ultramarinus – beyond the sea

Posts tagged “Kowloon

RUNNING BELOW THE SKYLINE, Central (中環) – Wan Chai (灣仔) Promenade, Hong Kong

In 1997, the first Standard Charter Hong Kong Marathon attracted 1,000 runners. As love for the sport grows universally, the annual event in Hong Kong has gained popularity and attracted about 70,000 runners (pre-pandemic) from around the globe, defying the humid conditions to run in the subtropical heat. Despite the dominance of East African runners in the race, local participants have increased in both numbers and results in recent years. In fact, the sport has become so popular in Hong Kong that more and more running related shows are broadcasted on television, and more and more sports equipment shops have popped up in busy commercial neighbourhoods in recent years. Runners are everywhere: on sidewalks and waterfront promenades, or in parks and on trails in the countryside.

Some run for health benefits, while some run just to loosen up their minds after a long day of stress. For people who have had enough time sitting in air conditioned offices, doing an evening run is a decent alternative for going to the gym. For a city as dense as Hong Kong, it might be surprising to find that pleasant running routes are never far away. For residents on the Island side, many choose Bowen Road in Wan Chai, or Lugard Road at Victoria Peak, while on the Kowloon side, West Kowloon Art Park or Tsim Sha Tsui Promenade are the obvious choices. In recent years, the government put efforts to transform the once out of limits harbourfront areas on the north shore of Hong Kong Island into public promenades. These promenades have become instant hits for local runners. Harbourfront scenery is particularly pleasant between Central Piers and the Convention and Exhibition Centre in Wan Chai when the urban skyline lit up after dusk. With such amazing backdrop, there should be no excuse for anyone not to put on their running shoes and headphones, take in the lovely views and seaside breezes, and burn some calories.

The iconic skyline of the northern shore of Hong Kong Island forms the backdrop of the waterfront promenade between Central and Wan Chai. [2020]
From Central Piers, the curvilinear Convention Centre at Wan Chai waterfront is just 1.5km away. [2020]
In recent decades, the business district has extended from Central all the way to Wan Chai. [2020]
From Central Piers, the waterfront promenade passes by the Harbourfront Event Space to Admiralty (金鐘), the commercial neighbourhood between Central and Wan Chai. [2020]
Leaving Central Piers and the setting sun behind, the promenade heads east along Victoria Harbour. [2020]
The towering Two International Finance Centre (2IFC) dominates the skyline. [2020]
In front of the government’s headquarters in Admiralty, construction work was underway to provide pockets of recreational spaces for children and families. [2020]
A runner passed by the neon light artwork on the construction hoarding in Admiralty. [2020]
In 2021, the recreational areas in front of the government headquarters opened to the public. [2021]
All these recreational spaces enjoy views of Victoria Harbour and the distant skyline of Kowloon. [2021]
Leaving Admiralty behind, the promenade arrives at the public spaces adjacent to the Convention and Exhibition Centre in Wan Chai. [2020]
In a clear day, the Convention and Exhibition Centre offers fantastic views of the skyline of Central and Admiralty. [2020]
There are plenty of spaces to chill out near the Convention and Exhibition Centre. [2021]
Many runners would take a break at Convention Centre to watch the sunset. [2020]
Red skies would appear occasionally over Victoria Harbour. [2020]
From Wan Chai, spectators may notice just how narrow Victoria Harbour has become (Central of Hong Kong Island at left and West Kowloon Art District at right). [2020]
The magical moment would appear just after sunset when the skyline of Central and Admiralty begin to lit up. [2020]
The view of sunset and urban skyline from Convention Centre is breathtaking. [2020]
A few would test their luck on fishing during sunset. [2020]
Many come to photograph the sunset and Central skyline at Wan Chai Promenade. [2021]
The Convention and Exhibition Centre (香港會議展覽中心) New Wing was completed in 1997 and hosted the Hong Kong handover ceremony. [2021]
The sculpture at Golden Bauhinia Square (金紫荊廣場) adjacent to the Convention and Exhibition Centre was a gift from China for the handover ceremony in 1997. [2021]
Responsible for search and rescue, the Government Flying Service has one of their helipad outside of the Convention and Exhibition Centre. [2021]
In 2021, the Wan Chai Promenade extends eastwards to Causeway Bay. [2021]
On the newly reclaimed land, temporary public spaces have been constructed along the Harbourfront of Wan Chai. [2021]

