CULTURE OF DISAPPEARANCE: DAI PAI DONG (大排檔), Central (中環), Hong Kong

In 2016, “dai pai dong” was added as a Hong Kong English term in the Oxford English Dictionary, referring as “a traditional licensed street stall, typically with a small seating area, selling cooked food at low prices; (now more generally) any food stall of this type.” The term “dai pai dong” 大牌檔 literally means “big license stall”, which attributes to their bigger license paper compared to other street vendors. In Chinese, “dai pai dong” can also be written as 大排檔, meaning a “row of line-up stalls”. Street hawkers have been around in Hong Kong for over a century. The number of street hawkers increased dramatically after WWII, when unemployed citizens were eager to make a living by setting up all sort of vendor stalls on the street, including food stalls. In response, the government put forward “dai pai dong” licenses as a measure to regulate and standardize the food stalls. During its heyday between 1950’s to 1970’s, some say there were more than 3000 dai pai dongs across the city. To control street hygiene, avoid traffic congestion and give priority to urban developments, the government stopped issuing dai pai dong licenses in 1956, and restricted license transfer to spouse only, eliminating the chance of passing the business down the generation. As the city’s economy boomed in the 1960’s and 1970’s, dining options exponentially increased. Along with the government’s constraints and fierce competition of dining options, undesirable hygiene, absence of air conditioning, and the relatively crowded seating have all led to the dwindling of dai pai dongs. In 2011, there were 28 dai pai dongs left in Hong Kong: Central (10 stalls), Wanchai (3 stalls), Sham Shui Po (14 stalls), and Outer Islands (1 stall). From one of the most popular causal dining options in the 1960’s to a disappearing urban heritage that appears as diorama in history museums nowadays, the rise and fall of dai pai dongs reflects the rapid evolution of Hong Kong in the latter half of the 20th century.
Often promoted as a unique component of Hong Kong’s culinary heritage, scenes of dai pai dongs are often displayed as backdrops in museums and amusement parks. A typical dai pai dong consists of a 4′ x 6′ green metal stall used as kitchen, and a long bench topped with three small wooden stools as extra seating. In the past, the number of customers was restricted to two folding tables and eight portable chairs. Opened for breakfast, lunch, dinner or late night meals, dai pai dong may serve congee, noodles, stir fry, dessert, and/or coffee/tea. Despite street stalls are disappearing fast, dai pai dong dishes and their cooking techniques have been well preserved at many neighbourhood restaurants in Hong Kong. Often described as good wok hei (鑊氣), which literally means excellent “breath of wok” or the rich aroma and flavour of the wok, the spirit of dai pai dong cuisine remains as one of the essential aspects of the local cuisine. While the taste of dai pai dong may live long, it is the vibrant street ambience, the causal interactions with vendors and fellow customers, and the carefree dining experience topped with cheap beer and loud laughter that would certainly be missed.
Man Yuen Noodles (民園麵家), a former 80-year old dai pai dong in Soho, Central, was the spark that ignited the city’s attention on dai pai dong conservation. In 2005, there were 30 dai pai dongs left in Hong Kong. Wong Kwong Hing (黃光慶), the license holder of Man Yuen Noodles, passed away. The Lee brothers, disciplines of Wong’s father and the operators of Man Yuen for many decades, attempted to continue the hawker license but were rejected by the government. A number of district councillors, legislators, and 3000+ Hong Kongers made a petition, urging the government to let the Lee brothers continue with the business. Their petition failed, and the famous street stall was forced to close down. Yet, the 2005 incident successfully captured the media’s attention and brought out the issue of the dying culture to the public. The conservation effort gained momentum in the next couple of years, and eventually led to the change of license regulations in 2008, allowing non spousal license transfer to be considered. Despite the effort, the numbers of dai pai dongs continue to drop. Without anyone’s notice, the end of dai pai dong could become reality in less than a generation’s time.


























