE FALLS (フレペの滝)

Day 3 – Rausu
Day 3.1 RUSA FIELD HOUSE (ルサフィールドハウス)
Day 3.2 JUN NO BANYA (純の番屋)

Day 4 – Rausu
Day 4.1 MOUNT RAUSU (羅臼岳)
Day 4.2 FANTASTIC ORCAS, Nemuro Strait (根室海峡)

Day 5 – Lake Mashu & Lake Akan
Day 5.1 SUNRISE AT LAKE MASHU (摩周湖)
Day 5.2 MOUNT MASHU TRAIL (摩周岳) , Teshikaga (弟子屈)
Day 5.3 SILENT NIGHT AT LAKE AKAN (阿寒湖)

Day 6 – On the road from Lake Akan to Furano
Day 6.1 FISHERMEN BELOW MISTY OAKAN (雄阿寒岳), Lake Akan (阿寒湖)
Day 6.2 TREATS OF OBIHIRO (帯広), Tokachi (十勝)
Day 6.3 ARRIVING IN FURANO (富良野)

Day 7 Furano & Biei
Day 7.1 LAVENDER BUDS, Nakafurano (中富良野)
Day 7.2 FARM TOMITA (ファーム富田), Nakafurano (中富良野)
Day 7.3 BI.BLE, Biei (美瑛)
Day 7.4 PATCHWORK ROAD & PANORAMA ROAD, Biei (美瑛)
Day 7.5 NINGLE TERRACE (ニングルテラス)

Day 8 – from Furano to Otaru
Day 8.1 CHURCH ON THE WATER (水の教会), Hoshino Resorts Tomamu (星野リゾート トマム)
Day 8.2 HILL OF THE BUDDHA (頭大仏), Makomanai Takino Cemetery (真駒内滝野霊園)
Day 8.3 SEAFOOD, CANAL, & HISTORY, Otaru (小樽)
Day 8.4 RAINY NIGHT IN OTARU, Otaru (小樽)

Day 9 – Yochi & Sapporo
Day 9.1 NIKKA YOICHI DISTILLERY (余市蒸溜所), Yoichi (余市)
Day 9.2 SOUP CURRY NIGHT

Day 10 – Sapporo
10.1 OKKAIDO SHRINE (北海道神宮 )
10.2 MORIHICO COFFEE (森彦珈琲本店)
10.3 KITAKARO SAPPORO HONKAN (北菓楼札幌本館)
10.4 SATURDAYS CHOCOLATE
10.5 GOTSUBO OYSTER BAR(五坪)
10.6 MOUNT MOIWA (藻岩山) & RAMEN HARUKA (ラーメン悠)

Day 11 – Sapporo
11.1 FORMER HOKKAIDO GOVERNMENT OFFICE (北海道庁旧本庁舎)
11.2 RED STAR & GENGKIS KHAN, Sapporo Beer Museum (サッポロビール株式会社)


DAY 7 (3/7): POETICS OF ARCHITECTURE, D T Suzuki Museum (鈴木大拙館), Kanazawa (金沢), Ishikawa Prefecture (石川県), Japan, 2018.05.31

In counter to a globalized world where International Style architecture can be erected anywhere in the world without connections with the regional culture and landscape, architectural historian Kenneth Frampton suggests Critical Regionalism as an alternative approach that integrates Modernist design with regional essence.  From Kenzo Tange to Tadao Ando and Kengo Kuma, the beauty of traditional Japanese architecture have made a strong presence in modern architectural designs in Japan.  Located just a block southeast of SANAA’s 21st Century Museum of Contemporary Art, the D T Suzuki Museum is an elegant piece of modern architecture that contains deep roots in the beauty of Japanese Zen traditions.  Famous for designing a number of museums in Japan and, the most well known of all, the new wing of New York’s MOMA, architect Yoshio Taniguchi (谷口吉生) completed this small museum in 2011 to commemorate the life and works of Suzuki Daisetz Teitaro (1870-1966), an influential Zen Buddhist philosopher who was largely responsible for introducing Japanese Zen Buddhism to the West.

Famous for the spatial qualities and fine detailing, Yoshio Taniguchi’s D T Suzuki Museum goes much beyond a sleek building that houses a collection of artefacts.  From the humble entrance to a hallway guided by a slit of light, from a cozy exhibition hall that tells the story of the zen master to a small library of Suzuki’s works for visitor’s better understanding on the philosophy of Zen, and from a courtyard of a rugged stone wall and tranquil mirror pool for visitors’ self reflection to a spiritual pavilion surrounded by water for self contemplation, a visit to the D T Suzuki Museum offers an inspiring journey designated for the beauty of spiritual enlightenment, Zen Buddhism and life itself.  Though small in scale, the experience and beauty of D T Suzuki Museum provided us much more food for thought than many catchy and sleek designs that spark a few minutes of wow effect and then nothing more.

