THE LOST LITTLE SHANGHAI, North Point (北角), Hong Kong

North Point (北角) has long been referred to as Little Fujian (小福建) and Little Shanghai (小上海) since waves of immigrants from Mainland China flocked to settle in the area during the turbulent first half of 20th century. Among the refugees came a group of cultural elites and merchants from Shanghai. Many of them chose to reside in the quiet streets at the foothill of Braemar Hill (寶馬山) in North Point, just a block or two up from bustling King’s Road. This neighborhood was once dominated by multi-storey tenement apartments, with fine terrazzo portal, Art Deco motifs and Streamline Moderne building profiles that echoed the architectural trend of old Shanghai. Today, despite most tenement buildings have been replaced by highrise apartments, these sloped streets remain tranquil most of the day, except when students get out of Kiangsu & Chekiang Primary School (蘇浙小學), Hong Kong’s first school that offer all lessons in Mandarin, at the end of school day.
In 2019, Yonfan (楊凡)’s animation No.7 Cherry Lane (繼園臺七號) won the Best Screenplay Award at the Venice International Film Festival. In the film, the stepped lane where the protagonists walk down to North Point, and the tenement apartment on Cherry Lane where Shanghaiese and Taiwanese immigrants reside, is actually based on the sloped street of Kai Yuen Street (繼園街). During the pandemic, the peaceful Kai Yuen Street has gone through drastic transformation as many old tenement buildings were locked down for new luxury apartments. The neighbourhood where renowned Shanghaiese writer Eileen Chang (張愛玲) often came to visit the family of Stephen Soong (宋淇), a famous writer and literary critic who came to Hong Kong in escape of the Chinese Civil War, is all but gone. A few blocks west of Kai Yuen Street lies another sloped street Ming Yuen Western Street (明園西街). Ming Yuen Western Street is probably one of the last spots in “Little Shanghai” where there are a few original tenement blocks still standing today. Ming Yuen Western Street and the adjacent Metropole Department Store form part of the site of the former Ming Yuen (名園) amusement park. Opened in 1918, the design of Ming Yuen was based on another amusement park in Shanghai. After the amusement went out of business, the area was soon turned into a residential neighbourhood. At nearby Ching Wah Street (清華街), a five-storey apartment with curved balconies and Art Deco motifs stands as a lone reminder of what Little Shanghai might have look like in the bygone era.



Kai Yuen Street (繼園街)








Ming Yuen Western Street (明園西街)









LANDMARKS FOR THE LOCALS, North Point (北角), Hong Kong

What does “fort”, “oil”, “electric”, “power”, and “wharf” have in common? They are all street names in North Point that reveals the neighborhood’s strategic location and utilitarian past. The “fort” or battery hill is long gone, leaving behind a parkette up on Fortress Hill Road that even local residents may not know about its existence, and the name “Fortress Hill” that defines the westernmost area of North Point District. The former oil depot, powerplant and wharf facilities that gave us the street names “oil”, “electric”, “power”, and “wharf” have all been replaced by high density residential developments. In the 20th century, North Point has gone through series of transformations, from just a defensive battery at the northernmost point of Hong Kong Island and a cluster of infrastructure facilities that supported the adjacent Victoria City, to an area teeming with domestic life where amusement park, theatres, swim sheds, department stores, and red-light businesses sprang up and then mostly faded away. Due to a large influx of mainland immigrants in mid 20th century, especially the Hokkien Fujianese and Shanghaiese, North Point has become the most densely populated place on earth in late 1960’s, according to the Guinness Book of Records. Today, the urban density of North Point may no longer ranked top of the world, but a stroll on King’s Road, the district’s main thoroughfare where blocks after blocks of concrete apartments encroaching in all directions, can still be disorienting for many.
Published by Hong Kong Art Centre as part of “Via North Point” art programme in 2020, a local magazine did a poll with a group of local residents about their favorite landmarks in North Point. Unlike the monumental and glamorous urban icons in Central or Tsim Sha Tsui, their top five selected landmarks include two theatres, a pier, a market and even a street intersection. For them, these daily scenery have defined the collective identity and a sense of belonging for the community. For us who have been working in the adjacent Quarry Bay for the past eight years, North Point is also an area we would pass by almost everyday. We share some of their sentiments and also find beauty from these what may seem like ordinary street scenery by first glance. Here are their top five favorite landmarks in North Point:
NO. 5: King’s Road (英皇道) and the North Point Road (北角道) Intersection (4.3%)