CULTURE OF DISAPPEARANCE: GRAHAM STREET MARKET (嘉咸市集), Central (中環), Hong Kong



In Wong Kar Wai’s Chungking Express (重慶森林), actors Faye Wong and Tony Leung often show up in an outdoor wet market in Central (中環) where fresh meat, vegetables, flowers, housewares, and even goldfish can be found, and so as outdoor street eateries known as dai pai dong (大牌檔). Defined by Graham Street (嘉咸街), Gage Street (結志街), and Peel Street (卑利街) between Hollywood Road (荷李活道) and Queen’s Road Central (皇后大道中), Graham Street Market (嘉咸市集) is the city’s oldest wet market with about 160 years of history. Flanked both sides by small metal stalls, the sloped market streets present an iconic urban scenery where elderly, housewives, maids, and children rub shoulders with white-collar workers and foreign expatriates. Before the pandemic, tourists flocked to the market just to get a feel of the vibrant atmosphere and check out its decades-old shops. Artists and photographers also come to train their eyes by framing whatever that might catch their attention in a chance encounter. But it is the people from the surrounding neighbourhoods like us who regularly come for our daily needs, that have contributed in sustaining a street market culture in Central, just a block or two away from the central business district. In this ever-changing metropolis, every building, street, or neighborhood has a price tag. When the price is right, redevelopment seems to be inevitable. In 2007, a controversial announcement was made by the profit making Urban Renewal Authority to replace the Graham Street Market with HK$3.8 billion (about US$ 500 million) worth of housing, retail, office and hotel.
Months after we relocated to Hong Kong in 2014, we wrote a post on the Graham Street Market for the first time. Back then, demolition had already begun, but the majority of the market was still largely intact. 7 years have passed. While construction is still ongoing, 11 new market stores and a high rise apartment known as “My Central” have already been completed. Against the annoyance of dust, noise and construction truck traffic, Graham Street Market continues to serve the neighborhood today. In a relatively low dense neighbourhood, four new residential, hotel and commercial towers of about 30 storeys have been planned, along with their respective retail podiums. Being the heart of colonial Victoria City (維多利亞城), Central (中環) and Sheung Wan (上環) is officially the one and only old city of Hong Kong. While Hong Kong is no Rome or Paris, that doesn’t mean its old city is worthless. Instead, being an international metropolis frequented by tourists, many would expect the old city should be protected by stringent restrictions such as building height limits. Rather than keeping one or two historical facades as gimmick, the overall density, neighbourhood ambience, urban scale and fabric should be respected as a whole entity. Knocking down old neighbourhoods and replacing them with new towers is not a sensible way to rejuvenate a city, as Jane Jacobs pointed out decades ago. Not only would this kills the identity, diversity and character of the area, it would also destroy the neighbourhood’s self evolving power. In the words of Aldo Rossi, this is in fact destroying the genius loci (spirit of the place) of Old Central, like pinning four 30-storey towers right at the Campo de Fiori in Rome.
When I was a child, I used to visit Graham Street Market and the nearby Central Market (中環街市) with my aunt. Back then, I didn’t know that having such a destination of living heritage a block away from home was a privilege. Nor did I know that the market was actually an iconic filming location for photographs and movies. As a tourist attraction, the market is well received by foreigners to the point that even Queen Elizabeth II has come for a visit in 1975. For me as a child, the market was just a busy, noisy and sometimes slippery and bloody place where I could witness how chickens were slaughtered, cow’s and pig’s heads were hung for display, and live fish were de-scaled on a thick wood block. It was the 1980’s when purchased meat was still wrapped in butcher paper and tied with local salt water grass instead of using a plastic bag. Graham Street Market was where I first grasped a sense of what daily living is all about: gossiping with neighbours, picking the freshest food, bargaining with the hard working vendors, day in, day out. Three decades on, these scenes of street market culture are unfortunately fading. The “renewed” Graham Market shall be cleaner, less noisy, and perhaps have a few more planters and trees, but it may turn out that only gourmet stores selling Japanese wagyu, French cheese and Tasmanian cherries could survive the rent. The street market culture of Central might continue to fade until one day it only exists in historical photos.

































DAY 10 (2/2): FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山), Tokyo (東京), Japan, 2018.06.03

While Oedo Market offers customers things that are meant to be kept for a long long time, the Farmer’s Market at United Nations University (UNU) is all about enjoying the moment with fresh local produces and food products. Held every Saturday and Sunday at the convenient location between Shibuya and Omotesando metro station, the UNU Farmer’s Market offered us an opportunity to sample the freshest local ingredients and snacks right at the trendy fashion district of Tokyo. Good coffee, refreshing apple juice, tasty roast pork, beef stew, juicy tomatoes, and fresh vegetables left a lovely final remark in the memories of our Japan trip 2018, a journey that brought us onto the Alpine trails of Kamikochi, into milky onsens of Shirahone, fairy-tale villages of Gokayama and Shirakawa-go, lovely cities of Matsumoto, Takayama and Kanazawa, and then back to the lively metropolis of Tokyo.
