ultramarinus – beyond the sea

Posts tagged “stone

CULTURAL CENTRE AT FORMER EXPLOSIVES MAGAZINE, Asia Society (亞洲協會), Admiralty (金鐘), Hong Kong

In late 1970’s and early 1980’s, the former Victoria Barracks at Admiralty have been torn down to make way for commercial developments, government buildings, and transportation infrastructure. Only a handful of the 19-century structures have been preserved and renovated with modern usage in today’s Hong Kong Park. East of the park, the abandoned Explosives Magazine Compound awaited its fate as rain forest gradually takes over the site. Two decades have passed. In 2002, the site was granted to Asia Society to establish their new home in Hong Kong. Founded in 1956 by John D. Rockefeller III in New York, Asia Society is an organization that promotes cultural exchange between Asia and the United States. In 1990, Asia Society arrived in Hong Kong to establish its Hong Kong Centre. After granted the site of the former Explosives Magazine Compound, Architects Tod Williams and Billie Tsien were chosen to oversee the design and transformation of the site, erecting new structures and converting four former weapon production and storage buildings into one of the most fascinating cultural venues in the city.

As the New York based architects described, the 1.3 hectares site was overgrown with banyan trees and lush green vegetation despite its central location adjacent to the British consulate and Pacific Place Shopping Centre. In 2012, after a decade of construction work, Asia Society’s 65,000 s.f. new home was opened to the public. Seen as one of Hong Kong’s most successful adaptive reuse and heritage conservation project in recent years, Asia Society regularly host talks and exhibitions. The complex is separated by a nullah into two parts. Where the former explosive magazine buildings are located, the upper site houses a gallery, offices, and theatre. The lower site is occupied by a visitor centre, multi-function hall, gift shop, restaurant, and offices. Connecting the upper and lower sites, Tod Williams and Billie Tsien designed a double decker bridge that zigzags over the sloped rain forest. The upper deck is a pleasant open walkway offering great views of the adjacent commercial district. Combined with the roof of the visitor centre, the open walkway also serves as a sculpture garden.