MORE THAN JUST A DOCK: Central Piers (中環碼頭), Central (中環) Hong Kong

At midnight 12th of November 2006, Edinburgh Place Ferry Pier (also known as Star Ferry Pier 天星碼頭) Clock Tower played its last chimes of its 48-years service, before being decommissioned and demolished along with the third generation Star Ferry Pier. Manufactured by Dent (London clock maker who was responsible for the clock of the Big Ben), the clock had told the time and chimed every 15 minutes since 1958. Although the timepiece mechanism was eventually preserved, the clock tower was discreetly toppled in early morning on 16th December 2006 amid public outcries and activist protests. Then four months later, just a stone throw from the toppled clock tower, Queen’s Pier (皇后碼頭) became the next harbourfront icon to fall victim for the Central and Wan Chai Reclamation project. Named after Queen Victoria, Queen’s Pier was the main arrival and departure point for all colonial governors since 1925, and the landing spot for British royal visits (Queen Elizabeth II in 1975, and Prince and Princess of Wales in 1989). After their failed attempt to save the Star Ferry Pier, local conservationists reunited at Queen’s Pier to held rallies, hunger strikes and candlelight vigils to fight against the demolition. While winning support from the public and even some celebrities, the activists once again failed to convince the government to consider preservation the colonial pier. Despite their fruitless attempts, the incidents of Star Ferry Pier and Queen’s Pier have significantly raised public awareness on heritage preservation in Hong Kong, and triggered widespread support for later conservation projects such as Central Market, Police Married Quarter (PMQ) and Tai Kwun Police Headquarters.

As a port city, pier structures have always been essentials to Hong Kong. Based on an university study of photos from 1863, there were once 56 piers and jetties between Western District and Causeway Bay in mid 19th century. Excluding the restricted zones, that works out to be 56 piers in 5.5km of shoreline, or roughly a pier every 98m. As port facilities were moved away from the heart of Victoria Harbour and the opening of Cross Harbour Tunnel in 1970’s, pier activities along the north coast of Hong Kong Island have significantly declined, except for the pleasant Star Ferry and the other boat services to the outlying islands. I still remember the excitement as a kid in 1980’s when arriving at the Outlying Islands Ferry Pier (港外線碼頭) boarding a boat for day trips to Lantau or Yamma Island, or rubbing shoulders with foreign tourists taking photos of traditional rickshaws at Star Ferry Pier (天星碼頭), or watching couples taking wedding photos at Queen’s Pier (皇后碼頭) after tying the knot at the adjacent City Hall. Each pier had its own ambience and scenery. Each pier has become a unique piece of memory. Since the completion of Central and Wan Chai Reclamation project, the old Central piers are all but gone. About 300m north of the former piers, a cluster of ten new piers were established between 1990’s and 2000’s as the new Central Piers. Assigned with Pier No. 7 and 8, the current Star Ferry Pier was erected in Edwardian style mimicking its second generation predecessor from 1910’s. The “fake antique” and “theme park” approach of the architecture have drawn heavy criticism from the public. Between Pier No. 9 and 10, Hong Kong Observation Wheel, a 60m Ferris wheel, was erected in 2014 as a new tourist attraction. Despite being skeptical about the necessity of a new attraction, many do see the Ferris wheel as a delightful focus for the harbourfront, and a welcoming feature upon arriving at the Central Piers by ferry.