NO. 4: State Theatre (皇都戲院) 8.7%

NO.3 : North Point Pier (北角碼頭) 10.9%

NO. 2: Sunbeam Theatre (新光戲院) 17.4%



NO.1: Chun Yeung Street Market (春秧街街市) 21.7%








LANDMARKS IN FORTRESS HILL:
Situated between Causeway Bay and the heart of North Point, Fortress Hill (炮台山) has long been under the radar. In recent months, East Coast Park Precinct in Fortress Hill has emerged as one of the hottest new attractions in Hong Kong. Apart from the harbourfront lookout, the following two spots in Fortress Hill are also gaining popularity on Instagram as well.
Oi! Art Space (油街實現), Former Royal Hong Kong Yacht Club





Staircase at Fortress Hill MTR Station

HOW WE USED TO CELEBRATE CHRISTMAS

2020.12.24.
We got off work early for Christmas Eve. Some restaurants were about to close as we picked up our takeout from a small Japanese restaurant in Tai Hang. In Hong Kong, no restaurant is allowed to serve customers (except takeouts) after 6pm. No countdown events, Christmas parties or family gatherings. Just a simple dinner at home for the two of us seemed to be the most appropriate Christmas Eve celebration for this unusual year. 2020 is an extraordinary year. I can hardly recall another incident in my lifetime that has simultaneously affected virtually every single human being in the world. The terrible pandemic is forcing all of us to face the same fear, frustration and isolation. Most planes have been grounded, borders shut, and international tourism has almost come to a complete halt. This abrupt disruption to our lives lead us to realize that celebrating a festive moment with families and friends or spending the holiday season at a foreign land shouldn’t be taken for granted.
Memory is interesting when it works with time. At this bizarre moment of frustrating lock downs and social distancing, a recollection of how we had spent Christmas and New Year in the past two decades remind us how we used to freely experience the world and appreciate every little things around us. Looking beyond the vivid fireworks and lavish parties, it was our curiosity, freedom and gratefulness that allowed these joyful moments to simply make us happy in different stages of our lives. At this time of physical restrictions and emotional stress, looking back at these little moments of ours have become more precious than ever. Everyone deserves memories of celebrations that worth cherishing. Hope our little sharing would remind you some of your own best moments of Christmas.
We wish you Merry Christmas and good health for the upcoming 2021.

