BEYOND THE CROWDS, Kwun Tong (觀塘), Kowloon, Hong Kong

Apartment blocks mushroom in clusters north of Kwun Tong’s MTR viaduct all the way to the slopes of Sau Mau Ping and Lam Tin, where stone quarries once dominated the skyline of Kowloon East. With 59,000 persons per square kilometre (2016), Kwun Tong is the most densely populated district in Hong Kong. Since the first public housing was erected in late 1950’s, Kwun Tong has become home to many public housing estates: Ngau Tau Kok (牛頭角邨), Lam Tin (藍田邨), Sau Mau Ping (秀茂坪邨), just to name a few. At the neighborhood centre lies Yue Man Square (裕民坊), the former commercial heart, and Shui Wo Street Market (瑞和街街市), the bustling street market that fascinates me every time I walk by the area. While Shui Wo Street Market remains as busy as decades ago, the original Yue Man Square is all but gone, giving way to new shopping malls and glassy towers. Beyond the vibrancy, noises, and dust, I was surprised to find pockets of breathing spaces beyond the crowded streets of Kwun Tong while exploring the area. Be it a decades old temple that was left untouched and hidden from plain sight throughout all these years of urban transformations, or forgotten reservoir structures that were left for decay in a lush green ravine, these peaceful corners have been serving as peaceful “backyards” for local residents, and any curious outsider who chooses to explore Kwun Tong beyond its shopping malls.
Surrounded by apartment blocks of Tsui Ping Estate (翠屏邨) and several school compounds, traditional Tai Wong Yeh Temple (大王爺廟) sits on a slope that is invisible from the streets below. Meandering between groups of school kids and elderly at the covered plazas of Tsui Ping Estate just minutes ago, entering the tranquil temple complex felt like going into an hidden retreat. During my brief visit, I was the only visitor and was free to wander around the temple complex all by myself. Clustered over a slope on three terraces, the complex was erected in 1958 as a replacement of an earlier temple in Lok Fu. I took my time to check out the colouful wall reliefs around the temple. Reliefs of a tiger and dragon particularly captured my attention. They may not be the most exquisite artworks found in galleries, but nevertheless they are valuable relics of the old Kwun Tong, from a time when skillful mural artisans were much more common.
North of Lok Wah Estate (樂華邨), lush green Jordan Valley (佐敦谷) wraps along the northern boundary of Kwun Tung. It is at Jordan Valley that the 648,541 (2016) Kwun Tong residents can cool themselves off at a 1.7 hectare swimming compound, hike in forested trails, picnic on park lawns, exercise in public playgrounds and ball courts, under the shadow of the majestic Kowloon Peak (飛鵝山). What fascinates me is that much of these pleasant green spaces and recreational facilities were once occupied by 16 blocks of social housing apartments known as Jordan Valley Estate (佐敦谷邨). In 1990’s, the former colonial government decided to tear down the housing estate and replace it with the much needed public recreational facilities of Kwun Tong. This was the only time in Hong Kong where a public housing estate was torn down and not replaced by taller apartment blocks. Perched above Jordan Valley, a red running track awaits anyone who is willing to hike up to the secret getaway of Kwun Tong High Level Service Reservoir Playground (觀塘上配水庫遊樂場). Attracted by photos of the running track against the dramatic backdrop of a ruined reservoir wall and Kowloon Peak, I braved the summer heat to climb up the hill for the relatively little-known scenery. On the way up, I passed by the main dam of the former Jordan Valley Reservoir, a decommissioned facility that once supplied Kwun Tong with seawater for flushing. Completed in 1960, the reservoir ceased operations in early 1980’s and was subsequently filled up. Today, apart from elderly residents or the few who come to exercise at the dam or running track, hardly anyone knows about the reservoir remnants. Without much documentation about its history, memories of the former Jordan Valley Reservoir are actually fading fast.









