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Posts tagged “design

DAY 7 (3/7): POETICS OF ARCHITECTURE, D T Suzuki Museum (鈴木大拙館), Kanazawa (金沢), Ishikawa Prefecture (石川県), Japan, 2018.05.31

In counter to a globalized world where International Style architecture can be erected anywhere in the world without connections with the regional culture and landscape, architectural historian Kenneth Frampton suggests Critical Regionalism as an alternative approach that integrates Modernist design with regional essence.  From Kenzo Tange to Tadao Ando and Kengo Kuma, the beauty of traditional Japanese architecture have made a strong presence in modern architectural designs in Japan.  Located just a block southeast of SANAA’s 21st Century Museum of Contemporary Art, the D T Suzuki Museum is an elegant piece of modern architecture that contains deep roots in the beauty of Japanese Zen traditions.  Famous for designing a number of museums in Japan and, the most well known of all, the new wing of New York’s MOMA, architect Yoshio Taniguchi (谷口吉生) completed this small museum in 2011 to commemorate the life and works of Suzuki Daisetz Teitaro (1870-1966), an influential Zen Buddhist philosopher who was largely responsible for introducing Japanese Zen Buddhism to the West.

Famous for the spatial qualities and fine detailing, Yoshio Taniguchi’s D T Suzuki Museum goes much beyond a sleek building that houses a collection of artefacts.  From the humble entrance to a hallway guided by a slit of light, from a cozy exhibition hall that tells the story of the zen master to a small library of Suzuki’s works for visitor’s better understanding on the philosophy of Zen, and from a courtyard of a rugged stone wall and tranquil mirror pool for visitors’ self reflection to a spiritual pavilion surrounded by water for self contemplation, a visit to the D T Suzuki Museum offers an inspiring journey designated for the beauty of spiritual enlightenment, Zen Buddhism and life itself.  Though small in scale, the experience and beauty of D T Suzuki Museum provided us much more food for thought than many catchy and sleek designs that spark a few minutes of wow effect and then nothing more.

OLYMPUS DIGITAL CAMERAReference to traditional Japanese houses and Modernist architecture, a band of vertical strips conceal the humble entrance and glazed reception lobby.

DSC_8154A square abstract pattern of lines and strokes define the logo of the D T Suzuki Museum.

DSC_8157After obtaining our tickets, we followed a hallway with skirting light into the exhibition space.

DSC_8164In the middle of the hallway, an angular glazed corner allowed us to have a peek into the modern zen garden outside.

DSC_8180No photography was allowed in the exhibition and library areas.  After the exhibit, the journey took us out to the courtyard of mirror pond and the contemplation pavilion with its paper-thin roof.

DSC_8247We sat on a wooden bench in front of a stone wall for quite some time to feel the breeze and take in the atmosphere and let the beauty of the courtyard to sink into our hearts.

DSC_8182Water ripples was generated automatically from time to time in the pool, serving as a visual massage to further calm down our mind.

DSC_8192Every elements in the complex are minimal, light and elegant, as if the world has been striped of every excessive and undesirable element with only the essence left behind.

DSC_8183Refined detailing of the pool railing showed us the architect’s careful attention to minimize excessive lines and connection hardware throughout the complex.

DSC_8225At four corners of the pavilion, rainwater chains were provided along with beautiful water feature of small water droplets forming tiny ripples in the pool.

DSC_8237The pavilion for contemplation can be reached from all four sides.  With indirect lighting from the overhead oculus and the four openings each framing a garden view, one can stay, meditate and make peace with him/herself in the pavilion for a long time.

DSC_8257The courtyard wasn’t very big, but it was full of interesting design details and magnificent spots to appreciate order of zen architecture.

OLYMPUS DIGITAL CAMERAThe edge of the pool is carefully treated with a perimeter band of pebble stones.

DSC_8265From the garden lookout, the pavilion and its reflection appear perfect in geometry under the shade of the willow tree.

