The moat, blue brick defense wall and guard towers of the 500-year-old Kat Hing Wai Walled Village (吉慶圍) remind visitors that villagers in the New Territories were once living in the danger of rival clans, bandits and the most important of all, pirates. For self protection, many villages in the Ming and Qing Dynasties constructed defensive walls around their homes. Walled villages mushroomed in the New Territories, creating walled compounds for specific family clans. In the 20th century, many villages demolished their walls or had them partially removed, while most houses have been replaced with modern homes. With a relatively well preserved moat and wall, Kat Hing Wai is actually quite a rarity. Measured roughly 100m x 90m, Kat Hing Wai is one of the better preserved walled villages in Hong Kong. Built during the era of Ming Cheunghua Emperor (1464 – 1487) with the 5m defensive wall constructed in the 17th century, Kat Hing Wai was a close knitted community of the Tang clan.
Outside Kat Hing Wai Walled Village, a small part of the original moat has been preserved.
For security reason, only a small opening serves as the entrance for the walled village.
Most houses in the walled village have been replaced by modern houses.
The central lane leads to the temple hall.
There were a wooden desk and a religious altar in the temple hall.
The altar table contained a built-in incense container.
Antique ritual tools could be found on the altar table.
The temple hall opens directly towards the only entrance of the walled village.
We didn’t see anyone during our brief visit of the walled village.
Almost all buildings have been replaced by modern buildings. The original character of the walled village has been somewhat diminished in the modern era.
Some older houses still had traditional banners on their outer walls. These banners usually advocate good fortune for the entire family.
“Kar”, the Chinese character for family, illustrates the importance of family bonding in a traditional walled village.
When looked closely, traditional touches could still be seen at certain houses in Kat Hing Wai.
In the past, the four cannon towers were the tallest structures in the village.
Today, the defensive structures of the walled village have been undermined by modern buildings. Even the well known Kat Hing Wai Walled Village has no exception. This is the harsh reality of contemporary Hong Kong.
Getting up early was the key to beat the crowds. Our goal was to reach Amber Fort (or Amer Fort) before 8:30am. From our hotel in Jaipur, we had no problem flagging down an auto-rickshaw to cover the 10+ km to the valley of Kalikho Hills. The trip took roughly half an hour. At 8:15am, the majestic Amber Fort bathed in the morning glow came in sight while our auto-rickshaw approached Maota Lake. After getting off, we had the option of walking uphill to the fort or riding one of the 103 elephants to approach the hill fort in the maharaja’s way. Dozens of Indian elephants carrying foreign tourists on crimson howdahs zigzagged their way up to the arrival courtyard is a common sight at Amber Fort every morning. Yet, recently complaints filed in court had exposed the ill treatment of the elephants. We decided not to support the elephant owner. Walking uphill to the main gate Suraj Pol was a causal 15-minute walk. At the arrival courtyard Jalebi Chowk, we were soon overwhelmed by the enormous scale and exquisite details of the architecture. First built in 1592 by Man Singh I on earlier fort structures, the citadel was further expanded by Jai Singh I in the 17th century. The fort and its palace complex remained as the political centre of the region until 1727, when the capital was moved to Jaipur.
We get off the auto rickshaw right by Maota Lake, the main source of water for the Amber Fort. The fort and its reflection glowed under the morning sunlight.
We gave up the idea of riding the elephants and walked uphill on the same path as the elephants.
Many tourists preferred to take the exotic elephant ride to reach the fort.
Amber Fort is situated in a valley of Kalikho Hills, 11km northeast of Jaipur.
The progression of elephants making their way up and down the fort has become a common scene at Amber everyday.
We entered through Suraj Pol Gate into Jalebi Chowk, the arrival courtyard of Amber Fort.
We got our admission tickets at Jalebi Chowk and headed up a grand stair to the Singh Pol (Lion Gate). Through the gate we entered into the first palace courtyard that was dominated by Diwan-i-aam or Hall of Public Audience.
Built in 1639, the elegant Diwan-i-Aam or Hall of Public Audience is an open pavilion that served as an audience hall.
The Diwan-i-Aam or Hall of Public Audience is a beautiful piece of Rajput architecture.
From the courtyard of Diwan-i-Aam, we entered the inner palace through the beautiful Ganesh Pol Gate.
The three storey Ganesh Pol was built in 1640. It marks the main gateway into the inner palace.
Beyond Ganesh Pol lies the Aram Bagh or Pleasure Garden. The garden is flanked one end by the Sukh Niwas or Hall of Pleasure and the other by Sheesh Mahal or the Mirror Hall at lower level and Jas Mandir or Hall of Private Audience at upper.
The Sukh Niwas or Hall of Pleasure marble rooms of Sukh Mahal were cooled by water channeled in the walls and floor.
Across the courtyard from Sukh Niwas stands the Sheesh Mahal or Mirror Hall.
