ultramarinus – beyond the sea

DAY 3: NANZENJI (南禅寺), Kyoto (京都), Japan

After the peaceful stroll in the nearby neighborhood, we approached the Sammon Gate (三門) from its side.  Built in 1628, the enormous 5-bay Sammon Gate stood proudly at the entrance plaza of Nanzenji Temple.  The timber structure of the Sammon Gate darkened as it aged.  The reddish tone of the wood matched well with the autumn foliage.  Sammon, or triple gate, is a common feature of a Zen Buddhist temple.  It is the short form for sangedatsumon (三解脱門) or gate of three liberation.  To obtain liberation and achieve enlightenment, Zen Buddhism believes the three liberation: to understand that nothing in this world has a distinctive character, therefore there is no fixed form, and as a result there is nothing in this world to be sought after.  The staff wasn’t there so we didn’t get a chance to climb up to the upper deck.  From the Sammon Gate, we walked straight into the middle courtyard where a number of pine and beautiful maple trees stood.  In the middle, the Hatto or Dharma (法堂) was not open to the public.  We could only circle the building from the outside.

OLYMPUS DIGITAL CAMERAThe Sammon Gate (三門) of Nanzenji is one of the biggest in temple gate in Kyoto.

OLYMPUS DIGITAL CAMERAClose up of a timber column of Nanzenji’s Sammon Gate (三門).

OLYMPUS DIGITAL CAMERAThere are five bays in Nanzenji’s Sammon Gate.

04The majestic Sammon as seen from inside the compound.

05Hatto or Dharma (法堂), the large lecture hall, was not open to the public.

We then made a turn to the right side of Hatto, reaching a uniquely long structure, Suiro-kaku Aqueduct (水路閣).  The arched brick structure was built in the Meiji Period (1889) as part of the water infrastructure that brought water from Lake Biwa to Kyoto.  Today, the Suiro-kaku still maintains as the only Western style aqueduct in the city.  Standing 93m in length, 4m wide, and 14m high, the aqueduct bisects the temple complex into two.  Originally seen as a clash with the Buddhist structures, the skeptical Kyoto citizens soon became fond of the new addition to Nanzenji.  Today, the Suiro-kaku Aqueduct has been designated a national historical site, an integral component of the temple ground of Nanzenji.

OLYMPUS DIGITAL CAMERAConstructed in late 19th century, the Suiro-kaku (水路閣) Aqueduct passes through the compound of Nanzenji.

08The red brick archways of the Suiro-kaku (水路閣).

09The magnificent design details of the Suiro-kaku (水路閣).

Behind the Hatto stood the Hojo (方丈) or abbot’s quarter.  The Hojo turned out to be a great place to check out karesansui or dry rock gardens.  Ohojo Garden, the karesansui or dry landscape rock garden of the Hojo, contained six stones of various sizes, abstractly depicting a tiger cub crossing a river.  The garden was created by Enshu Kobori in the Kanei Era (1624-1644).  Another dry garden in the Hojo was Kohojo Garden (小方丈庭園).  Constructed in the model times (1966), this dry garden aimed to illustrate the Chinese character of “heart”.  Further into the complex we arrived at Rokudo-tei Garden (六道庭), a series of Zen gardens created by Ueyakato Landscape Co,. Ltd.in 1967.  This garden was much larger and aimed to conceptualize the Buddhist concept of “reincarnation in six realms” into the garden design.  We wandered in the gardens a bit and moved on to visit other sub-temples in the compound.

11One of the rooms in the Hojo (方丈) or abbot’s quarter with screens open to the attractive Zen garden.

12Timber screens and veranda of the Hojo.

13 Kohojo Garden (小方丈庭園), created by Ueyakato Landscape (植彌加藤造園) in 1966, depicts the Chinese character of heart.

14Detail of a stone and the ripple gravel pattern in the Kohojo Garden (小方丈庭園).

15Ohojo Garden (方丈庭園) was created by Enshu Kobori (伝小堀遠州) in the 17th century.

16Vivid maple and moss covered rocks at the Ohojo Garden (方丈庭園), a dry landscape rock garden that abstractly depicts a tiger cub crossing a river.

17Rokudo-tei Garden (六道庭), by Ueyakato Landscape Co,. Ltd.(植彌加藤造園) in 1967, expresses the Buddhist concept of “reincarnation in six realms”.

OLYMPUS DIGITAL CAMERARokudo-tei Garden (六道庭)

OLYMPUS DIGITAL CAMERARokudo-tei Garden (六道庭)

20A tea ceremony house was called Kyushin-tei.

21Rain chain at the veranda of the Hojo.

dsc_2533The tea room of the Hojo was not open yet when we left the building.


Our posts on 2016 Kyoto and Nara:
DAY 1: ARRIVAL AT HIGASHIYAMA (東山), Kyoto (京都), Japan
DAY 1: RYOANJI TEMPLE (龍安寺), Kyoto (京都), Japan
DAY 1: NINNAJI TEMPLE (仁和寺), Kyoto (京都), Japan
DAY 1: KINKAKUJI TEMPLE (金閣寺), Kyoto (京都), Japan
DAY 1: KITANO TENMANGU SHRINE (北野天満宮), Kyoto (京都), Japan
DAY 1: NIGHT AT KIYOMIZU-DERA (清水寺), Kyoto (京都), Japan
DAY 2: KIYOMIZU DERA (清水寺), Kyoto (京都), Japan
DAY 2: KIYOMIZU DERA to KENNINJI, Kyoto (京都), Japan
DAY 2: ○△□ and Chouontei Garden and Ceiling of Twin Dragons, KENNINJI TEMPLE (建仁寺), Kyoto (京都), Japan
DAY 2: SFERA BUILDING (スフェラ・ビル), SHIRKAWA GION (祇園白川), KAMO RIVER (鴨川) & DOWNTOWN, Kyoto (京都), Japan
DAY 2: YAKITORI HITOMI (炭焼創彩鳥家 人見), Kyoto (京都), Japan
DAY 3: NANZENJI (南禅寺), Kyoto (京都), Japan
DAY 3: PHILOSOPHER’S PATH (哲学の道), Kyoto (京都), Japan
DAY 3: HONENIN (法然院), Kyoto (京都), Japan
DAY 3: GINKAKUJI (銀閣寺), Kyoto (京都), Japan
DAY 3: CRAB AND SAKE, Kyoto, Japan
DAY 4: HORYUJI (法隆寺), Nara (奈良), Japan
DAY 4: TODAIJI TEMPLE (東大寺), Nara (奈良), Japan
DAY 4: KASUGA TAISHA (春日大社), Nara (奈良), Japan
DAY 4: KOFUKUJI (興福寺), Nara (奈良), Japan
DAY 4: NAKAGAWA MASASHICHI SHOTEN (中川政七商店 遊中川), Nara (奈良), Japan
DAY 4: RAMEN & CHRISTMAS LIGHTS, Kyoto (京都), Japan
DAY 5: FUSHIMI INARI SHRINE (伏見稲荷大社) Part 1, Kyoto (京都), Japan
DAY 5: FUSHIMI INARI SHRINE (伏見稲荷大社) Part 2, Kyoto, Japan


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