The former explosives magazine site was designed for the home of Asia Society in 2002. The project took a decade to complete and opened as the cultural centre of Asia Society in 2012. [Asia Society, Justice Drive, Admiralty, 2021]
A manmade waterfall marks the dramatic entrance of the cultural centre and draws visitors up to the rooftop sculpture garden. [Asia Society, Justice Drive, Admiralty, 2021]
Stones from Southern China were chosen by the architects as the main facade cladding. [Asia Society, Justice Drive, Admiralty, 2015]
The roof garden is one of the main feature at the Asia Society complex. Long Island Buddha, the 2011 sculpture made of copper and steel by artist Zhang Huan, is one of the permanent sculptures in the garden. [Asia Society, Justice Drive, Admiralty, 2021]
A miniature Zen garden defines the heart of the roof garden. [Asia Society, Justice Drive, Admiralty, 2017]
Chloe Cheuk’s crystal balls installation, named “…Until I am Found”, is an interactive piece offering distorted image of the city’s skyline. [Asia Society, Justice Drive, Admiralty, 2017]
The double decker bridge is an architectural delight linking the two parts of the site. [Asia Society, Justice Drive, Admiralty, 2015]
From the upper deck of the bridge, visitors can peacefully enjoy the skyline of the business district of Admiralty. [Asia Society, Justice Drive, Admiralty, 2021]
The lower site is mainly occupied by the multi-function hall where most of the talks and events are held. [Asia Society, Justice Drive, Admiralty, 2021]
Old tracks for weapon carts are preserved at the upper site, where an office, gallery and theatre are housed in three historical buildings. Outdoor artworks are also on display around the site. As contemporary representation of Chinese tradition, Zhan Wang’s Artificial Rock artworks often appear as stainless steel versions of scholar’s rocks commonly found in Suzhou gardens. [Asia Society, Justice Drive, Admiralty, 2021]
Several granite military lot markers were found when the site was taken over by Asia Society. Dated to 1910, these stones were installed by the Royal Navy to mark the boundary of the former Victoria Barracks. [Asia Society, Justice Drive, Admiralty, 2021]
Historical cannons were unearthed at the site during the renovation work. [Asia Society, Justice Drive, Admiralty, 2021]
The former weapon laboratory has been transformed into offices. [Asia Society, Justice Drive, Admiralty, 2021]
Dated from 1880, the former Magazine A has been transformed into an art gallery that feature temporary exhibitions. Recently, a retrospective show of the works of late French artist Lalan (謝景蘭) was on display. [Asia Society, Justice Drive, Admiralty, 2021]
Yukaloo by renowned James Turrell in 2019 was the first show of the American artist in Hong Kong. His powerful LED installations led spectators into a dreamy experience of space, light, colour and time. His works filled the former weapon magazine with an aura of infinity. [Asia Society, Justice Drive, Admiralty, 2019]
Outside the gallery, a covered walkway leads visitors further into the former Magazine B, which is currently occupied by a theatre. [Asia Society, Justice Drive, Admiralty, 2021]
The fine combination of a small fountain and planter could have been inspired by the traditional Suzhou garden. [Asia Society, Justice Drive, Admiralty, 2021]
Known as a “horizontal building in a vertical city”, the essence of horizontal and sequential movement can be clearly felt. [Asia Society, Justice Drive, Admiralty, 2021]
The contrasting materials of the canopy and the historical building present no confusion on which is old and new. [Asia Society, Justice Drive, Admiralty, 2021]
Heading back down to the Multi-function and reception hall, we often take the lower deck of the double decker bridge. [Asia Society, Justice Drive, Admiralty, 2021]
It is always a pleasant journey to walk through the lush green rainforest at the Asia Society. [Asia Society, Justice Drive, Admiralty, 2021]
Since 2017, Adrian Wong’s Untitled (Grate XI: Electric Bauhinia) has occupied the niche near the entrance of the Multi-function Hall. [Asia Society, Justice Drive, Admiralty, 2021]
Below the Multi-function and reception hall is Ammo, an atmospheric Italian Japanese fusion restaurant overlooking the lush green nullah that separates the upper and lower site of the complex. [Asia Society, Justice Drive, Admiralty, 2021]

STONE WALL TREES (石牆樹), Central-Western District (中西區), Hong Kong

Entangling roots stretch across the surface of granite walls might remind people of the Ta Prohm Temple at Angkor Wat instead of the city of Hong Kong. Commonly known as “Stone Wall Trees” (石牆樹), the urban scenery of Chinese Banyan (Ficus microcarpa 細葉榕) enrooted on historical granite walls is a unique scene in Hong Kong, especially in Central-Western District where the heart of the old Victoria City was located. In 1841 when the British first landed in Hong Kong, the bare, rocky and hilly terrain of the island posed a huge challenge for establishing a settlement. Apart from land reclamation along the coast, the British also create habitable land by constructing flat terraces on the slope of Victoria Peak (Tai Ping Shan 太平山). From the mid 19th century onwards, local granite was used to construct retaining walls for the terrace constructions. To make the relatively bare island more habitable, trees were planted across the city to provide shade and visual interest. Many foreign tree species from other British colonies such as India and Australia were brought to Hong Kong. Due to its suitability to the local climate and ability to grow rapidly, Chinese Banyan (細葉榕) were widely planted. From these banyan trees, birds and bats ate the figs and spread the seeds all over the city, and into stone joints of the retaining walls. This led to the birth of the stone wall trees.

In 1996, scholar C.Y. Jim found 1275 trees with 30 or so species on about 505 stone walls. Ficus Microcarpa or Chinese Banyan is the most common type of stone wall trees. With hardly any soil to clinch into, these banyans take the wall as their host and spread their intertwining roots on the stone surfaces. After 50 to 100 years, these banyans gradually mature into shading crowns that we see today. Many of these old stone wall trees have survived to the present day, especially in Central – Western District which contains the city’s largest concentration of stone wall trees. The emergence of stone wall trees in Hong Kong, however, was no coincidence. Perfect climate conditions, suitable stone wall surface, and some good fortune of surviving the WWII when many old trees were cut down by the Japanese for timber, all played a part in the story of stone wall trees. After WWII, stone was soon replaced by concrete for retaining wall construction. Concrete walls left little room for new trees to enroot themselves by chance. After a few generations, the resilient stone wall trees have become iconic features for various old neighbourhoods.