The Sheesh Mahal or Mirror Hall was the private chambers of the maharaja and his queen. Small pieces of mirrors and glasses filled the ceiling and walls. The space was particularly atmospheric at night under candle light.
The last courtyard we came to was Man Singh I Palace Square, where the Zenana once lived. This is the oldest part of the palace. The Baradari pavilion in the middle was the meeting place of the royal ladies.
From the Suhag Mandir at the upper level of Ganesh Pol, royal ladies could look out into the Diwan-i-Aam or Hall of Public Audience.
A cleaning staff at Man Singh I Palace Square.
The Baradari pavilion at the centre of Man Singh I Palace Square.
From Amber Fort, we entered a tunnel and path that was supposed leading to the ramparts of Jaigarh Fort further uphill.
Posts on 2018 Rajasthan:-
Day 1: Jodhpur
DAY 1.1: IN TRANSIT TO RAJASTHAN
DAY 1.2: PAL HAVELI & THE OMELETTE MAN, Jodhpur
DAY 1.3: SPLENDOR OF THE SUN FORT, Mehrangarh, Jodhpur
DAY 1.4: SUNSET OVER THE BLUE CITY, Mehrangarh, Jodhpur
DAY 1.5: SADAR MARKET AND GHANTA GHAR CLOCKTOWER, Jodhpur
Day 2: Jodhpur, Osian, Jaisalmer
DAY 2.1: MARBLE CENOTAPH JASWANT THADA, Jodhpur
DAY 2.2: MEDIEVAL STEPWELLS, Mahila Bagh Ka Jhalra, Gulab Sagar, & Toorji Ka Jhalra, Jodhpur
DAY 2.3: PILGRIM OASIS IN THAR DESERT, Sachiya Mata Temple, Osian
DAY 2.4: SUNRISE AT THE FIRST GATE OF GOLDEN FORT, Jaisalmer
Day 4: Jaisalmer
DAY 4.1: RESERVOIR OF THE GOLDEN CITY, Gadsisar Lake, Jaisalmer
DAY 4.2: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer
DAY 4.3: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer
DAY 4.4: DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer
DAY 4.5: LAST STROLL IN THE GOLDEN CITY, Jaisalmer
Day 8: Bhangarh, Abhaneri & Agra
DAY 8.1: ON THR ROAD TO AGRA
DAY 8.2: HAUNTED RUINS, Bhangarh, Rajasthan
DAY 8.3: CHAND BAORI, Abhaneri, Rajasthan
DAY 8.4: THE ABANDONED CAPITAL OF MUGHAL EMPIRE, Fatehpur Sikri, Agra, Uttar Pradesh
DAY 8.5: FRIDAY MOSQUE, Fatehpur Sikri, Agra, Uttar Pradesh
Day 9: Agra
DAY 9.1: CROWN OF THE PALACES, Taj Mahal, Agra, Uttar Pradesh
DAY 9.2: AGRA FORT, Agra, Uttar Pradesh
DAY 9.3: RAWATPARA SPICE MARKET, Agra, Uttar Pradesh
DAY 9.4: SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh
We first learnt about Ryoanji Temple and its world renowned garden of zen dry landscape or Japanese rock garden, karesansui (枯山水), back in our university years from the lectures in our class ARCH 249 – The Art and Architecture of the East. Since then, we had longed for visiting this legendary zen garden. Our chance had come at midday in a fine late autumn day. The Rinzai Zen Buddhist temple is situated within a garden compound, consisting of a water pond, woodlands, gardens, pavilions, and the main building complex where the Abbot’s Chamber, Tearoom, Buddhist Hall, and the famous zen garden can be found.
It was a short walk from the San-mon (山門), or the main entrance, to the main building complex. We took our time to admire the magnificent autumn foliage along the way. Once inside the main building, we took off our shoes and purchased admission tickets. First came a dim exhibition hall showcasing artefacts, calligraphy, and artworks related to the temple. Beyond the exhibition hall was the bright wooden veranda where most visitors gathered. On one side of the veranda was the Hojo (方丈), or Abbot’s Chamber, while on the other side lay the famous zen garden: 15 rocks of various sizes abstractly arranged in a 248 s.m area of dry pebbles. Since the 15th century, there were various interpretations regarding the design and meaning behind the rocks, from symbolism of ancient Chinese mythologies to representation of traditional character. It is open for everyone’s imagination and interpretation. We sat down at the veranda to contemplate the rocks and pebbles. The garden was too crowded with visitors for any decent meditation or tranquil moment in heart. Against the centuries-old oil-earthen wall and the autumn foliage beyond, the garden still captured our eyes visually despite the undesirable midday sun.
After putting back on our shoes, we followed another path that meandered through a small woodland of amazing autumn foliage, passed by Yudofu (西源院) – a traditional restaurant serving tofu meals, and strolled along Kyoyochi (鏡容池), or Mirror Pond, where we enjoyed a picturesque scene of reflections, water plants and autumn foliage. Before setting off for our next destination, we had a quick skewer of sweet rice balls near the entrance of Ryoanji.