In colonial times, certain piers were designated to play ceremonial roles for the city. A Triumphal arch was erected at Pedder’s Wharf for the visit of Duke of Edinburgh in 1869. [Photograph by John Thomson, 1869, Wellcome Library no. 18643i, public domain]
Landing of The Duke of Edinburgh at Pedder’s Wharf in 1869. [Image courtesy of National Archives, Kew, University of Bristol Library (www.hpcbristol.net)]
Located at the junction of Pedder Street and Chater Road, the Second Generation Star Ferry Pier was constructed in 1910 in front of the former Queen’s Building. [Photograph by Eleanor Mitchell, 1912-1917. Image courtesy of E.G. France, University of Bristol Library (www.hpcbristol.net)]
In 1925, Cecil Clementi became the first colonial governor to land and sworn in at Queen’s Pier. [public domain]
Similar to modern taxis, rickshaws drivers line up outside Blake Pier and Star Ferry Pier in 1930. [Wikimedia Commons, Public Domain]
Blake Pier (middle left) and Star Ferry Terminal (right) had served the Central community for decades before being torn down for the Central and Wan Chai Reclamation project. [Photograph by Martin Funnell, 1955. Image courtesy of Martin Funnell, University of Bristol Library (www.hpcbristol.net)]
The Edinburgh Place Ferry Pier or Star Ferry Pier, its clock tower and car park structure belong to be a single building complex. Today, only the carpark remains. [Photo of Edinburgh Place, 1957, public domain]
At midnight 12th of November 2006, the Edinburgh Place Ferry Pier Clock Tower played the last chimes. [Photography by WING, Image courtesy of Wikipedia user -WING, CC-BY-SA-3.0, Wikimedia Commons]
Taken from the 10th Floor of City Hall High Block in October 2005, the former Edinburgh Place Ferry Pier (Star Ferry Pier) can be seen on the left, former Queen’s Pier on the right, and the current Central Piers under construction at upper left. [Photography by Carismith, Image courtesy of Wikipedia user -Carismith, CC-BY-SA-3.0, Wikimedia Commons]
After failing to stop the demolition of Edinburgh Place Ferry Pier, local conservationists shifted their focus to the adjacent Queen’s Pier. [Photography by CX257 in September 2007. Image courtesy of Wikipedia user -CX257, CC-BY-SA-3.0, Wikimedia Commons]
Local celebrity Chow Yun Fat signed the petition at Queen’s Pier in April 2007. [Photography by Leo Cheung, Image courtesy of Wikipedia user -Leockh, CC-BY-SA-3., Wikimedia Commons]
Locals gathered for the last night of Queen’s Pier on 31 July 2007. [Photography by Wing1990hk, Image courtesy of Wikipedia user -Wpcpey, CC-BY-SA-3., Wikimedia Commons]

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A series of pier structures lined across Central Harbourfront as the current Central Piers. [Photo taken from Ocean Terminal in Tsim Sha Tsui, 2020]
The former Edinburgh Place Ferry Pier has become Lung Wo Road and the Central Harbourfront Event Space. [Photo taken from Lung Wo Road outside the City Hall, 2020]
As part of the former Edinburgh Place Ferry Pier, the Star Ferry Car Park remains as a prominent modernist structure in Central. [Photo taken from Lung Wo Road outside the City Hall, 2020]
A footbridge links the Central Piers with the main financial district further inland. Each time a land reclamation projects is completed, the time it takes to reach the piers f would increase. [Photo taken from Lung Wo Road, 2020]
With reference to Edwardian architectural features, the fourth generation Star Ferry Pier has been criticized for failing to represent the contemporary spirit. [Central Pier No. 8, 2020]
For many, the new Edwardian clock tower of the current Star Ferry Pier in Central appears like a theme park backdrop. [Central Pier No. 9, 2020]
The real antique at the Star Ferry Pier is the ferry boats themselves, such as the 58-year old Day Star (晨星號). [Central Pier No. 7, 2022]
At the upper deck of Star Ferry Pier, a farmer’s market selling local organic produces is held every Sunday. [Central Pier No. 7, 2019]
Across the harbour, the 1957 Streamline Moderne pier structure of the Star Ferry Pier (天星碼頭) in Tsim Sha Tsui offers a glimpse of what its counterpart in Central, the now demolished Edinburgh Place Ferry Pier used to be like. [Star Ferry Pier in Tsim Sha Tsui, 2021]
In June 2020, regular ferry service between Central and Hung Hom has resumed after a 9-year service suspension. [Central Pier No. 8, 2020]
The easternmost Pier No. 9 and 10 offer fine views of Victoria Harbour. [Central Pier No. 9, 2020]
It is pleasant to linger at Pier No. 9 and 10 at dusk. [Central Pier No. 9, 2020]
The public Pier No. 9 and 10 are occasionally used by private boats. [Central Pier No. 10, 2020]
Pier No. 9 and 10 have become a popular place to hang out after work. [Central Pier No. 10, 2020]
As casual public spaces, Pier No. 9 and 10 are often shared by different groups of people. [Central Pier No. 10, 2020]
Between Pier 7 and 8, a Ferris wheel known as Hong Kong Observation Wheel has become a new focal point in Central Harbourfront since 2014. [Central Pier No.8, 2022]
Sitting up to five people, all gondolas of the Ferris wheel are equipped with air conditioning [Central Pier No.8, 2020]
The pandemic has prevented outside visitors coming to Hong Kong in the past two years. Most tourist related businesses, including the Hong Kong Observation Wheel, have suffered a considerable time. [Central Pier No.8, 2020]

