ultramarinus – beyond the sea

Posts tagged “Sumida

DAY 4 (2/3): EDO TOKYO MUSEUM (江戸東京博物館), Sumida, Tokyo, Japan, 2017.06.17

This was our third visit to Tokyo.  Apart from its delicious food and sleek fashion, we were also eager to learn about the city’s history.  In Sumida, we chose to visit the Edo Tokyo Museum, an interesting museum on Tokyo’s history housed in a monumental building designed by Kiyonori Kikutake (菊竹 清訓).  Established in 1993, the museum offers a good introduction of the history of Tokyo, from the founding of Edo to the present day.  Raised on a platform overlooking Ryōgoku Kokugikan (両国国技館), the architecture was modeled after an old storehouse in the Kurazukuri style.  Unlike Sumida Hokusai Museum where the scale of the minimalist architecture fits perfectly with the surrounding neighborhood, Edo Tokyo Museum takes a much more monumental approach.

01As soon as we stepped out the lift from Ryōgoku Station, we were overwhelmed by the monumental museum building.

OLYMPUS DIGITAL CAMERAWe reached the entrance platform underneath the raised museum building via a grand staircase.

03At the far side of the entrance platform we could see the famous Ryōgoku Kokugikan (両国国技館).

04We purchased the museum tickets and headed towards the red escalator.

05Enclosed in a glass tube, the red escalator was the main access point up to the museum.

06A partial reconstructed Nihonbashi (日本橋) lay ahead of us once we entered the museum main hall.

07Below the reconstructed Nihonbashi, the most prominent feature was the reconstructed Nakamuraza Kabuki Theatre.

08The story of Tokyo began with the founding of Edo Castle (江戸城), the residence of the shogun.

09From different miniature models, we learnt the evolution of Edo and then Tokyo.

10Interesting information also included traditions and festivals in Tokyo.

11Theatre art was an important part of the Japanese culture and history of Tokyo.

OLYMPUS DIGITAL CAMERADominated with Western brick houses built after a fire burnt down much of the area in 1872, Ginza (銀座) Bricktown was the model area of modernization during the Meiji Period.

OLYMPUS DIGITAL CAMERAAt certain period of the day, there would be performances and activities held in front of the reconstructed Nakamuraza Kabuki Theatre.

 

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DAY 4 (1/3): SUMIDA HOKUSAI MUSEUM (すみだ北斎美術館), Sumida (墨田), Tokyo, Japan, 2017.06.17

After a full day excursion of historical temples and natural scenery in Nikko, we decided to spend the next day to explore another neighborhood in Tokyo.  We started the day at the southwest area of Sumida District (墨田区), near the metro station of Ryogoku (両国).  Many tourists come to Ryogoku (両国) for sumo (相撲): visit sumo stables to view professional practice, or checked out chanko nabe restaurants for a sumo meal, or even watch a game of sumo wrestling at Ryogoku Kokugikan (Ryogoku Sumo Hall).  We, however, came to the area for museum hopping.

Opened in 2016, the Sumida Hokusai Museum is being considered as a novel cultural icon of Sumida.  Designed by Kazuyo Sejima (妹島 和世), the sleek architecture houses exhibitions to showcase the life and works of the world famous ukiyo-e (浮世絵) artist Katsushika Hokusai (葛飾 北斎).  With his Thirty-six Views of Mount Fuji (富嶽三十六景), Hokusai is definitely the most iconic figure of ukiyo-e (浮世絵) in the Edo Period (1603 – 1868).  Kazuyo Sejima (妹島 和世), the founder of SANAA and a recipient of the Pritzker Prize in architecture with Ryue Nishizawa, is also a generation defining Japanese architect in her own right.  From the 21st Century Museum of Contemporary Art in Kanazawa, New Museum in New York, Rolex Learning Centre in Lausanne, to Louvre Lens Museum in France, Sejima and Ryue Nishizawa of SANAA have inspired uncounted architects and designers around the world in the last two decades.

OLYMPUS DIGITAL CAMERAThe Midoricho Park (緑町公園) where Sumida Hokusai Museum is erected, is also the birthplace of Katsushika Hokusai (葛飾 北斎).

OLYMPUS DIGITAL CAMERASejima’s building immediately became a cultural icon in the rather low key residential neighborhood.  The building provides an interesting backdrop for the community play area of Midoricho Park.

OLYMPUS DIGITAL CAMERAThe building scale and the facade’s level of reflectiveness express a certain degree of novelty without creating an overwhelming impact to the surrounding context.

04The cave like slit at each of the four sides provides a prominent entrance gateway at each side.

05The reflectivity of the museum’s metal cladding is right on.

06Everything on the facade is clean and minimal.

07We walked to the main entrance via one of the triangular opening on the facade.

08The facets of the glass panes and the reflections of the outside offer a unique entrance experience.

09The detailing of the triangular opening is once again clean and minimal.

OLYMPUS DIGITAL CAMERAThe angular aspects of the architecture is carried through into the interior.

11The washroom on the ground floor is a cute little cube at the lobby.

OLYMPUS DIGITAL CAMERABeside Sejima’ architecture, the works of Katsushika Hokusai (葛飾 北斎) were well worth the admission.

13The exhibition space is not big.  Most of his paintings are hung along the wall.  Artifacts such as books and sketches.

14The most famous works by  Kazuyo Sejima is Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei).  A selection of the 36 prints had been put on display.

15The Great Wave off Kanagawa is perhaps the most well known image by Katsushika Hokusai.

OLYMPUS DIGITAL CAMERASome of the final works by Katsushika Hokusai are also on display.

17A wax display depicting the studio of Katsushika Hokusai (葛飾 北斎) and his daughter back in the Edo Period.

18Outside of the exhibition area, there is a seating area with great views towards the Sky Tree.