A sense of autumn immediately beyond the San-mon (山門) or the main gate of Ryoanji.
An illustration of the Ryoanji Temple compound with the famous rock garden at the centre back location in front of the orange roof Abbot’s Chamber.
We were just in time to see the last bit of amazing autumn foliage of Kyoto.
Tree-lined path leading to the Chokushi-Mon Gate (勅使門).
Steps leading to Chokushi-Mon Gate (勅使門).
Like many temples in Kyoto, we had to take off our shoes before entering the temple building of Ryoanji.
Traditional illustration of the rock garden, which is believed to be constructed in the 15th century. Who was the original designer remains unknown.
Our first view of Ryoanji rock garden under the unforgiving midday sun. It would be much better off if it was overcast and gone with the shadows.
Rock clusters, moss, pebble patterns, earthen walls and red foliage coincided to form a harmonious imagery.
Patterns of the pebbles are carefully maintained by temple staff, a daily duty for Zen Buddhist monks in the past.
The timber floor decking and supporting members were soft and warm to walk on and appealing for touch.
Timber details of the eaves and column.
Interior of Hojo (方丈), Abbot’s Chamber, in which the centre point should be the ideal viewing spot of the entire rock garden.
The timber veranda continued to wrap around the courtyards into the temple sections not open to public.
A wonderful pine tree against autumn foliage in front of the main temple building.
A side door of the rock garden remained closed.
On our way out we walked through a small woodland of magnificent colours.
The autumn foliage in Kyoto is quite different than the ones we used to see in North America, in terms of leaf sizes and colour ranges.
Yudofu (西源院) – a traditional restaurant serving tofu meals.
Duck and autumn foliage at Kyoyochi (鏡容池), Mirror Pond.
Despite the amount of visitors alongside, it was a nice walk along the Mirror Pond.
After a pleasant visit of Ryoanji, we were ready to see the other temples in the area.
Our posts on 2016 Kyoto and Nara:
OUR FIRST KYOTO STORY, Japan
DAY 1: ARRIVAL AT HIGASHIYAMA (東山), Kyoto (京都), Japan
DAY 1: RYOANJI TEMPLE (龍安寺), Kyoto (京都), Japan
DAY 1: NINNAJI TEMPLE (仁和寺), Kyoto (京都), Japan
DAY 1: KINKAKUJI TEMPLE (金閣寺), Kyoto (京都), Japan
DAY 1: KITANO TENMANGU SHRINE (北野天満宮), Kyoto (京都), Japan
DAY 1: NIGHT AT KIYOMIZU-DERA (清水寺), Kyoto (京都), Japan
DAY 2: MORNING STROLL IN SOUTHERN HIGASHIYAMA (東山), Kyoto (京都), Japan
DAY 2: KIYOMIZU DERA (清水寺), Kyoto (京都), Japan
DAY 2: KIYOMIZU DERA to KENNINJI, Kyoto (京都), Japan
DAY 2: ○△□ and Chouontei Garden and Ceiling of Twin Dragons, KENNINJI TEMPLE (建仁寺), Kyoto (京都), Japan
DAY 2: SFERA BUILDING (スフェラ・ビル), SHIRKAWA GION (祇園白川), KAMO RIVER (鴨川) & DOWNTOWN, Kyoto (京都), Japan
DAY 2: YAKITORI HITOMI (炭焼創彩鳥家 人見), Kyoto (京都), Japan
DAY 3: MORNING IN NORTHERN HIGASHIYAMA (北東山), Kyoto (京都), Japan
DAY 3: NANZENJI (南禅寺), Kyoto (京都), Japan
DAY 3: PHILOSOPHER’S PATH (哲学の道), Kyoto (京都), Japan
DAY 3: HONENIN (法然院), Kyoto (京都), Japan
DAY 3: GINKAKUJI (銀閣寺), Kyoto (京都), Japan
DAY 3: CRAB AND SAKE, Kyoto, Japan
DAY 4: HORYUJI (法隆寺), Nara (奈良), Japan
DAY 4: TODAIJI TEMPLE (東大寺), Nara (奈良), Japan
DAY 4: KASUGA TAISHA (春日大社), Nara (奈良), Japan
DAY 4: KOFUKUJI (興福寺), Nara (奈良), Japan
DAY 4: NAKAGAWA MASASHICHI SHOTEN (中川政七商店 遊中川), Nara (奈良), Japan
DAY 4: RAMEN & CHRISTMAS LIGHTS, Kyoto (京都), Japan
DAY 5: FUSHIMI INARI SHRINE (伏見稲荷大社) Part 1, Kyoto (京都), Japan
DAY 5: FUSHIMI INARI SHRINE (伏見稲荷大社) Part 2, Kyoto, Japan
DAY 5: FAREWELL KYOTO, Kyoto, Japan