VICTORIA HARBOUR (維多利亞港), Hong Kong

Before the pandemic, Hong Kong was a highly popular tourist destination in Asia, ranked among the top cities in the world for the number of international visitors. Just like many tourist cities around the globe, tourism in Hong Kong has suffered enormously during the pandemic. The numbers of foreign visitors have plummeted, and the once crowded sights across the city have been largely tourist free. Despite the loss of tourist activities, this situation is prompting the return of Hongkongers to places they would normally avoid before the pandemic. Apart from popular museums, beaches, amusement parks, and shopping centres, waterfront promenades along Victoria Harbour, especially in Tsim Sha Tsui at the tip of Kowloon Peninsula, has always been packed with tourists before the Covid. Just like our childhood years, today we can once again wander freely on the Avenue of Stars or linger in the shadow of the Tsim Sha Tsui Clock Tower without bumping into aggressive tourist groups. At night, the undulating reflections of neon lights, LED billboards, and glittering building facades in the water provides the perfect foreground for the skyline of Central, backed upon the silhouette of Victoria Peak. For decades, this postcard perfect Harbour panorama has served as the impeccable visual representation of Hong Kong’s prosperity and vibrancy, illuminating the legend of a city that never sleeps. Beyond the charming skyline on both sides of the water, the busy Victoria Harbour has much more to offer than just its visual glamour.

In Feng Shui, the traditional Chinese practice that harnesses the energy of surrounding environment, the element “water” is often associated with wealth and fortune. For Hong Kong, this water element can be definitely identified as the Victoria Harbour. From founding of the trading port, to the establishment of Far East’s finance and servicing hub, Victoria Harbour, the 41.88 km2 stretch of sea between Hong Kong Island and Kowloon Peninsula, has always played a vital role. The Harbour is indeed where the story of Hong Kong begins. Known for its deep and sheltered water, the natural landform of the Harbour was one of the main reasons why Hong Kong was chosen by the British in 1841. Since the mid-19th century, the British put a great deal of effort to establish Hong Kong as their subtropical metropolis in the Far East and commercial gateway into China. The Harbour and its waterfront developments have been at the centre stage of Hong Kong’s evolution every since. To sustain population and economic growth, major land reclamation projects have never ceased to transform the urban extent of the city ever since 1840’s. More office towers, residential complexes, hotels, shopping centres, government buildings, museums, convention centre, stadiums, cruise terminals, promenades, piers, etc. would be erected after each reclamation scheme, redrawing the urban coastline at least once in every generation.

For many neighborhoods in the city, Victoria Harbour is always just a few blocks away. Exploring the everchanging waterfront areas is an interesting way to understand the past, present and future of Hong Kong. Our next series of posts will do exactly that.