Despite over a century serving to improve the micro-climate of the city, cultural and ecological significance of the stone wall trees have gone unnoticed until the recent two decades. In light of the government’s intention to demolish the former Police Married Quarters (PMQ) and its iconic stone wall trees in 2005, the local resident group “Central and Western Concern Group” was formed to fight for preserving the stone wall trees as well as the heritage building. Not only has their effort succeeded in convincing the government to preserve the PMQ, they have also increased the public awareness of the stone wall trees. In 2007, the Mass Transit Railway (MTR) decided to relocate a proposed exit for the new Kennedy Town Station in order to preserve the stone wall trees at Forbes Street. The admirable effort decisively preserved the largest concentration of stone wall trees in Hong Kong. Though not all cases were success stories. In 2015, five 150-year old stone wall banyans at Bonham Road were fell sneakily overnight, just because one of their neighbouring trees toppled some time ago due to heavy rain. In name of public safety, the five healthy trees were cut down before the arrival of a potential typhoon. No detailed study was made before the decision, and that particular typhoon didn’t even come close enough to pose any thread. The hasty action of the government led to a huge loss for the community and sparked public outcry. More and more people become aware that there is an urgent need to develop a strategic plan for protecting these unique urban stone wall trees before it is too late.

With a crown stretching over 28m, the Rubber Fig at Lugard Road on the peak of Tai Ping Shan is a popular attraction for selfies. Origin from India and Malaysia, Rubber Fig (Ficus elastica, 印度榕) were planted in Hong Kong to provide shade during the colonial era. [Lugard Road (盧吉道), The Peak (太平山), 2021]
The aerial roots of Chinese Banyan may look out of place in the city. [Caine Road (堅道), Mid-Levels (半山), 2020]
An old Chinese Banyan is a great shade provider. [Hollywood Road Park, (荷李活道公園), Sheung Wan (上環), 2020]
The old Chinese Banyans in Blake Garden define the tranquil character of Po Hing Fong in PoHo, Sheung Wan. [Blake Garden (卜公花園), Sheung Wan (上環), 2020]
The odd gesture of the Chinese Banyan in Blake Garden is said to be resulted from a typhoon. [Blake Garden (卜公花園), Sheung Wan (上環), 2017]
With a crown spread of 28m, the enormous Chinese Banyan in Blake Garden stands like a giant. [Blake Garden (卜公花園), Sheung Wan (上環), 2017]
Chinese Banyan is native in China, tropical Asia and Australia. [Blake Garden (卜公花園), Sheung Wan (上環), 2017]
Chinese Banyan is very versatile and can enroot in a wide range of urban setting, including manmade slopes in the city. [Victoria Road, Kennedy Town (堅尼地城), 2020]
Quite a number of Chinese Banyans have become stone wall trees. [Tank Lane (水池巷), Sheung Wan (上環), 2017]
Stone wall trees form a unique urban scenery in the Central Western District in Hong Kong. [Between Bonham (般咸道) and Hospital Road (醫院道), Sai Ying Pun (西營盤), 2020]
All residents in the Central Western District are used to having the stone wall trees around. [High Street (高街), Sai Ying Pun (西營盤), 2020]
Stone wall trees are great to provide shade along narrow sidewalk where there is absolutely no room for tree planting. [Caine Road (堅道), Mid-Levels (半山), 2020]
The entangling roots is part of the urban scenery. [Caine Road (堅道), Mid-Levels (半山), 2020]
Wherever there is retaining wall and terraced alleyway, there would be stone wall trees. [Tai Pak Terrace (太白臺), Kennedy Town (堅尼地城), 2020]
In many occasions, the stone wall tree is inseparable with the history and heritage of the stone wall itself. Built in 1850, this stone wall has supported the terrace for the Anglican Bishop’s House and the old St. Paul’s College for 170 years. [Ficus virens (大葉榕) at the Bishop House and St. Paul College, Lower Albert Road (下亞厘畢道), Central, 2021]
Local efforts to save the stone wall trees at the former Police Married Quarters (PMQ) in 2005 have raised public awareness on preservation of heritage buildings and old trees. [Stone wall trees and retaining wall of the PMQ along Hollywood Road (荷李活道), Central, 2020]