Rome, December 2002

Rome, December 2002

Vatican, December 2002

Rome, December 2002

Brussels, Christmas Eve, 2007

London, December 2007

London, England, January 2008

London, December 2008

Leeds, England, December 2008

Toronto, December 2010

Siem Reap, New Year’s Eve 2011

Toronto, New Year’s Eve 2012

Ushuaia, December 2013

Ushuaia, December 2013

Mount Fitz Roy, Christmas Eve 2013

Valparaiso, New Year’s Day 2014

Main Station, Taipei, Christmas Day 2014

Hong Kong, Christmas Eve 2015

Hong Kong, New Year’s Eve 2015

Railway Station, Kyoto, December 2016

Kyoto, December 2016

Kyoto, December 2016

Yangon, December 2017

Yangon, December 2017

Shanghai, December 2018

Negombo, December 2019

Tai Kwun, Hong Kong, December 2019

Landmark, Hong Kong, December 2020

Hong Kong, December 2020
LUJIAZUI (陸家嘴) OF PUDONG (浦東), Shanghai, China

East of Huangpu River across from the historic city centre of the Bund, Pudong (literally means the east bank of Huangpu) has been Shanghai’s new ground for contemporary developments in recent two decades, including the city’s international airport Pudong International Airport (opened in 1999) and Shanghai’s financial district Lujiazui. Many of Shanghai’s iconic skyscrapers from the past two decades, which include Oriental Pearl Tower, Jin Mao Building, Shanghai World Financial Center, Shanghai IFC, and the tallest of them all – Shanghai Tower, stand proudly at Lujiazui, directly across Huangpu River from the Bund, its historic predecessor. One tower after another tested the vertical limit of modern architecture. The development of Lujiazui reflects the ambition and pace of the contemporary development of the Chinese society.
Before heading to the airport, we dropped by Lujiazui of Pudong District one last time. At Lujiazui, we intended to visit the Aurora Art Museum, a gallery designed by Japanese architect Tadao Ando. Unfortunately not until we reached the door, we realized that the museum was closed on Monday. We ended up spending time wandering around the financial area to check out the latest skyscrapers. The main focus in the area was undoubtedly Shanghai Tower (上海中心大厦). Construction was completed but Shanghai Tower had not opened its doors to the public yet. We could only walk around the 632m tower, the tallest in China, from outside. While admiring the twisting gesture and double skin facade system of Shanghai Tower, we could not ignore the two other super highrise towers of Lujiazui: Jin Mao Tower (金茂大廈) and Shanghai World Financial Center (上海環球金融中心). Before leaving Lujiazui for the airport, we had a quick tea break at a chain restaurant for a last taste of Shanghaiese food. We then took the metro to Longyang Road station and switched to the maglev airport express. Reaching a speed of about 430km/h, the magnetic levitation train ride to the airport took less than ten minutes. Our 4-day experience was coming to an end as we sped through the suburbs of Shanghai before our evening flight back to Hong Kong.
The three super-tall skyscrapers of Shanghai: (left) Jin Mao Tower, Shanghai World Financial Centre (centre), and Shanghai Tower (right).
The central atrium of Grand Hyatt Hotel at the 54th floor of Jin Mao Tower.
View of Putong and the Bund from the 54th floor of Jin Mao Tower.
Shanghai Tower as viewed from Jin Mao Tower.
Shanghai Tower as viewed from Jin Mao Tower.
Shanghai Tower, Jin Mao Tower and Shanghai World Financial Tower viewed from a footbridge near Lujiazui metro station.
The three super tall skyscrapers of Shanghai are all designed by American architects: Shanghai World Financial Tower by KPF, Jin Mao Tower by SOM, and Shanghai Tower by Gensler.
Oriental Pearl Tower (東方明珠塔) viewed from a footbridge near Lujiazui metro station.
The twin towers of Shanghai IFC with the Shanghai Tower in the middle.
Shanghai Tower, Jin Mao Tower and Shanghai World Financial Tower viewed from a footbridge near Lujiazui metro station.
The rest of the commercial buildings at Lujiazui were dwarfed by the three tallest towers.
Extensive footbridges connect a number of commercial developments in Lujiazui.
One last look at the three towers before we headed for the airport.
***
Read other posts on Shanghai 2016:
0.0 SHANGHAI, 2016
1.0 SUZHOU MUSEUM, Suzhou, China
2.0 HUMBLE ADMINISTRATOR’S GARDEN, Suzhou, China
3.0 LION GROVE GARDEN, Suzhou, China
4.0 SOUP DUMPLINGS AND MORNING STROLL, Shanghai, China
5.0 ROCKBUND, Shanghai, China
6.0 M50, Shanghai, China
7.0 1933 SHANGHAI (老場坊) , Shanghai, China
8.0 POLY GRAND THEATRE (上海保利大劇院), Shanghai, China
9.0 FORMER FRENCH CONCESSION, Shanghai, China
10.0 POWER STATION OF ART, Shanghai, China
11.0 LONG MUSEUM (龍美術館), West Bund, Shanghai, China
12.0 THE BUND (外灘) AT NIGHT, Shanghai, China
13.0 TIANZIFANG (田子坊), Shanghai, China
14.0 CHINESE HAND PRINTED BLUE NANKEEN GALLERY (藍印花布博物館), Shanghai, China
15.0 LUJIAZUI (陸家嘴) OF PUDONG (浦東), Shanghai, China
CHINESE HAND PRINTED BLUE NANKEEN GALLERY (藍印花布博物館), Shanghai, China