British, American and Dutch ships and Chinese junks sailed through the calm waters of Victoria Harbour in 1855, under the shadow of the majestic Victoria Peak on Hong Kong Island. [Painting by unknown painter, Public Domain]
165 years later, Victoria Peak has been dwarfed by the skyscrapers on Hong Kong Island. [Photo taken at Ocean Terminal in Tsim Sha Tsui, 2020]
Throughout history, Hong Kong has always been a gateway of the Far East for the West. In the past 180 years, uncounted vessels have passed through Victoria Harbour. [Photo of Victoria Harbour and Kowloon Peninsula beyond, taken by Felice Beato, 1860, Public Domain]
Taking in the business district of Hong Kong Island and the Kowloon Peninsular across Victoria Harbour from Victoria Peak (太平山) has always been one of the most popular panoramic views for tourists. [Photograph by Denis H. Hazell, 1925, University of Bristol – Historical Photographs of China reference number: Bk09-05, CC BY_NC_ND 4.0]
Today, the iconic panorama from Victoria Peak (太平山) is dominated by the closely packed skyscrapers and the splendid bend of Victoria harbour. The serenity of the Harbour during the pandemic was a rarity in the city’s 180 years of history. [Photo taken from Lugard Road, Victoria Peak, 2020]
After several rounds of land reclamation, the coastline of Hong Kong Island and Kowloon have gone through dramatic transformations. The width of Victoria Harbour has been drastically reduced in the past century and a half. [Display about land reclamation of Hong Kong Island since 1842. Photo taken at Wanchai (灣仔) waterfront promenade, 2021]
In the mid 19th century, the extent of the city’s commercial district was limited to Central (中環) on Hong Kong Island. [Photography by John Thomson, 1868/1871, Public Domain]
While Central (中環) and Sheung Wan (上環) continue to serve as the city’s central business district, the panoramic skyline of Hong Kong has dramatically expanded along the north shore of Hong Kong Island, and the waterfront of Kowloon Peninsula across the Harbour. [Skyline of Central taken in Tsim Sha Tsui, 2020]
The northwestern limit of Victoria Harbour is dominated by Kwai Tsing Container Terminals (葵青貨櫃碼頭), once the world’s busiest container port between 1992 to 2004. Serving as the biggest intermediary trading hub between China, Southeast Asia and the West, international logistics means big business in Hong Kong ever since the 19th century. [Kwai Tsing Container Terminals taken at the waterfront of Sheung Wan, 2021]
Before WWII, the Triangular Pier (三角碼頭) at Victoria Harbour in Sheung Wan (上環) was one of the busiest trading ports in Asia. The pier has long disappeared after land reclamation, but the century-old trading companies and shops selling all kinds of imported dried seafood, spices, herbs, and food merchandises survive to the present day. [Photo taken at intersection of Eastern Street and Des Voeux Road West, 2021]
From West District to North Point, a 5.5km promenade along the north coast of Hong Kong Island is set to open at the end of 2021. [Photo taken at Admiralty Waterfront, 2021]
The western end of Victoria Harbour is marked by the District of Kennedy Town (堅尼地城) on Hong Kong Island (left). Beyond the Kennedy Town and the small islands of Green Island (青洲), Kau Yi Chau (交椅州), and Peng Chau (坪洲), the ridges on Lantau Island (大嶼山) form a distant backdrop for the Victoria Harbour. [Photo taken at Ocean Terminal in Tsim Sha Tsui, 2020]
The reclamation land of West Kowloon is split between the 17-venue West Kowloon Cultural District (西九文化區), the high-end residential and commercial development of Union Square and the High Speed Railway Station. [Photo taken at Sai Ying Pun Waterfront, 2021]
Since 2014, the 60m Ferris wheel known as Hong Kong Observation Wheel in Central offers visitors a new vantage point to enjoy the scenery of Victoria Harbour. [Central Piers and HKOW as seen from Admiralty Waterfront, 2021]
The parabola gesture of the Cultural Centre in Tsim Sha Tsui (尖沙咀) marks the southern tip of Kowloon Peninsula. [Photo taken at Wanchai Waterfront, 2021]
The Ocean Terminal Deck offers the perfect place to take in the iconic skyline of Hong Kong, especially after dusk. [Photo taken at Ocean Terminal in Tsim Sha Tsui, 2020]
For a fare less than 0.50 USD, the Star Ferry offer the most pleasant way to enjoy Victoria Harbour. [Photo taken at Ocean Terminal in Tsim Sha Tsui, 2020]
The 88-storey, 415m International Finance Centre (IFC) on Hong Kong Island (left), and the 108-storey, 484m International Commercial Centre (ICC) in Kowloon (right) tower above the tranquil water of the Victoria Harbour. [Photo taken at Wanchai waterfront, 2020]
A number of typhoon shelters dot around Victoria Harbour, offering safe refuges for fishing boats and yachts during typhoons. [Causeway Bay (銅鑼灣) Typhoon Shelter with skyline of Central beyond, 2020]
The West Kowloon Cultural District (西九文化區) is finally taking shape after 20 years of planning and construction delays. In a few year’s time, a few more cultural venues would be constructed below the 108-storey ICC. [Photo taken from Tai Hang, 2018]
The northeastern waterfront of Hong Kong Island is dominated by the vehicular expressway Island Eastern Corridor (東區走廊). [Photo taken from Hung Hom Waterfront, 2020]
The waterfront of Eastern Kowloon stand the new business districts of Kowloon Bay (九龍灣) and Kwun Tong (觀塘), and the former airport runway of Kai Tak (啟德). [Photo taken from North Point Ferry Pier, 2021]
Between Lei Yue Mun (鯉魚門) and Shau Kei Wan (筲箕灣), the narrow passage of Lei Yue Mun marks the eastern gateway of Victoria Harbour. [Photo taken from Devil’s Peak in Lei Yue Mun, 2020]
The best moment to appreciate the panoramic view of Victoria Harbour is the magic moment at dusk. [Photo taken from Red Incense Burner Summit, 2020]

STREET ART, Central-Sheung Wan (中上環), Hong Kong

For 50 years, lampposts, electrical boxes, concrete pillars, pavements, benches, planters, and retaining walls on the streets of Hong Kong could be seen as one large canvas for the “King of Kowloon” (九龍皇帝) to leave his unique calligraphy works. Sometimes, he wrote to proclaim his ancestral land ownership of the Kowloon Peninsula before the British rule, while at other times he would write about his family. Seen by many as acts of a crazy man, the “King of Kowloon” or Tsang Tsou Choi (曾灶財) was probably the most well known graffiti artist the city had seen in the 20th century. Fined by the government numerous times, insulted by neighbours, and even disowned by his own family, Tsang Tsou Choi was mocked by Hong Kong for decades. Whenever his calligraphy was washed or painted over by the authorities, he would restore the works right after. His works were largely seen as public nuisance until the 1990’s, when local artists, fashion designers, art directors, interior designers, furniture makers, graphic designers, musicians began to use Tsang’s unique calligraphy on design products. In his final years, Tsang’s works finally began to gain public recognition with successful shows both in Hong Kong and abroad, including the Venice Biennale in 2003, and even went for auctions at the Sotheby’s.