In 2015, five 155-year old stone wall trees at Bonham Road (般咸道) were sneakily cut down by the government in midnight. The move has sparked public outcry, especially from the immediately neighborhood. Since then, new branches have emerged from the tree stumps, once again providing shade for the bus stop below. [Junction of Centre Street and Bonham Road, Sai Ying Pun, 2020]
Inflected by fungus Phellinus noxius, a prominent stone wall tree over Hospital Road (醫院道) has been diagnosed with Brown Root Rot Disease. The tree is now at risk of structural deterioration and failure. [Near the junction of Hospital Road and Bonham Road, Sai Ying Pun, 2020]
Manmade structural supports have been installed recently to secure the inflected stone wall tree. [Near the junction of Hospital Road and Bonham Road, Sai Ying Pun, 2020]
The 27 banyan trees at Forbes Street (科士街) is one the largest groups of stone wall trees in Hong Kong. [Forbes Street, Kennedy Town, 2020]
In 2007, the Mass Transit Railway (MTR) decided to relocate a proposed station exit in order to preserve the stone wall trees at Forbes Street. [Forbes Street, Kennedy Town, 2020]
The penetrating ability of their roots make Chinese Banyans the perfect species to thrive on stone walls. [Forbes Street, Kennedy Town, 2020]
Built in the 1890’s, some say the Chinese Banyans at Forbes Street were planted intentionally to strengthen the stone retaining wall. [Forbes Street, Kennedy Town, 2020]
Another well known cluster of stone wall trees is found at King George V Memorial Park (佐治五世紀念公園) in Sai Ying Pun (西營盤). [King George V Memorial Park, Hospital Road, Sai Ying Pun, 2021]
King George V Memorial Park is located across the street from Tsan Yuk Hospital The park’s retaining walls is famous for the stone wall trees. [King George V Memorial Park, Hospital Road, Sai Ying Pun, 2021]
Built in 1936, King George V Memorial Park was built following the death of King George V of Britain. [King George V Memorial Park, Hospital Road, Sai Ying Pun, 2021]
35 stone wall trees lined along the retaining walls of King George V Memorial Park. [King George V Memorial Park, Hospital Road, Sai Ying Pun, 2021]
With a football pitch, childcare centre and seating areas, the park is a popular destination in Sai Ying Pun. [King George V Memorial Park, Hospital Road, Sai Ying Pun, 2021]
The atmospheric park entrance is a popular spot for film shooting. [King George V Memorial Park, Hospital Road, Sai Ying Pun, 2021]
The Chinese Banyans provide pleasant shade for the exercise terraces along Hospital Road. [King George V Memorial Park, Hospital Road, Sai Ying Pun, 2021]
After 85 years, the metal plaque is almost covered by the banyan roots at King George V Memorial Park. [King George V Memorial Park, Hospital Road, Sai Ying Pun, 2021]

TALE OF ROCKS, Petra, Jordan

2006.05.21.

The signature quartz sandstone of Petra provides the basis for every single monuments and structures in the ancient city.  The entire city was built by carving into the various sandstones of the region, mainly from the Ordovician (the pale grey and white Disi Sandstone) and Cambrian era (the pale white to red Umm Ishrine Sandstone).  These types of sandstone are common throughout Jordan, but mostly remain underground.  Due to geological activities, these colourful sandstone are being exposed at Petra, Wadi Rum and Dana.  The rhythmic deposition of sand and minerals 540 million years ago have brought us the stunning patterns of the Petra rocks. Likely the carving and excavating properties of Petra’s stone was one of the reasons why the nomadic Nabataeans in the Arabian Desert decided to stay and build their capital city at this location.  The other main reason, perhaps the most crucial one, was the site’s potential to secure water from the surrounding mountains, where winter flash floods would occur after heavy rain.  Today, apart from the majestic Treasury, Monastery and Royal Tombs, most visitors would hardly notice the water channels, underground cisterns, particle settling pools, and mountain reservoirs that once served as the essential infrastructure for the survival of ancient Petra.

rocksApart from its suitability for carving, the rocks of Petra are just simply pleasing to the eye.