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A DIP IN THE HARBOUR, Sai Wan Swimming Shed (西環泳棚), Kennedy Town (堅尼地城), Hong Kong

I first learnt about the swimming sheds from my father, who used to explore the waters of Sai Wan (西環) at the westernmost area of Hong Kong Island in his childhood. Back in 1950’s and 1960’s, sea swimming was not necessary a half day journey to a beach far away from the city. Hongkongers could instead hop to one of the ten or dozen of swimming sheds along Victoria Harbour after work for a quick dip in the sea. This swimming culture originates in 1911, when the first swimming shed was built at Tsat Tsz Mui (七姊妹) in North Point. It became a hit and soon expanded to seven sheds in the area. Taking the tram to the swimming sheds was the most popular pastime back then. A newspaper in 1929 estimated that each day there were about 5000 swimmers visiting the swimming sheds. These sheds were constructed of bamboo and timber, housing changing rooms, lockers and showers facilities, and a series of decks on stilts to enter the water. At its peak, some big establishments even had eateries, boat rentals, and arena for roller-skates. Back then, limited transportation options kept many Hongkongers away from more faraway beaches, while the water of Victoria Harbour was still relatively clean.
As beach facilities and public swimming pools became more accessible to common people, the degraded water quality of the Harbour, and most important of all, land reclamation and waterfront redevelopment projects have basically nailed the coffin for all swimming sheds in 1970’s.
In 1988, Chung Sing Swimming Shed (鐘聲泳棚) reopened at the western end of Kennedy Town, where lush green Mount Davis slopes down to the sea. This remnant from the past, with about 20 members, has become the last operating swimming shed in Hong Kong. The membership of the swimming shed is far from its heyday decades ago. But the relatively secluded Chung Sing Swimming Shed, which commonly known as Sai Wan Swimming Shed (西環泳棚) nowadays, has been offered a second life. Photos of the lovely sunset over tranquil water at Sai Wan Swimming Shed has become an Instagram sensation in the recent decade.



















DAY 8 (2/6): ARCHITECTURE OF THE 21st CENTURY, 21st Century Museum of Contemporary Art (21世紀美術館), Kanazawa (金沢), Ishikawa Prefecture (石川県), Japan, 2018.06.01

For architects and designers, the single most important reason coming to Kanazawa is perhaps to visit the contemporary art museum just across the street from Kenroku-en Garden. Designed by Pritzker Prize awarded firm SANAA under Kazuyo Sejima and Ryue Nishizawa and opened in 2004, the unique 21st Century Museum of Contemporary Art (21世紀美術館) is one of the most widely published contemporary architecture in Japan during the 2000’s. Staying low as a single storey building, the circular building aims to minimize its impact to the surrounding landscape. Exhibition galleries, library, lecture hall, workshops, offices, lobbies, and courtyards are housed in a huge circular building fully cladded with glass at its circumference. Given we have seen the architecture in design magazines and Internet websites throughout the years, SANAA’s famous museum in Kanazawa is like a friend that we have never met. Since the museum would get crowded with its popularity not just for tourists but also local visitors coming for workshops and cultural events, we made the effort to arrive before the facility’s opening time.
With multiple functions configured within a circular plan with a diameter of 112.5m, the 21st Century Museum of Contemporary Art (21世紀美術館) is a unique piece of architecture accessible from all four directions.
The outer facade is entirely covered with full height glazing to express a sense of welcome and transparency for visitors.
Outside the circular building, there are a number of outdoor art installations erected around the museum.
Perhaps inspired by the building form, the outdoor art installations are also organic or circular in form.
Before entering the museum, we walked around the building once to check out the art installations as well as the building itself.
Workshops and other common areas lined along the circumference of the museum building.
Just like many tourist attractions in Japan, the famous museum is also popular with school kids.
We managed to get our admission tickets without much queuing minutes after the museum opened its doors.
The first thing we did was to find a locker to store our bags so that we could enjoy a carefree visit.
Along the curved glazed facade, there were a number of gathering spaces of different sizes available, perhaps catered for different programme.
Everything in the 21st Century Museum of Contemporary Art is clean, minimal and neutral in colour.
Photography was prohibited at indoor exhibitions. At the centre of the building, a glazed walkway passed through a courtyard dominated by a beautiful archway made of green wall.
In the glazed walkway, we could have a glimpse of the interesting art installation on the roof.
The Swimming Pool by Leandro Erlich is the most famous art installation in the museum.
The piece is accessible from both the Ground and Basement levels. From the Ground level, spectators can look down and see the visitors in the basement level through a shallow level of water, as if looking looking into a real swimming pool.
From the basement level, spectators find themselves in a pool like environment as if walking at the bottom of a swimming pool.
The water effect appears in the most spectacular fashion when the sun is out from above.
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CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction
Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE
Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)
Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)
Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)
Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)
Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)
Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)
Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)
Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)