OLYMPUS DIGITAL CAMERAReference to traditional Japanese houses and Modernist architecture, a band of vertical strips conceal the humble entrance and glazed reception lobby.

DSC_8154A square abstract pattern of lines and strokes define the logo of the D T Suzuki Museum.

DSC_8157After obtaining our tickets, we followed a hallway with skirting light into the exhibition space.

DSC_8164In the middle of the hallway, an angular glazed corner allowed us to have a peek into the modern zen garden outside.

DSC_8180No photography was allowed in the exhibition and library areas.  After the exhibit, the journey took us out to the courtyard of mirror pond and the contemplation pavilion with its paper-thin roof.

DSC_8247We sat on a wooden bench in front of a stone wall for quite some time to feel the breeze and take in the atmosphere and let the beauty of the courtyard to sink into our hearts.

DSC_8182Water ripples was generated automatically from time to time in the pool, serving as a visual massage to further calm down our mind.

DSC_8192Every elements in the complex are minimal, light and elegant, as if the world has been striped of every excessive and undesirable element with only the essence left behind.

DSC_8183Refined detailing of the pool railing showed us the architect’s careful attention to minimize excessive lines and connection hardware throughout the complex.

DSC_8225At four corners of the pavilion, rainwater chains were provided along with beautiful water feature of small water droplets forming tiny ripples in the pool.

DSC_8237The pavilion for contemplation can be reached from all four sides.  With indirect lighting from the overhead oculus and the four openings each framing a garden view, one can stay, meditate and make peace with him/herself in the pavilion for a long time.

DSC_8257The courtyard wasn’t very big, but it was full of interesting design details and magnificent spots to appreciate order of zen architecture.

OLYMPUS DIGITAL CAMERAThe edge of the pool is carefully treated with a perimeter band of pebble stones.

DSC_8265From the garden lookout, the pavilion and its reflection appear perfect in geometry under the shade of the willow tree.

DSC_8269The essence of minimalist architecture is evident from the limited number of lines and elements in the design.

DSC_8276.JPGLess doesn’t mean lacking: unique features in the museum garden offer touches of design sophistication to enhance user experience at different spots throughout the journey.

IMG_8572For many tourists, D T Suzuki Museum has provided one of the most pleasant surprises and inspiring moments in their Kanazawa experience.  We couldn’t agree more.

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)


DAY 5 (4/5): YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県), Japan, 2018.05.29

Other than the Hida beef and sake, the other two places we planned to visit in Takayama were the Miyagawa Morning Market (宮川朝市) and Yoshijima House (吉島家住宅).  According to guidebooks, for anyone who are interested in architecture and design, Yoshijima House is a must-go in Takayama.  The Yoshijima House has been published in various design magazines and is considered an excellent example of machiya or traditional townhouse architecture of the Hida region.  Built in 1907 by master carpenter Nishida Isaburo (西田伊三郎), the student of the fourth Mizuma Sagami (水間相模), the timber house of Yoshijima exemplifies the supreme craftsmanship of the traditional Hida carpentry.  Today, the house is designated as a national important cultural property and a popular tourist attraction.  From Sanmachi Suji (三町筋) or the old town, Yoshijima House is just a few blocks to the north beyond a water channel.

 

DSC_7098The sugitama (杉玉) outside of Yoshijima House reveals its original identity as a well known sake breweries in Takayama.

OLYMPUS DIGITAL CAMERAFrom outside, a traditional outer wall conceals the inner garden of the Yoshijima House.

OLYMPUS DIGITAL CAMERABeyond the entrance vestibule, we entered into a large and airy hall.  The middle part of the hall with hard flooring indicated where the sake shop was once situated, whereas the raised tatami areas belonged to the living spaces of the Yoshijima family.

OLYMPUS DIGITAL CAMERAWe were told by the museum staff to take the wooden stair and visit the upper level first.

DSC_7106On the upper level, we walked through a series of tatami spaces.  These spaces were used by the children of the family back in the old days.

DSC_7109The simplicity of design details and building materials express a sense of minimalism that is still dominating Japanese architectural design.

OLYMPUS DIGITAL CAMERAOccasional design elaborations such as the painted cupboard panels provide a touch of artistic beauty and focus.

OLYMPUS DIGITAL CAMERA Level difference is being used as a means to define two separated spaces.

DSC_7117The wood stairs are beautiful but a little steep.

DSC_7125Small architectural details throughout the building  highlight the level of family status and quality of the carpentry.

DSC_7122The ground floor of Yoshijima House reveals the flexibility of partitioning in a traditional Japanese house.  All rooms are interconnected with sliding doors, allowing utmost freedom for space planning.

OLYMPUS DIGITAL CAMERAThere is no specific function for each 6-tatami room.  When a table is set up in the tatami room then it will become a dining room.  And when bedding is arranged, the same room will be transformed into a bedroom.

DSC_7127When all sliding panels are removed, the ground floor will become one large space for special uses.