We arrived at the Farmer’s Market at UNU at around 11:30.
Local honey, fruit jam, and apple juice were sold at the first few market stalls that we encountered.
At one end of the market, a small seating area was set up for customers who bought the snacks or drinks from the vendors or fast food vans.
Depending on the season, Japan is one of the best places in the world to sample high quality fruits.
The fresh green peppercorns reminded us of the peppercorn fields we visited years ago in Cambodia.
Lavender is widely available in Japan in the summer.
The roast pork of Kome Shiru Na is a must-try at the market.
The high quality roasted pork definitely worth the waiting time.
The roasted pork became the first dish of our lunch at the market.
Local apple juice and fresh ice coffee, perfect for the sunny afternoon.
Too bad we couldn’t bring any flowers back to Hong Kong.
On the other side of the market, clothing and handcrafts could also be found.
The van of books was a cute feature at the market. We sat down at a table for some beef stew. The air was relaxing but we knew it was about time for us to call it a day and return to our hotel to pick up our backpacks for the airport. Our amazing ten-day journey in Central Honshu was coming to an end.
* * *
CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction
Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE
Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)
Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)
Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)
Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)
Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)
Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)
Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)
Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)
DAY 3 (2/8): NYAUNG-U MARKET, Nyaung-U, Myanmar, 2017.12.25

After watching the sunrise over Old Bagan, we returned to Oasis Hotel for breakfast. Soon, our guide Win Thu came to join us and we headed off once again to explore the Bagan area. Before another series of pagoda hopping, our day’s first destination was the local market of Nyaung-U. As the main transportation and commercial hub of Bagan, the market of the river town Nyaung-U is a gathering point for the locals. Many locals from the surrounding villages would come for grocery and daily needs. Nyaung-U market offers travelers a great spot to learn about the daily lives of the locals.
We started our market stroll at the open wet market section.
It was great to see all the fresh produces from the area, as well as the smiles and laughter of the vendors.
Apart from produces, colourful flowers were also available.
Our eyes were overwhelmed by all shades of green.
Several kids were enjoying themselves behind the vendor stalls.
There were several vendors selling thanaka powder, a yellowish-white paste made from ground tree bark of thanaka trees. Thanaka powder is a very popular cosmetic paste which the local Burmese women put on their faces.
Moving away from the open area, we walked into the covered aisles.
The aisles were narrow and busy.
Also for sale included betel leaves, which the locals used to make paan shots with Areca nut and/or tobacco.
Bamboo shoots is a common ingredients for local cuisine.
A quiet corner of the covered market.
Some vendors had to attend to their stall and baby at the same time.
Many vendors were also having their meals at the stalls.
This shop had all kinds of dried fish.
In the dry goods area, merchandise such as clothing and slippers were sold along with spices.
In the covered area, there was also a small eatery.
Heading out to the open area where we arrived, we passed by more stalls selling local produces and spices.
Apart from temple and pagoda hopping, the Nyaung-U market certainly added an unique experience to our visit of Bagan.
* * *
Blog posts on Myanmar 2017:
Day 1: Yangon, Myanmar
DAY 1: INTRODUCTION OF A SHORT BURMESE CHRISTMAS VACATION
DAY 1: WALK TO 999 SHAN NOODLE HOUSE
DAY 1: SULE PAGODA
DAY 1: COLONIAL ARCHITECTURE
DAY 1: BUSTLING STREET LIFE
DAY 1: GOLDEN WORLD OF SHWEDAGON PAGODA
DAY 1: A PLACE FOR PEOPLE, Shwedagon Pagoda
DAY 1: EVENING MAGIC OF THE GOLDEN SHWEDAGON PAGODA
DAY 1: A FESTIVE NIGHT
Day 2: Bagan
DAY 2: SHWEZIGON PAGODA, Nyaung-U
DAY 2: HTILOMINLO AND UPALI THEIN
DAY 2: ANANDA PAHTO
DAY 2: SUNSET AT OLD BAGAN
DAY 2: SILENT NIGHT IN NYAUNG-U
Day 3: Bagan
DAY 3: MAGICAL SUNRISE, Old Bagan
DAY 3: NYAUNG-U MARKET, Nyaung-U
DAY 3: SULAMANI TEMPLE
DAY 3: DHAMMAYANGYI TEMPLE
DAY 3: THATBYINNYU TEMPLE
DAY 3: NAPAYA, MANUHA AND GUBYAUKGYI, Myinkaba
DAY 3: SUNSET No. 2, Old Bagan
DAY 3: FINAL NIGHT IN NYAUNG-U
Day 4: Farewell Myanmar
DAY 4: FAREWELL BAGAN FAREWELL MYANMAR
DAY 1 (5/9): BUSTLING STREET LIFE, Yangon, Myanmar, 2017.12.23

Like many Southeast Asian cities, the streets of Yangon are chaotic and energetic. While we checked out the colonial architecture in Downtown Yangon, we also encountered the vibrant Burmese street life that included mobile street vendors, roadside eateries, and wandering Buddhist monks dressed in pink robes seeking for donations. As a city of about 5.5 million, Yangon has the most diverse population in Myanmar, with Bamar the main ethnic group, along with Indians, Chinese, Rakhine, Karen people, etc. Such diversity is reflected by the distinct cuisines available in restaurants. With 135 ethnic groups, and bordering nations including India, China, Thailand, Bangladesh and Laos, the vigorous cultural fusion of distinct influences is strongly evident in the street food of Yangon.