DSC_8269The essence of minimalist architecture is evident from the limited number of lines and elements in the design.

DSC_8276.JPGLess doesn’t mean lacking: unique features in the museum garden offer touches of design sophistication to enhance user experience at different spots throughout the journey.

IMG_8572For many tourists, D T Suzuki Museum has provided one of the most pleasant surprises and inspiring moments in their Kanazawa experience.  We couldn’t agree more.

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CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)

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DAY 5 (4/5): YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県), Japan, 2018.05.29

Other than the Hida beef and sake, the other two places we planned to visit in Takayama were the Miyagawa Morning Market (宮川朝市) and Yoshijima House (吉島家住宅).  According to guidebooks, for anyone who are interested in architecture and design, Yoshijima House is a must-go in Takayama.  The Yoshijima House has been published in various design magazines and is considered an excellent example of machiya or traditional townhouse architecture of the Hida region.  Built in 1907 by master carpenter Nishida Isaburo (西田伊三郎), the student of the fourth Mizuma Sagami (水間相模), the timber house of Yoshijima exemplifies the supreme craftsmanship of the traditional Hida carpentry.  Today, the house is designated as a national important cultural property and a popular tourist attraction.  From Sanmachi Suji (三町筋) or the old town, Yoshijima House is just a few blocks to the north beyond a water channel.

 

DSC_7098The sugitama (杉玉) outside of Yoshijima House reveals its original identity as a well known sake breweries in Takayama.

OLYMPUS DIGITAL CAMERAFrom outside, a traditional outer wall conceals the inner garden of the Yoshijima House.

OLYMPUS DIGITAL CAMERABeyond the entrance vestibule, we entered into a large and airy hall.  The middle part of the hall with hard flooring indicated where the sake shop was once situated, whereas the raised tatami areas belonged to the living spaces of the Yoshijima family.

OLYMPUS DIGITAL CAMERAWe were told by the museum staff to take the wooden stair and visit the upper level first.

DSC_7106On the upper level, we walked through a series of tatami spaces.  These spaces were used by the children of the family back in the old days.

DSC_7109The simplicity of design details and building materials express a sense of minimalism that is still dominating Japanese architectural design.

OLYMPUS DIGITAL CAMERAOccasional design elaborations such as the painted cupboard panels provide a touch of artistic beauty and focus.

OLYMPUS DIGITAL CAMERA Level difference is being used as a means to define two separated spaces.

DSC_7117The wood stairs are beautiful but a little steep.

DSC_7125Small architectural details throughout the building  highlight the level of family status and quality of the carpentry.

DSC_7122The ground floor of Yoshijima House reveals the flexibility of partitioning in a traditional Japanese house.  All rooms are interconnected with sliding doors, allowing utmost freedom for space planning.

OLYMPUS DIGITAL CAMERAThere is no specific function for each 6-tatami room.  When a table is set up in the tatami room then it will become a dining room.  And when bedding is arranged, the same room will be transformed into a bedroom.

DSC_7127When all sliding panels are removed, the ground floor will become one large space for special uses.

OLYMPUS DIGITAL CAMERALike many Japanese houses, a courtyard flanked with verandas provides pleasant semi-outdoor spaces for the house users.

OLYMPUS DIGITAL CAMERADuring our visit, artworks and magazines about the Yoshijima House were on displayed at the former sake making and storage area, where beautiful jazz music was playing in the background.

DSC_7133The most famous feature of the Yoshijima House is the prominent posts and beams at the main hall.  The spaces with the charcoal brazier set were used as living and dining room for the family.

DSC_7150The high windows allow light to create a pleasant ambience at the main hall.

OLYMPUS DIGITAL CAMERAThe beauty of wood is essential to the interiors of the house.  The wood beams and posts are covered with thin layer of lacquer, and have been periodically polished with cloth by the family since completion.

DSC_7157The antique clock on the wall reminded us the Meiji Era at the turning of the 20th century when Japan opened its doors to welcome Western technologies and knowledge and went through a rapid process of modernization.