A decade after Tsang’s death (2007), street art in Hong Kong has already entered a new chapter. Far from the vibrancy and sophistication of London’s or New York’s, street art is nonetheless much widely accepted and welcomed by the public in Hong Kong nowadays. In recent years, the city has been frequented by international street artists, such as Invader from France, who has secretly put up his iconic pixelated 8-bit video game images all over the city. In December 2019, the popular show “Banksy: Genius or Vandal?” arrived in Hong Kong and created quite a stir on the social media. The free spirit, unique artistic expression, cool character, coupled with satirical imagery, political controversy, and social criticism of street art have been welcomed by the young generations, especially in the era of social media when everybody has something to say and share.

In Hong Kong, one of the most popular areas to see interesting street art is Central-Sheung Wan (中上環). Thanks to HKwalls, the non-profit organization who has been organizing annual street art festival since 2014, several neighbourhoods in Hong Kong have already become hotspots showcasing the talents of local and international artists. In their debut year of 2014, HKwalls paired artists with properties owners in Sheung Wan and successfully added 17 street murals in the neighborhood, then another 50+ works in Sheung Wan and Stanley Market in the following year. The event moved to Sham Shui Po in 2016, Wong Chuk Hang in 2017, then returned to Central and Western District in 2018 before moving on to Wanchai (2019) and Sai Kung (2021). HKwalls has successfully brought in great artistic talents from all over the world to Hong Kong, transformed the urban scenery of old neighborhoods, and raised public appreciation of street art to a whole new level.

For a city well known of its quick, dramatic and relentless urban changes, the impermanent and transient beauty of street art suit perfectly to echo the ephemeral spirit of Hong Kong. Here if you see an interesting street art, you better document it right away. Next time around, the mural may be gone forever.