06ME37-27Wind and water have played their parts in shaping the rocks in Petra.

06ME37-36But it was the sand deposits and distribution of minerals such as iron and manganese oxides that gave the unique colours to the Petra rocks.

06ME40-22The interesting rock patterns appear in tombs and on building facades.

06ME40-02Many rock patterns appear like abstract paintings.

rock pattern 18 or perhaps Parma ham?

rock pattern 17The colours look brilliant under the right lighting.

rock pattern 16Undulating rock formation.

rock pattern 8The colour ranges from red to orange to brown.

rock pattern 7Some patterns get really complicated.

06ME39-18Another complex pattern.

rock pattern 3Some repetitive rock patterns look like a Futurist painting.

rock pattern 5I spent quite a bit of film (still negative film and positive slides back in 2006) photographing the stone of Petra.

rock pattern 1Not all stone is red and orange.

rock pattern 6Zooming into the rocks.

rock pattern 10Zoom in view.

rock pattern 11Zoom in view.


DAY 2 (1/4): MARBLE CENOTAPH JASWANT THADA, Jodhpur, Rajasthan, India, 2018.11.25

After settling ourselves from a terrifying incident with a stray dog near our hotel in early morning, we were ready to venture out again in Jodhpur for a few more hours before our hired car came pick us up to move on to Jaisalmer.  Similar to our visit of Mehrangarh Fort the day before, our tuk tuk took us into the winding lanes north of Pal Haveli and climbed uphill until reaching a bronze equestrian statue of Rao Jodha, the founder of Jodhpur in the 15th century.  We soon reached our first destination of the day, the magnificent marble monument of Jaswant Thada.  Built in 1899 by Maharaja Sardar Singh, the Jaswant Thada is a cenotaph for Maharaja Jaswant Singh II and the cremation ground for the Marwar royal family.

dsc_0447Standing adjacent to the Deity Pond in Rao Jodha Desert Rock Park, Jaswant Thada is surrounded by the arid landscape of Jodhpur.

img_8764From the parking lot, we entered into a garden right by Deity Pond.  A short flight of steps led us to the main garden terrace.

dsc_0452At the main garden terrace, the first thing we encountered was a beautiful gazebo.

OLYMPUS DIGITAL CAMERAAs a delightful example of 19th century Rajasthani temple architecture, the Jaswant Thada is beautiful in many ways, from the finest ornaments to the overall architectural proportion.  The row of chhatri (folly domes) on the roof signifies the wealth and status of the royal family.

dsc_0464The mausoleum presents the splendid marble carving, especially the jali work (lattice) of the Indian craftsmen.

dsc_0506Before entering the building, we took our time to examine the beautiful craftsmanship of the stonework and jali (lattice).

dsc_0472Visitors can enter the cenotaph through a side door.

OLYMPUS DIGITAL CAMERANo shoes are allowed in the cenotaph.

dsc_0493We were greatly attracted by the layers of marble carving.

dsc_0490The interior featured photos and illustrations of the Marwar rulers, and memorial altar for Maharaja Jaswant Singh II.

OLYMPUS DIGITAL CAMERAWe loved the fine jali work (stone lattice), which looked like paper art made by laser cutting.

OLYMPUS DIGITAL CAMERANatural light entered the building through the beautiful jali, providing a soft lighting effect for the interior.

dsc_0500Sunlight penetrated through the thin pieces of marble, creating an illumination effect on certain parts of the wall.

dsc_0501A vivid green is applied to the wooden doors and windows, creating a beautiful contrast to the colour palette of the architecture.