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)


DAY 2 (3/5): MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本), Japan, 2018.05.26

Two years ago in April 2016, Pritzker Prize winner Toyo Ito (伊東豊雄) came to Hong Kong for a public lecture.  His recently completed Taichung Metropolitan Opera House was the main focus on that day, but Ito also introduced some of his earlier works, including the Matsumoto Performing Arts Centre (まつもと市民芸術館).  With its spatial fluidity and random windows on the curving outer walls, the Matsumoto project has strongly imprinted onto our memory.  Completed in 2004, the Matsumoto Performing Arts Center is consisted of two performance halls: the great hall (1800 seats) and the smaller hall (240 seats), rehearsal studios, supporting facilities, a cafe, and a reception lobby, all connected by a ribbon-like foyer and a splendid staircase, allowing visitors to freely flow through different spaces.  The performing arts centre was famous not only for its aesthetics, but also its quality as a community theatre, providing a great place for both the audience and performers.  This, to a great extent, was the fruitful result from close collaborations during the design process between architect Toyo Ito and stage director-actor Kazuyoshi Kushida.

Despite our limited time in the city, we just couldn’t leave Matsumoto without checking out Ito’s building.  We were eager to have a firsthand experience of the fluid spatial experience, check out the delicate construction detailing, and admire the lovely finish materials.  The performance halls were closed for the public, but we could still freely wander in the common areas, from the grand entrance staircase to the lovely roof garden.

OLYMPUS DIGITAL CAMERAThe Matsumoto Performing Arts Centre is just a few minutes walk from Matsumoto City Museum of Art.

OLYMPUS DIGITAL CAMERAFrom outside, the Matsumoto Performing Arts Centre bends along a side street to the dark grey fly tower.

DSC_6131The expression of fluidity seems to be the coherent design language of the building.  Patterns of flowing water appears on some metal panels near the building entrance.

DSC_6133The magical experience of the architecture begins right from the dramatic entry into the entrance lobby and grand staircase.

DSC_6138A moving walkway along the beautiful outer wall of random openings, where diffused natural light is allowed to enter the interior.

DSC_6140In a magazine interview, Toyo Ito describes the curved facade with windows of sparkling pattern can give the impression of being random and natural rather than geometrically based.

DSC_6155From a distance, the facade of random windows appears like a translucent screen of sparkling gemstones.

OLYMPUS DIGITAL CAMERADuring daytime, the foyer serves as a indoor public space.  The public is free to enter and climb the stair to the upper foyer.

DSC_6143A screen of translucent glass serves as a balustrade for the upper foyer.

 

OLYMPUS DIGITAL CAMERAOn the upper foyer, there is a large glazed wall allowing visitors to take in the view of greenery outside.

DSC_6145The curvature of the outer walls extends all the way to the back foyer of the grand hall.  While the outer wall are defined by the random windows, the walls of the performance halls in the foyer are cladded by dark metal panels.

DSC_6149On the upper foyer, there are several two groups of organic shaped seating under spotlight.

DSC_6150Between the grand and smaller halls, the foyer offers a pleasant space for pre-function activities under the carefully designed ambient lighting.

DSC_6182There is a causal cafe at the end of the foyer next to the smaller hall.  The adjacent glass elevator provides a convenient way to access the above roof garden.

OLYMPUS DIGITAL CAMERAThe flat roof is covered entirely by vegetation.  Both the lawn and the continuous bench along the railing offer pleasant seating to the public.

DSC_6173The roof garden ends at a dance rehearsal studio and the fly tower of the grand hall.

DSC_6167From the roof garden, visitors can enjoy the skyline of Matsumoto and the scenery of Hida Mountains (Northern Japanese Alps) beyond.

DSC_6195After touring the roof garden and upper foyer, we descended back to the ground floor.