Originated from the nearby provinces of Jiangsu, Zhejiang and Guizhou, the hand making of blue nankeen cotton fabric have been a local heritage for centuries. Dyed in indigo and finished with white traditional patterns, the traditional blue nankeen fabrics have caught the eyes of many people, including Japanese artist Kubo Mase (久保麻紗). Kubo Mase was a prominent collector of blue nankeen fabrics, dyeing tools, handlooms, and many other blue nankeen related tools collected from the rural areas across Southern China since 1950s. Kubo Mase founded the Chinese Hand Printed Blue Nankeen Gallery in a small courtyard at Changle Road Lane 637. It houses many of her collections, and also hosts a small shop selling hand printed blue nankeen fabrics.
Before leaving Shanghai, we were keen to drop by the Chinese Hand Printed Blue Nankeen Gallery to know more about the traditional indigo cotton. Following the sign from the main road, we found our way through small lanes and courtyards until reaching the gallery forecourt where a few rows of indigo fabrics were hung. In an old two-storey house, Kubo Mase’s collection and a small shop of a variety of blue nankeen products made up the off-the-beaten-track attraction for anyone who is interested in cultural heritage and beautiful handcrafts. In a nation where modernization is rapidly wiping out authentic heritage, historical neighborhoods, and rural culture, the gallery appears like a peaceful oasis where the old ways of blue nankeen making is quietly preserved.
Entrance into the gallery forecourt.
Blue nankeen fabric hanging in the forecourt of the gallery.
Blue nankeen fabric hanging in the forecourt of the gallery.
More blue nankeen fabric hanging on the second floor of the gallery building.
Inside the gallery building, many blue nankeen fabrics were framed and displayed all over.
With nice wooden floor and nostalgic pendant lamps, the gallery interior was an atmospheric old mansion.
On the second level, a traditional handloom was on display.
The Koinobori (Japanese carp flag) inspired print was also on display among the traditional blue nankeen fabrics.
Detailed patterns of a traditional blue nankeen fabric.
Detailed patterns of a traditional blue nankeen fabric.
Second floor exhibition hall showcasing dyeing tools in the glass display counters.
Traditional clothing made with the blue nankeen fabric.
A hallway marked by neat archways was also used to display blue nankeen fabrics.
***
Read other posts on Shanghai 2016:
0.0 SHANGHAI, 2016
1.0 SUZHOU MUSEUM, Suzhou, China
2.0 HUMBLE ADMINISTRATOR’S GARDEN, Suzhou, China
3.0 LION GROVE GARDEN, Suzhou, China
4.0 SOUP DUMPLINGS AND MORNING STROLL, Shanghai, China
5.0 ROCKBUND, Shanghai, China
6.0 M50, Shanghai, China
7.0 1933 SHANGHAI (老場坊) , Shanghai, China
8.0 POLY GRAND THEATRE (上海保利大劇院), Shanghai, China
9.0 FORMER FRENCH CONCESSION, Shanghai, China
10.0 POWER STATION OF ART, Shanghai, China
11.0 LONG MUSEUM (龍美術館), West Bund, Shanghai, China
12.0 THE BUND (外灘) AT NIGHT, Shanghai, China
13.0 TIANZIFANG (田子坊), Shanghai, China
14.0 CHINESE HAND PRINTED BLUE NANKEEN GALLERY (藍印花布博物館), Shanghai, China
15.0 LUJIAZUI (陸家嘴) OF PUDONG (浦東), Shanghai, China
TIANZIFANG (田子坊), Shanghai, China