OLYMPUS DIGITAL CAMERAOn our way back to the parking lot, we passed by a traditional musician once again.

dsc_0536We stopped for a few minutes to admire the Rajasthani folk music before heading back to the parking lot.

dsc_0543From the parking lot of Jaswant Thada, we had a final overview of the majestic Mehrangarh Fort.

 

***
Posts on 2018 Rajasthan:-

Day 1: Jodhpur
DAY 1.1: IN TRANSIT TO RAJASTHAN
DAY 1.2: PAL HAVELI & THE OMELETTE MAN, Jodhpur
DAY 1.3: SPLENDOR OF THE SUN FORT, Mehrangarh, Jodhpur
DAY 1.4: SUNSET OVER THE BLUE CITY, Mehrangarh, Jodhpur
DAY 1.5: SADAR MARKET AND GHANTA GHAR CLOCKTOWER, Jodhpur

Day 2: Jodhpur, Osian, Jaisalmer
DAY 2.1: MARBLE CENOTAPH JASWANT THADA, Jodhpur
DAY 2.2: MEDIEVAL STEPWELLS, Mahila Bagh Ka Jhalra, Gulab Sagar, & Toorji Ka Jhalra, Jodhpur
DAY 2.3: PILGRIM OASIS IN THAR DESERT, Sachiya Mata Temple, Osian
DAY 2.4: SUNRISE AT THE FIRST GATE OF GOLDEN FORT, Jaisalmer

Day 3: Jaisalmer
DAY 3.1: THE GOLDEN LIVING FORT, Jaisalmer
DAY 3.2: JAIN TEMPLES PART 1, Jaisalmer
DAY 3.3: JAIN TEMPLES PART 2, Jaisalmer
DAY 3.4: FORT PALACE, Jaisalmer

Day 4: Jaisalmer
DAY 4.1: RESERVOIR OF THE GOLDEN CITY, Gadsisar Lake, Jaisalmer
DAY 4.2: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer
DAY 4.3: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer
DAY 4.4: DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer
DAY 4.5: LAST STROLL IN THE GOLDEN CITY, Jaisalmer

Day 5: Pushkar
DAY 5.1: RANIKHET EXPRESS
DAY 5.2: 52 BATHING GHATS, Pushkar
DAY 5.3: SUNSET OVER SACRED WATER, Pushkar

Day 6: Pushkar & Jaipur
DAY 6.1: SUNRISE OVER PUSHKAR LAKE, Pushkar
DAY 6.2: GRANDEUR OF THE MAHARAJA, City Palace, Jaipur
DAY 6.3: IN SEARCH OF 1860 CARL ZEISS CAMERA, Jaipur

Day 7: Jaipur
DAY 7.1: AMBER FORT, Jaipur
DAY 7.2: JAIGARH FORT, Jaipur
DAY 7.3: MAHARAJA’S ASTRONOMICAL LEGACY, Jantar Mantar, Jaipur
DAY 7.4: PALACE OF WINDS, Hawa Mahal, Jaipur

Day 8: Bhangarh, Abhaneri & Agra
DAY 8.1: ON THR ROAD TO AGRA
DAY 8.2: HAUNTED RUINS, Bhangarh, Rajasthan
DAY 8.3: CHAND BAORI, Abhaneri, Rajasthan
DAY 8.4: THE ABANDONED CAPITAL OF MUGHAL EMPIRE, Fatehpur Sikri, Agra, Uttar Pradesh
DAY 8.5: FRIDAY MOSQUE, Fatehpur Sikri, Agra, Uttar Pradesh

Day 9: Agra
DAY 9.1: CROWN OF THE PALACES, Taj Mahal, Agra, Uttar Pradesh
DAY 9.2: AGRA FORT, Agra, Uttar Pradesh
DAY 9.3: RAWATPARA SPICE MARKET, Agra, Uttar Pradesh
DAY 9.4: SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh

Day 10: Delhi
DAY 10.1: TRAIN 12627, Agra to Delhi
DAY 10.2 : HUMAYUN’S TOMB, Delhi
Day 10.3: NIZAMUDDIN BASTI, Delhi