Buddhist monks, including groups of young monks, could be seen throughout Downtown Yangon. They came out mainly to seek for food donations.
Fruits and snacks were sold everywhere on the sidewalk, including the pavement in front of the City Hall.
Despite of recent controversy, Ang San Suu Kyi is still to a great extent the symbol of human rights in Myanmar.
There was a street market along the east side of Maha Bandula Park.
Some vendors were selling dry goods but most were actually street food vendors.
Snacks and more food at the east entrance of Maha Bandula Park.
The pink robes of the Buddhist monks stood out against the old building facades of Yangon.
Plastic chairs, makeshift tents, and temporary tables of street food vendors were set up at side streets.
With the happy customers at the street food vendors, the city was filled with a somewhat laid-back atmosphere. Even dogs were having a relaxing time in the early afternoon.
We saw an abundance of fruit vendors at street corners in Yangon.
Lime, oranges, mandarin oranges, pineapples, bananas, dragon fruits, and grapes are the most popular fruit on the street.
Traditional longyi (a 2m long cloth sewn in cylindrical shape) is widely worn in Myanmar for both men and women.
Longyi comes in all kinds of patterns and colours.
Ang San Suu Kyi remains as the face of Myanmar.
Cold drink shops are popular in Yangon, offering soda, juices, and snacks.
Canopies of historical buildings provide desirable weather protection for street vendors.
Even the downtown area is full of a sense of community, with happy vendors and customers seem to know each other well.
This traditional bakery shop sells all kinds of cookies, sandwiches and bread.
Where the sidewalk was not wide enough, vendors spread their merchandise out to the street.
* * *
Blog posts on Myanmar 2017:
Day 1: Yangon, Myanmar
DAY 1: INTRODUCTION OF A SHORT BURMESE CHRISTMAS VACATION
DAY 1: WALK TO 999 SHAN NOODLE HOUSE
DAY 1: SULE PAGODA
DAY 1: COLONIAL ARCHITECTURE
DAY 1: BUSTLING STREET LIFE
DAY 1: GOLDEN WORLD OF SHWEDAGON PAGODA
DAY 1: A PLACE FOR PEOPLE, Shwedagon Pagoda
DAY 1: EVENING MAGIC OF THE GOLDEN SHWEDAGON PAGODA
DAY 1: A FESTIVE NIGHT
Day 2: Bagan
DAY 2: SHWEZIGON PAGODA, Nyaung-U
DAY 2: HTILOMINLO AND UPALI THEIN
DAY 2: ANANDA PAHTO
DAY 2: SUNSET AT OLD BAGAN
DAY 2: SILENT NIGHT IN NYAUNG-U
Day 3: Bagan
DAY 3: MAGICAL SUNRISE, Old Bagan
DAY 3: NYAUNG-U MARKET, Nyaung-U
DAY 3: SULAMANI TEMPLE
DAY 3: DHAMMAYANGYI TEMPLE
DAY 3: THATBYINNYU TEMPLE
DAY 3: NAPAYA, MANUHA AND GUBYAUKGYI, Myinkaba
DAY 3: SUNSET No. 2, Old Bagan
DAY 3: FINAL NIGHT IN NYAUNG-U
Day 4: Farewell Myanmar
DAY 4: FAREWELL BAGAN FAREWELL MYANMAR
DAY 1 (2/9): WALK TO 999 SHAN NOODLE HOUSE, Yangon, Myanmar, 2017.12.23

Yangon, formerly known as Rangoon, was the capital city of Myanmar (Burma) until 2006. With 7 million inhabitants, Yangon remains as the largest city in Myanmar. Because of our tight schedule, we only had a day to explore the downtown where decaying colonial buildings from the British era mingled with bustling daily activities of the locals, and the Shwedagon Pagoda, the religious heart and biggest tourist draw of the city. Before that, we decided to first get a taste of the Burmese culture through sampling the local cuisine. We weren’t particularly hungry, but would want to try out a well known noodle shop: 999 Shan Noodle House. It was a half-hour walk to the noodle shop. What’s better to get a quick Yangon impression than wandering its lively streets?