DSC_6203We were delighted to have make it to see Ito’s great piece of architecture.  From the performing arts centre, it was a 15-minute walk back to Matsumoto Station for us to embark into the countryside of the Northern Japanese Alps.

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)

 

 


DAY 1 (3/3): MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE, Tokyo, Japan, 2018.05.25

A short metro ride took us to Roppongi (六本木), a business and entertainment district dominated by the high-rise complexes of Roppongi Hills (2003) and Tokyo Midtown (2006).  Before the completion of these mixed-use developments, Roppongi was well known for its disco scene since the late 1960’s.  In 2014, we visited the area for the first time to explore these complexes and the nearby National Art Center (国立新美術館) in a stormy day.  This time, we came specifically to check out the exhibitions at Mori Art Museum and 21_21 Design Sight.

DSC_5889 At Roku Roku Plaza of Roppongi Hills, Louise Bourgeois’ famous sculpture “Maman” was given a temporary makeover by Magda Sayeg, the textile artist who was responsible for a wide range of yarn installations in cities around the world.

DSC_5893On the observation deck of Mori Tower, we had a good view of the surrounding area.  The wavy facade of Kisho Kurokawa’s National Art Center stood out at the forefront.

OLYMPUS DIGITAL CAMERATo mark its 15th anniversary, the Mori Art Museum was hosting an exhibition on Japanese architecture on the 53rd floor of Mori Tower.

IMG_5906“Japan in Architecture: Genealogies of Its Transformation” presented the essence of modern Japanese architecture in 9 sections: 1) Possibilities of Wood, 2) Transcendent Aesthetics, 3) Roofs of Tranquility, 4) Crafts as Architecture, 5) Linked Spaces, 6) Hybrid Architecture, 7) Forms of Living Together, 8) Japan Discovered, and 9) Living with Nature.

DSC_5900In each section, the topics were presented with physical models, design installations, architectural drawings, project photos, hand sketches, etc.  Photography was not allowed for most displays.

OLYMPUS DIGITAL CAMERAA causal seating area offered further reading on Japanese architecture.

DSC_5904A one-to-one model of a Japanese tea house offered visitors a chance to see the essence of traditional minimalist architecture.

DSC_5905This large wooden model of what looked like a traditional Japanese home was in fact the Tange House designed by architectural maestro Kenzo Tange (丹下健三).  Built in 1953, the Tange House presented a fusion of traditional style and customs of modern living.

IMG_5941Towards the end of the exhibition, there was an eye-catching multi-media show made with 3D projections.

DSC_5913After a good taste of Japanese architecture at Mori, we walked a few blocks north to 21_21 Design Sight, a small design museum at Hinokicho Park (檜町公園) in Tokyo Midtown.

DSC_5914With the beautiful terracotta cladding, the 20-acre Tokyo Midtown is an elegant and highly recognizable high-rise complex.

DSC_5915With glass canopies and shade trees, the outdoor areas of Tokyo Midtown exemplify a role model of livable city.

DSC_5945Last time when we came to 21_21 Design Sight, the facility was closed for exhibition installation.  This time, a photography show “New Planet Photo City – William Klein and Photographers Living in the 22nd Century” was held, and we were able to see the show as well as the building designed by Tadao Ando.

DSC_5934Despite its small scale, Ando’s 21_21 Design Sight was an interesting attraction for design enthusiasts.

DSC_5937Curated by photographic critic and art historian Toshiharu Ito, the show began with a video presentation of William Klein’s photographs on the 20th century urbanity, and then contemporary photography on city and people by various Asian photographers.

DSC_5939Ando’s signature fair faced concrete provided a beautiful backdrop for light and shadow.

OLYMPUS DIGITAL CAMERAOutside 21_21 Design Sight, the afternoon sun was soft and relaxing.