Most of the street art by Tsang Tsou Choi (曾灶財) did not survive. After public outcry, the government finally agreed to preserve the last few remaining works by the King of Kowloon (九龍皇帝), including the one at the Star Ferry Terminal in Tsim Sha Tsui (尖沙咀). [Star Ferry Terminal, Tsim Sha Tsui, 2020]
Renowned French undercover artist Invader has left his marks in 79 cities worldwide, including Hong Kong. [Forecourt of Harbour City Mall, Tsim Sha Tsui, 2020]
In December 2019, the Banksy show came to Hong Kong and was quite a hit among the younger generation. [A mock up of Banksy studio at the “Banksy: Genius or Vandal?” show, Kowloon Bay, 2019]
Often referred to as the Instagram Wall, local artist Alex Croft created one of the most photographed street art in the city. Depicting the fast disappearing tenement apartments on Graham Street, the famous mural stands proudly across the street from GOD (Goods Of Desire), a local lifestyle store that was one of the first design business to incorporate Hong Kong street art into merchandises. [Junction of Graham Street and Hollywood Road, Central, 2020]
Renowned British street artist Dan Kitchener participated in the annual street art festival by HKwalls in 2018. Kitchener often takes inspirations from urban sceneries of Tokyo and Hong Kong to create his works, which appear in many cities in Europe, Asia and North America. [Junction of Graham Street and Hollywood Road, Central, 2020]
Kitchener’s murals often depict imaginary urban scenery inspired by a fix of streets scenes from Hong Kong and Tokyo. [Junction of Hiller Street and Bonham Strand, Sheung Wan, 2020]
For the show Street Art Challenge on Insight TV, British artists Dan Kitchener and Charles Williams created this wall mural with a juxtaposition of a natural and an urban scene, and a Chinese message saying “don’t let it go to waste.” [Junction of Elgin Street and Caine Road, Central, 2020]
In Sheung Wan, Tank Lane (水池巷) is one of the best spot to check out graffiti art. Brazilian artist Alex Senna was another street art superstar participated in HKwalls 2018. Appeared in many cities around the world, his black and white (and different shades of grey) human figures depict various scenarios of human life, and are often open for interpretation. [Junction of Tank Lane and Bridges Street, Sheung Wan, 2020]
Known as the King of Graffiti in his home country, South Korean artist Xeva (Yoo Seung-baik) painted a multifaceted Bruce Lee for HKwalls 2015. Xera often collaborates with different commercial brands in both Korea and abroad. [Tank Lane, Sheung Wan, 2020]
Further down Tank Lane from Xeva’s Bruce Lee is another eye-catching piece, a stylish woman face painted by Hopare from France for HKWalls 2015. [Tank Lane, Sheung Wan, 2020]
Well known for his deconstructed pop icons from Mickey Mouse and the Simpsons in America to the Astro Boy and Dragon Ball characters of Japanese anime, LA based Matt Gondek has also left a melting Mickey Mouse (and also Donald Duck) in Sheung Wan. [Junction of Tank Lane and Lower Lascar Row, Sheung Wan, 2021]
Apart from Tank Lane, the nearby Water Lane (水巷) and the lane between Upper Station Street and Sai Street are also the must-sees for street art lovers. [Lane between Upper Station Street and Sai Street, Sheung Wan, 2020]
Begins from a traditional Chinese landscape painting, then evolves into geometric shapes and ends with a dragon head, artist WEST & Megic from Foshan of China made this long mural for HKwalls 2018. [Lane between Upper Station Street and Sai Street, Sheung Wan, 2020]
Detail of the dragon head made by WEST & Megic. [Lane between Upper Station and Sai Street, Sheung Wan, 2020]
From billboards to planes, British artist 45RPM from Bristol is a multi-disciplinary artist who has collaborated with many international brands. He has also left his mark in Sheung Wan for HKwalls 2018. [Water Lane, Sheung Wan, 2020]
Since 2015, Portuguese artist Alexandre Farto (Vhils) has been making street art in Hong Kong. Known as “Scratching the Surface projects”, one of his signature art creation methods is to remove paint and plaster from the wall to expose the concrete inside. [Sai Street and Water Lane, Sheung Wan, 2020]
At Water Lane, the 2014 HKwalls mural by Stern Rockwell and 4GET from New York creates a big contrast to the adjacent historical shrine for a local deity. [Near junction of Water Lane and Tai Ping Shan Street, Sheung Wan, 2020]
Danish artist Christian Storm made this eye-catching koi fish mural for HKwalls 2018. Recently, the mural has been replaced by a new painting depicting a large rhino. [Junction of Shing Wong Street and Hollywood Road, Sheung Wan, 2020]
In SoHo, Barcelona artist Cinta Vidal Agullo created this Inception-like mural for a wine cellar/bar as part of HKwalls 2018. [Junction of Aberdeen and Staunton Street, Central, 2019]
La Bouffe, a French resturant, Seoul Brothers, a Korean restaurant and Yuk Yip, a dai pai dong street eatery commissioned a French artist to create this mural in the street corner where the three businesses are located. [Junction of Elgin Street and Hollywood Road, Central, 2020]
Local artist KristopherH created this 6-face animal for La Cabane Bistro and wine cellar to capture the attention of pedestrians. [Junction of Shin Hing Street and Hollywood Road, Sheung Wan, 2020]
The same wall of La Cabane has been repainted recently with a treasure map also by KristopherH and calligraphy by Woodnink. [Junction of Shin Hing Street and Hollywood Road, Sheung Wan, 2021]
Japanese celebrity Shingo Katori (香取慎吾) has created this mural underneath the Central-Mid Levels Escalator in 2018. [Junction of Shelley Street and Hollywood Road, 2020]
One street down from Hollywood Road, locally based French artist Elsa Jean de Dieu painted this delightful mural for Bedu, a cosy Middle Eastern restaurant popular with expats. [Junction of Gough and Shing Hing Street, Sheung Wan, 2020]
Also by Elsa Jean de Dieu, this laughing woman outside Uma Nota restaurant has become an icon for SoHo. [Junction of Peel Street and Hollywood Road, Central, 2020]
For HKwalls 2018, Elsa Jean de Dieu is also responsible for a large mural next to the shop of Lush, the British cosmetics retailer. [Junction of Cochrane Street and Lyndhurst Terrace, Central, 2020]
Local artist Joe Yiu and his team of Creative Master Group has created this large mural at the popular tourist attraction of historical Pottinger Street. [Junction of Pottinger Street and Wellington Street, Central, 2020]
Sometimes, a surprised encounter of an anonymous graffiti art is more delightful than purposefully checking out a large scale mural commissioned by a certain business. This “ET nun” caught my eye when I walked pass the in one afternoon. [Near Lan Kwai Fong Amphitheatre, Central, 2021]

YEN CHOW STREET HAWKER BAZAAR (欽州街小販市場), Sham Shui Po ( 深水埗), Hong Kong

In Hong Kong, redevelopment of an old neighborhood is often a controversial matter, especially when it involves eviction of existing occupants, or replacing an old neighborhood with new residential towers and shopping malls.  In recent years there has been public concerns regarding the anticipated relocation of the vendors at Yen Chow Street Hawker Bazaar in Sham Shui Po.