Venturing out of the Loft Hotel, we headed east towards the north-south thoroughfare Alan Pya Pagoda Street. Local shops lined along one side of the street, while the opposite side was dominated by the large Park Royal Hotel.
One of the first building we encountered on Alan Pya Pagoda Street was Thamada (President) Cinema and Hotel. Opened its door in 1958, Thamada was Rangoon’s most prominent cinema with a fully air-conditioned hall and a great example of the cuty’s Modernist architecture.
A number of snack vending carts were stationed in front of Thamada Cinema.
Other than skewers or salad, fruit is also common snacks in Yangon.
Renovated a few years ago, Thamada Cinema remains as a popular cinema in the present, drawing sell out shows from time to time.
Further down the road we reached the intersection of Sakura Tower. Built in 1999, Sakura is a 20 storey building built by Japanese investors and architects. It offers office spaces up to international standards, with a restaurant at the top floor. While the top floors struggled to find tenants in the first several years, Sakura is now totally full as Myanmar opens up in recent years.
Next to Sakura Tower, the 1910 Bible Society of Myanmar (British and Foreign Bible Society) was the heart of Christian evangelical society in the early 20th century. In the 1960s, the foreign missionaries were expelled from the country, and was restructured in 1964 under national organization.
The strip of Bogyoke Road at Sakura Tower was known as Rangoon’s “Cinema Row” in the past, a designated entertainment district. The Nay Pyi Taw Theatre with its iconic patterned facade was built in 1961. Movie was and still remains big in Yangon (formerly Rangoon). The modernist patterned facade was popular back in late 1950s and early 1960s in Southeast Asia.
Further down we reached a busy intersection of Sule Road and Anawratha Road where a network of pedestrian overpass allowed us to gain a raised overview of this part of Downtown Yangon.
The overpass was occupied with vendors. Pedestrians loved to stop by the railing for a look at the changing surrounding skyline. Looking north, the top of Sakura Tower perched over the tree crown in the middle, and the Sule Shangri-La (Trader Hotel) dominates the the left side with its 500 rooms. Built by Japanese and Singaporean architects, the hotel never really fulfilled its tourist potentials due to the West’s boycott on the junta government. Rooms were sold at discounted prices. interestingly, it did attract a number of NGOs and UN agencies to set ups their offices here, and so as foreign journalists and some tourists.
At the southwest corner of the pedestrian overpass, a new 20 storey office building was under construction.
Further south we could see one of the city’s most important monument, the Sule Pagoda. It is known to be one of the oldest monument site in Yangon, some said around 2600 years old. Sule Pagoda has been and still is considered to be the heart of Downtown Yangon.
After a moment above the streets, it was time for us to return to the busy street scenes.
As we approached 999 Shan Noodle House, we began to explore the network of small side streets behind Yangon City Hall.
All side streets were flanked by buildings dated back to British Rangoon.
It took us several minutes to reach the right side street of the noodle house. It was fortunate that we had portable wifi device and mobile phone which we could get on Google Map.
Food vendors could be seen on many of these side streets. Groups of children monks were also a common sight.
After a little over half an hour of walk, we finally reached our destination – 999 Shan Noodle House. 999 is a famous restaurant in Yangon specialized in dishes from the Shan and Kachin States at Northern Myanmar. These states border with Yunnan Province of China, which is also popular with rice noodle dishes.
The pig knuckle noodle soup was tasty, and the pork texture was just right.
Stir fry rice noodle with local spices was also a popular dish at 999 Shan Noodle House.
After lunch, we continued to walk down the side street towards Yangon City Hall.
At the end of the street we again passed by a food vendor. They seemed to be everywhere in Downtown Yangon, especially at the end of side streets.