OLYMPUS DIGITAL CAMERAWe sat on a bench in Hinokicho Park (檜町公園) to take a brief rest, and decided to follow Google Map for a 25-minute walk to Aoyama (青山).  Time was getting a little late and we weren’t sure if we could still make it to see Taro Okamoto Memorial Museum (岡本太郎記念館), the former home of renounced artist Taro Okamoto.  We left Tokyo Midtown and walked west from Nogizaka Station (乃木坂駅), passed by the peaceful Aoyama Cemetery (青山霊園), and reached the fabulous Nezu Museum (根津美術館) in Aoyama at around 4:15pm.  From Nezu, it was only a block from Taro Okamoto’s former residence, and we had about 1.5 hour to visit the house, its exhibitions and cafe.  Time was a little tight and we were quite tired due to the midnight flight.  We decided to leave the museum until next time in town.

DSC_5951Instead, we opted for Cafe Kitsuné at a side street off the fashionable Omotesando (表参道), where the creative talents of world famous fashion designers and architects converged into high-end fashion boutiques.  Associated with Kitsuné, a French electronic music record and fashion label (Kitsuné Maison) created by Gildas Loaec, Masaya Kuroki and company Abake, Cafe Kitsuné is a little gem in Aoyama for anyone who loves coffee and design.

IMG_5949The nice coffee from Japan’s first Slayer coffee machine and the stylish interior made the visit worthwhile.

 
* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)


DAY 4 (1/3): SUMIDA HOKUSAI MUSEUM (すみだ北斎美術館), Sumida (墨田), Tokyo, Japan, 2017.06.17

After a full day excursion of historical temples and natural scenery in Nikko, we decided to spend the next day to explore another neighborhood in Tokyo.  We started the day at the southwest area of Sumida District (墨田区), near the metro station of Ryogoku (両国).  Many tourists come to Ryogoku (両国) for sumo (相撲): visit sumo stables to view professional practice, or checked out chanko nabe restaurants for a sumo meal, or even watch a game of sumo wrestling at Ryogoku Kokugikan (Ryogoku Sumo Hall).  We, however, came to the area for museum hopping.

Opened in 2016, the Sumida Hokusai Museum is being considered as a novel cultural icon of Sumida.  Designed by Kazuyo Sejima (妹島 和世), the sleek architecture houses exhibitions to showcase the life and works of the world famous ukiyo-e (浮世絵) artist Katsushika Hokusai (葛飾 北斎).  With his Thirty-six Views of Mount Fuji (富嶽三十六景), Hokusai is definitely the most iconic figure of ukiyo-e (浮世絵) in the Edo Period (1603 – 1868).  Kazuyo Sejima (妹島 和世), the founder of SANAA and a recipient of the Pritzker Prize in architecture with Ryue Nishizawa, is also a generation defining Japanese architect in her own right.  From the 21st Century Museum of Contemporary Art in Kanazawa, New Museum in New York, Rolex Learning Centre in Lausanne, to Louvre Lens Museum in France, Sejima and Ryue Nishizawa of SANAA have inspired uncounted architects and designers around the world in the last two decades.

OLYMPUS DIGITAL CAMERAThe Midoricho Park (緑町公園) where Sumida Hokusai Museum is erected, is also the birthplace of Katsushika Hokusai (葛飾 北斎).

OLYMPUS DIGITAL CAMERASejima’s building immediately became a cultural icon in the rather low key residential neighborhood.  The building provides an interesting backdrop for the community play area of Midoricho Park.

OLYMPUS DIGITAL CAMERAThe building scale and the facade’s level of reflectiveness express a certain degree of novelty without creating an overwhelming impact to the surrounding context.

04The cave like slit at each of the four sides provides a prominent entrance gateway at each side.

05The reflectivity of the museum’s metal cladding is right on.

06Everything on the facade is clean and minimal.

07We walked to the main entrance via one of the triangular opening on the facade.

08The facets of the glass panes and the reflections of the outside offer a unique entrance experience.

09The detailing of the triangular opening is once again clean and minimal.

OLYMPUS DIGITAL CAMERAThe angular aspects of the architecture is carried through into the interior.