Opening its doors since the 1970s at the intersection of Yen Chow Street and Lai Chi Kok Road, the specialized textile bazaar has been a popular destination for fabric seekers from fashion design students to amateur seamstress throughout the city.  The bazaar stalls are laid out in a grid pattern, under patches of roof covering consisted of corrugated metal and nylon sheets.  A visit to the bazaar is like a treasure hunt that involves meandering through narrow aisles and flipping through piles of colourful fabrics, bags of buttons and rolls of ribbons at each 3m x 3m vendor stall.  The bazaar is chaotic, cramped, dark, and can be stuffy in humid summer days.  Despite its resemblance to a shanty town , the bazaar does not deter anyone who determines to hunt for prizable fabrics and accessories in affordable prices, and to enjoy a disappearing shopping culture that emphasizes human interactions.  It is the type of old school shopping experience in which friendly and long-lasting relationship between returned customers and vendors can be built up over time.

The unique atmosphere, unpretentious setting, and sense of community of the Yen Chow Street Hawker Bazaar belong to a disappearing Hong Kong.  In a city shaped mostly by retail franchises and real estate developers, and where retail streets and shopping centres are looking more repetitive as ever, small independent businesses and grassroots communities are becoming more vulnerable and helpless in the rapid process of urban development.

1From outside, Yen Chow Street Hawker Bazaar looks like a shabby village built at a city park.

2Once inside, the chaotic bazaar is a treasure trove for many.

3Fabrics and accessories are piled up high along both sides of narrow aisles.

4Some vendors own multiple stalls.  In many occasions, customers would need to call the owner over from another corner of the bazaar.

5After forty years, a number of the existing trees have become permanent features in the bazaar.

6Each stall has its unique arrangement and textile selection.

7Some stalls even offer sewing service.

8One may wonder how the vendor can keep track of his or her merchandises from the piles of items at the stall.

9Apart from fabrics, ribbons are also popular.

10And so as buttons of different colours and styles.

11Encouraging messages written by customers and supporters for the bazaar vendors are pinned up at a stall.

12Big banner urging for establishing an official textile market at the current location is hung at the bazaar entrance.

13A supporting banner made of fabric strips is also hung at the exterior fence along Lai Chi Kok Road.

14Photos showing the vendor community expressing their unity and determination to fight for their own survival at the current site, in protest to the government’s relocation proposal of the bazaar.


JCCAC – Factory-Turned Art Centre, Hong Kong

Throughout much of the 20th century, Hong Kong has undergone massive economic development and urban transformation, from a small trading port before WWII to one of the most successful industrial capitals in Asia in 1970s.   From 1980s on, most of the city’s manufacturing industries have moved to either China or elsewhere in Asia. Today, large numbers of industrial buildings that once housed almost half of Hong Kong’s work force have been given a “second life” and converted into various spaces for light manufacturing, creative industries, storage facilities, or small offices for all kinds of businesses.  JCCAC in Shek Kip Mei is a recent example of adaptive reuse of former industrial building in Kowloon, Hong Kong.

Opened in 2008, Jockey Club Creative Arts Centre (JCCAC) is a “multi-disciplinary arts village and art centre”, providing affordable studios and exhibition facilities for the art and design community.  The centre welcomes the public to visit the shops, studios and café within the complex 7 days a week.  From time to time, JCCAC would host shows and design fairs to further engage the public and the immediate neighborhood.

I visited JCCAC during its annual handicraft fair. Much of the ground floor atrium was turned into a market fair, while many studios on the upper floors had their handicraft shops open to the public.  The open roof was animated by various activities.  At one corner, a patio was packed with stalls selling vintage clothing, housewares and books.  At the other corner people were lining up for henna art.  On the wall adjacent to the main stair was a photo exhibition with the theme on local community.   A local band brought in live music to create an upbeat atmosphere.  Looking out from the roof parapet, layers upon layers of apartment blocks seemed never ending.   Recent effort by the housing department to upgrade or redevelop the old housing estates in Kowloon was clearly visible from the vivid new paint colours on the apartment facades, planters with local flora, and new green roof design.

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