OLYMPUS DIGITAL CAMERALike many Japanese houses, a courtyard flanked with verandas provides pleasant semi-outdoor spaces for the house users.

OLYMPUS DIGITAL CAMERADuring our visit, artworks and magazines about the Yoshijima House were on displayed at the former sake making and storage area, where beautiful jazz music was playing in the background.

DSC_7133The most famous feature of the Yoshijima House is the prominent posts and beams at the main hall.  The spaces with the charcoal brazier set were used as living and dining room for the family.

DSC_7150The high windows allow light to create a pleasant ambience at the main hall.

OLYMPUS DIGITAL CAMERAThe beauty of wood is essential to the interiors of the house.  The wood beams and posts are covered with thin layer of lacquer, and have been periodically polished with cloth by the family since completion.

DSC_7157The antique clock on the wall reminded us the Meiji Era at the turning of the 20th century when Japan opened its doors to welcome Western technologies and knowledge and went through a rapid process of modernization.

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)


DAY 2 (3/5): MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本), Japan, 2018.05.26

Two years ago in April 2016, Pritzker Prize winner Toyo Ito (伊東豊雄) came to Hong Kong for a public lecture.  His recently completed Taichung Metropolitan Opera House was the main focus on that day, but Ito also introduced some of his earlier works, including the Matsumoto Performing Arts Centre (まつもと市民芸術館).  With its spatial fluidity and random windows on the curving outer walls, the Matsumoto project has strongly imprinted onto our memory.  Completed in 2004, the Matsumoto Performing Arts Center is consisted of two performance halls: the great hall (1800 seats) and the smaller hall (240 seats), rehearsal studios, supporting facilities, a cafe, and a reception lobby, all connected by a ribbon-like foyer and a splendid staircase, allowing visitors to freely flow through different spaces.  The performing arts centre was famous not only for its aesthetics, but also its quality as a community theatre, providing a great place for both the audience and performers.  This, to a great extent, was the fruitful result from close collaborations during the design process between architect Toyo Ito and stage director-actor Kazuyoshi Kushida.

Despite our limited time in the city, we just couldn’t leave Matsumoto without checking out Ito’s building.  We were eager to have a firsthand experience of the fluid spatial experience, check out the delicate construction detailing, and admire the lovely finish materials.  The performance halls were closed for the public, but we could still freely wander in the common areas, from the grand entrance staircase to the lovely roof garden.

OLYMPUS DIGITAL CAMERAThe Matsumoto Performing Arts Centre is just a few minutes walk from Matsumoto City Museum of Art.

OLYMPUS DIGITAL CAMERAFrom outside, the Matsumoto Performing Arts Centre bends along a side street to the dark grey fly tower.

DSC_6131The expression of fluidity seems to be the coherent design language of the building.  Patterns of flowing water appears on some metal panels near the building entrance.

DSC_6133The magical experience of the architecture begins right from the dramatic entry into the entrance lobby and grand staircase.

DSC_6138A moving walkway along the beautiful outer wall of random openings, where diffused natural light is allowed to enter the interior.

DSC_6140In a magazine interview, Toyo Ito describes the curved facade with windows of sparkling pattern can give the impression of being random and natural rather than geometrically based.

DSC_6155From a distance, the facade of random windows appears like a translucent screen of sparkling gemstones.

OLYMPUS DIGITAL CAMERADuring daytime, the foyer serves as a indoor public space.  The public is free to enter and climb the stair to the upper foyer.

DSC_6143A screen of translucent glass serves as a balustrade for the upper foyer.

 

OLYMPUS DIGITAL CAMERAOn the upper foyer, there is a large glazed wall allowing visitors to take in the view of greenery outside.

DSC_6145The curvature of the outer walls extends all the way to the back foyer of the grand hall.  While the outer wall are defined by the random windows, the walls of the performance halls in the foyer are cladded by dark metal panels.

DSC_6149On the upper foyer, there are several two groups of organic shaped seating under spotlight.

DSC_6150Between the grand and smaller halls, the foyer offers a pleasant space for pre-function activities under the carefully designed ambient lighting.

DSC_6182There is a causal cafe at the end of the foyer next to the smaller hall.  The adjacent glass elevator provides a convenient way to access the above roof garden.

OLYMPUS DIGITAL CAMERAThe flat roof is covered entirely by vegetation.  Both the lawn and the continuous bench along the railing offer pleasant seating to the public.

DSC_6173The roof garden ends at a dance rehearsal studio and the fly tower of the grand hall.

DSC_6167From the roof garden, visitors can enjoy the skyline of Matsumoto and the scenery of Hida Mountains (Northern Japanese Alps) beyond.

DSC_6195After touring the roof garden and upper foyer, we descended back to the ground floor.

DSC_6203We were delighted to have make it to see Ito’s great piece of architecture.  From the performing arts centre, it was a 15-minute walk back to Matsumoto Station for us to embark into the countryside of the Northern Japanese Alps.

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)