Hidden in a series of alleyways of traditional townhouses known as Shikumen (石庫門), an interesting area popular with artists and young people has become a major tourist attraction in the former French Concession of Shanghai. Known as Tianzifang (田子坊) since artist Huang Yongyu (黃永玉) named the area after an ancient painter Tianzifang (田子方) in 2001, Tianzifang has become a vibrant location for young people and artists. Many of the traditional Shikumen houses were restored during 2000s and converted into craft shops, cafes, bars, souvenir stores, etc. Taken quite a distinct approach towards preservation than the nearby Xintiandi (新天地), Tianzifang maintains a relatively low-key and community feel. Electrical cables were hanging all over, while weathered bricks and decades old windows could be commonly seen.
We spent much of the last morning of our Shanghai trip wandering in the alleyways of Tianzifang to absorb the lay-back and creative atmosphere. We did quite a bit of window shopping. At the end, we stopped by Cafe Dan for coffee and soba. Owned by a Japanese, Cafe Dan is a lovely small cafe serving excellent Japanese food and great coffee from around the world. Up a flight of narrow wooden stair, the dining area of Cafe Dan on the upper levels felt like a peaceful oasis above the bustling activities of tourists and visitors of Tianzifang. Sitting by the wooden window screen, we had some moments of tranquility under the warm sunlight, while the aroma of our filtered coffee gradually filled the cafe interior.
We reached Tianzifang through one of these alley entrance on Taikang Road.
One of the alley gateway into Tianzifang.
Statue of the ancient painter Tianzifang from the Warring State Period (481 to 403 BC).
Hand-drawn 3D map of Tianzifang.
Alleyway in Tianzifang. Some shops were at the upper level of the old houses, accessible by narrow stairway from the ground level.
Much of the old houses in Tianzifang were transformed into cafes, restaurants and shops.
This shop is dedicated to Teddy bears.
Pedestrian nodes such as a small courtyard could be found at a number of places.
Colourful or kitsch souvenirs selling the Chinese culture could be found all over.
A shop selling traditional and bespoke clothing.
Statue dressed like a red army during the Cultural Revolution in front of a second-hand camera shop.
Interesting murals contribute to the community feel of Tianzifang.
Alleyway in front of Cafe Dan.
Entrance of Cafe Dan.
Interior of the upper level of Cafe Dan.
Delicious Japanese soba at Cafe Dan.
My cup of coffee was brewed with beans from the Galapagos.
The alternating tread wooden staircase at Cafe Dan was an interesting feature.
Heading out of Tianzifang to find our way to our next destination of the day, the small Blue Nankeen Museum.
***
Read other posts on Shanghai 2016:
0.0 SHANGHAI, 2016
1.0 SUZHOU MUSEUM, Suzhou, China
2.0 HUMBLE ADMINISTRATOR’S GARDEN, Suzhou, China
3.0 LION GROVE GARDEN, Suzhou, China
4.0 SOUP DUMPLINGS AND MORNING STROLL, Shanghai, China
5.0 ROCKBUND, Shanghai, China
6.0 M50, Shanghai, China
7.0 1933 SHANGHAI (老場坊) , Shanghai, China
8.0 POLY GRAND THEATRE (上海保利大劇院), Shanghai, China
9.0 FORMER FRENCH CONCESSION, Shanghai, China
10.0 POWER STATION OF ART, Shanghai, China
11.0 LONG MUSEUM (龍美術館), West Bund, Shanghai, China
12.0 THE BUND (外灘) AT NIGHT, Shanghai, China
13.0 TIANZIFANG (田子坊), Shanghai, China
14.0 CHINESE HAND PRINTED BLUE NANKEEN GALLERY (藍印花布博物館), Shanghai, China
15.0 LUJIAZUI (陸家嘴) OF PUDONG (浦東), Shanghai, China