11The washroom on the ground floor is a cute little cube at the lobby.

OLYMPUS DIGITAL CAMERABeside Sejima’ architecture, the works of Katsushika Hokusai (葛飾 北斎) were well worth the admission.

13The exhibition space is not big.  Most of his paintings are hung along the wall.  Artifacts such as books and sketches.

14The most famous works by  Kazuyo Sejima is Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei).  A selection of the 36 prints had been put on display.

15The Great Wave off Kanagawa is perhaps the most well known image by Katsushika Hokusai.

OLYMPUS DIGITAL CAMERASome of the final works by Katsushika Hokusai are also on display.

17A wax display depicting the studio of Katsushika Hokusai (葛飾 北斎) and his daughter back in the Edo Period.

18Outside of the exhibition area, there is a seating area with great views towards the Sky Tree.


DAY 2 (3/4): A STROLL IN NAKAMEGURO (中目黒) AND DAIKANYAMA (代官山), Tokyo, Japan, 2017.06.15

Only 15 minutes of walk separates Nakameguro (中目黒) and Daikanyama (代官山), two pleasant residential neighborhoods close to Shibuya and Ebisu.  Last year in 2016, I made my first visit to Daikanyama, and was immediately captivated by its elegance as an upscale residential and shopping area.  This time, we ventured further south towards Meguro River into the neighborhood of Nakameguro.  While Nakameguro is not as established as Daikanyama, its charm as a hip and lovely residential and shopping area has become quite well known to both the locals and foreign visitors.  Our stroll in Nakameguro and Daikanyama began at Higashi-yama Restaurant, where we had a fine lunch.  Then we found our way to the Meguro River, a canal like waterway that used to be an awful stream filled with industrial waste before the 1980s.  The fate of Nakameguro changed its course after the government cleaned up the river in the late 1980s.  Since then the first group of hipsters moved in, and soon trendy cafes, boutiques and residential developments mushroomed along the Meguro River, and gradually transformed the area into one of the most desirable residential neighborhood in Tokyo.  We walked along the river and stopped by a number of shops, before heading over to Sarugakucho (猿楽町) of Daikanyama for a revisit of the magnificent T-Site and the nearby boutiques.  Literally means “monkey fun town”, Sarugakucho of Daikanyama is a popular spot in Tokyo simply to enjoy life: unique fashion boutiques, coffee shops, bookstores, hair salons, organic vendors, furniture and design shops, etc.

OLYMPUS DIGITAL CAMERAThe Meguro River seems like a canal with peaceful and clear water.

02As the government cleaned up Meguro River, the character of Nakameguro was completely transformed into a pleasant residential neighborhood and a concentration of interesting shops, cafes and restaurants.

OLYMPUS DIGITAL CAMERAMany shops along Meguro River are catered to serve the immediate community of local residents, such as hair salons.

OLYMPUS DIGITAL CAMERAOr local eateries…

05Considered as one of the star attractions in the area, COW Books in Nakameguro has a charming collection of rare and out-of-print books.

06Blue Blue, a unique clothing store owned by Seilin & Co. Hollywood Ranch Market selling a wide range of garments that combines traditional indigo dyeing and contemporary fashion.

07Over at Daikanyama, shops are more concentrated in a clusters of narrow streets of Sarugakucho near T-Site, the famous Tsutaya Bookstore and its garden of shops.   UES Jeans is a small boutique that sells high quality denim.  They believe a garment should be fully used till the end of the product’s life.  The name “UES” is derived from the word “waste”, with reference to the Japanese habit of reusing old clothes for dust cloths at the end of the garment’s life.

08Designed by architect Akihisa Hirata in 2007, Sarugaku is a cluster of six commercial blocks surrounding a valley-like courtyard in a narrow site.

09At Sarugakucho, we couldn’t resist to check out Okura (オクラ), one of the most popular boutiques in the area.  Under the same mother company as Nakameguro’s Blue Blue, Okura is renowned for their garments that perfectly combine traditional indigo dyeing and tailor techniques with contemporary fashion trends and functions.