* * *
Blog posts on Myanmar 2017:
Day 1: Yangon, Myanmar
DAY 1: INTRODUCTION OF A SHORT BURMESE CHRISTMAS VACATION
DAY 1: WALK TO 999 SHAN NOODLE HOUSE
DAY 1: SULE PAGODA
DAY 1: COLONIAL ARCHITECTURE
DAY 1: BUSTLING STREET LIFE
DAY 1: GOLDEN WORLD OF SHWEDAGON PAGODA
DAY 1: A PLACE FOR PEOPLE, Shwedagon Pagoda
DAY 1: EVENING MAGIC OF THE GOLDEN SHWEDAGON PAGODA
DAY 1: A FESTIVE NIGHT
Day 2: Bagan
DAY 2: SHWEZIGON PAGODA, Nyaung-U
DAY 2: HTILOMINLO AND UPALI THEIN
DAY 2: ANANDA PAHTO
DAY 2: SUNSET AT OLD BAGAN
DAY 2: SILENT NIGHT IN NYAUNG-U
Day 3: Bagan
DAY 3: MAGICAL SUNRISE, Old Bagan
DAY 3: NYAUNG-U MARKET, Nyaung-U
DAY 3: SULAMANI TEMPLE
DAY 3: DHAMMAYANGYI TEMPLE
DAY 3: THATBYINNYU TEMPLE
DAY 3: NAPAYA, MANUHA AND GUBYAUKGYI, Myinkaba
DAY 3: SUNSET No. 2, Old Bagan
DAY 3: FINAL NIGHT IN NYAUNG-U
Day 4: Farewell Myanmar
DAY 4: FAREWELL BAGAN FAREWELL MYANMAR
YEN CHOW STREET HAWKER BAZAAR (欽州街小販市場), Sham Shui Po ( 深水埗), Hong Kong

In Hong Kong, redevelopment of an old neighborhood is often a controversial matter, especially when it involves eviction of existing occupants, or replacing an old neighborhood with new residential towers and shopping malls. In recent years there has been public concerns regarding the anticipated relocation of the vendors at Yen Chow Street Hawker Bazaar in Sham Shui Po.
Opening its doors since the 1970s at the intersection of Yen Chow Street and Lai Chi Kok Road, the specialized textile bazaar has been a popular destination for fabric seekers from fashion design students to amateur seamstress throughout the city. The bazaar stalls are laid out in a grid pattern, under patches of roof covering consisted of corrugated metal and nylon sheets. A visit to the bazaar is like a treasure hunt that involves meandering through narrow aisles and flipping through piles of colourful fabrics, bags of buttons and rolls of ribbons at each 3m x 3m vendor stall. The bazaar is chaotic, cramped, dark, and can be stuffy in humid summer days. Despite its resemblance to a shanty town , the bazaar does not deter anyone who determines to hunt for prizable fabrics and accessories in affordable prices, and to enjoy a disappearing shopping culture that emphasizes human interactions. It is the type of old school shopping experience in which friendly and long-lasting relationship between returned customers and vendors can be built up over time.
The unique atmosphere, unpretentious setting, and sense of community of the Yen Chow Street Hawker Bazaar belong to a disappearing Hong Kong. In a city shaped mostly by retail franchises and real estate developers, and where retail streets and shopping centres are looking more repetitive as ever, small independent businesses and grassroots communities are becoming more vulnerable and helpless in the rapid process of urban development.
From outside, Yen Chow Street Hawker Bazaar looks like a shabby village built at a city park.
Once inside, the chaotic bazaar is a treasure trove for many.
Fabrics and accessories are piled up high along both sides of narrow aisles.
Some vendors own multiple stalls. In many occasions, customers would need to call the owner over from another corner of the bazaar.
After forty years, a number of the existing trees have become permanent features in the bazaar.
Each stall has its unique arrangement and textile selection.
Some stalls even offer sewing service.
One may wonder how the vendor can keep track of his or her merchandises from the piles of items at the stall.
Apart from fabrics, ribbons are also popular.
And so as buttons of different colours and styles.
Encouraging messages written by customers and supporters for the bazaar vendors are pinned up at a stall.
Big banner urging for establishing an official textile market at the current location is hung at the bazaar entrance.
A supporting banner made of fabric strips is also hung at the exterior fence along Lai Chi Kok Road.
Photos showing the vendor community expressing their unity and determination to fight for their own survival at the current site, in protest to the government’s relocation proposal of the bazaar.