10Maison Kitsune is another unique boutique in Sarugakucho.  Maison Kitsune represents a success story of international collaboration.  It is founded by French electornic musician Gildas Loaec and Japanese architect Masaya Kuroki, in an attempt to create a brand under the intertwining influences of music and fashion.  “Kitsune” is the Japanese word for “fox”, representing a character of versatility and the power of changing appearance.

11Our brief afternoon walk of Daikanyama ended at the T-Site, the garden retail complex behind Tsutaya Bookstore.

12Other than Tsutaya Bookstore, the stylish restaurant Ivy Place is the main focus in the T-Site.

13At the T-Site, the primary attraction is definitely the Tsutaya Bookstore.  It was our second time to visit this beautiful bookstore.  Similar to my first visit a year ago, we were delighted to find that every corner of the complex was enjoyed by customers of all sorts.

15To us, Tsutaya and the T-Site represents an ideal venue to spend a Sunday afternoon.

17It was getting dark as we left Daikanyama.  We leisurely walked back to our hotel in Shibuya to take a little break before dinner.

 


DAY 2 (2/4): HIGASHI-YAMA RESTAURANT, near Nakameguro (中目黒), Tokyo, Japan, 2017.06.15

After Ebisu, our next stop was Higashi-yama Restaurant in Nakameguro (中目黒).  In a quiet residential street in Higashi-yama 15 minutes walk from Nakameguro Station, Higashi-yama Restaurant was well hidden from the street.  We came across this restaurant from our online research.  We were attracted by the minimalist food presentation and the atmospheric interior setting.  We reserved a table for lunch through their website two weeks prior to our departure.  After the traditional Kaiseki experience at Ueno Park the day before, we were hoping that Higashi-yama would offer us a contemporary interpretation of Japanese cuisine.  “A detached house located in Higashi-yama, Meguro-ku, Tokyo, away from the clamor of the city, and be a place where people meet and discuss what matters most to them, a place where new communication is born.”  According to the description on their website, the story of this tranquil spot in Tokyo’s Higashi-yama where people come and chat and enjoy modern Japanese food all began in 1998.  Our experience of Higashi-yama began at a narrow stairway off the street.

01A flight of steps led us away from a residential street up to a hidden courtyard.

02Well hidden from the street, the entrance courtyard offers a serene buffer between the street and the restaurant.  The courtyard served well to decant our souls of hastiness and calm down our hearts (as we were almost late for the booking).

03The interior of the restaurant is simple and unpretentious, with traditional Japanese dark timber millwork in a bright and simple setting.

OLYMPUS DIGITAL CAMERAA tall shelf displaying wine and sake anchors one corner of the interior.

05Wood is such an important material in Japanese culture, from table, chopsticks to chopstick holders.

06The appetizer consisted of eight ingredients fresh to the season.

07Both the taste and the beautiful presentation of the food matched with the overall ambience of the restaurant.

08One of the main dish we ordered was the grilled snapper.

OLYMPUS DIGITAL CAMERAThe other main we chose was the tempura seasonal ingredients.

10After the tasty appetizers and main dishes, we were led by the staff downstairs via a beautiful and modern stair.

12The water feature by the stairwell seems like a contemporary interpretation of a chōzubachi water basin in front of a zen tea house.

13We were led to a comfortable sitting area for dessert.

14Mocha pudding and mango ice-cream came went well with hot Japanese tea.

15An interesting copper sculpture was mounted on the wall over our head.

OLYMPUS DIGITAL CAMERAOpposite to our sitting area, a staff was preparing tea and chatting with another customer by a high counter.

17 After dessert, we paid the bill and were led to exit the building through a copper door directly back to the street.  Overall, Higashi-yama Restaurant offered us a fine experience, with good food to satisfy our taste-buds and a zen and minimalist environment to sooth our souls.