In a November evening in 2012, we attended an architectural lecture at University of Toronto by Ryue Nishizawa (西沢立衛), one of the two principals of the world acclaimed architectural firm SANAA. In that lecture, he talked about several of his projects, including his recent projects (back then), the minimal Louvre Gallery in Lens of France and the sculptural teardrop of Teshima Art Museum (豊島美術館). At about the same time, he also finished an art gallery in Karuizawa, famous for the undulating gallery floor that resembles the natural terrain and the curvilinear glass enclosure of landscaped lightwells. Hiroshi Senju Museum of Karuizawa (軽井沢千住博美術館) was the main reason for our Karuizawa day trip out of Tokyo. Hiroshi Senju (千住博) is a Japanese painting known for his large scale waterfall paintings. He was the first Asian artist to receive a Honorable Mention at the Venice Biennale in 1995. Admiring Hiroshi Senju’s landscape paintings in Ryue Nishizawa’s landscape inspired architecture is like seeing art in a minimalist manmade forest in Karuizawa.
The museum is located out of the tourist area of Karuizawa. After getting off at the nearest bus stop, we walked a bit along a country road to reach the museum. A unique white sign greeted us at the museum forecourt.
Before seeing the white and minimalist main museum building, we passe by another interesting piece of architecture, the panel cladded visitor centre.
From the parking lot, a winding pathway led us to the entrance of the main museum building.
We entered the main exhibition space through the transparent entrance vestibule. From outside, it was impossible to imagine what surprises lie ahead in front of us.
Once inside, we were immediately captivated by the harmonious relationship between art, architecture and nature.
Walking on the gently sloping floor of the museum as if strolling on the pre-existing natural terrain of the site. Even the seating matches the curvilinear forested lightwells inside the exhibition space.
Curvilinear glass enclosure of various sizes create a number of naturalistic lightwells or miniature forests.
Walking between two lightwells felt like wandering through two art installations in a forest.
Other than the paintings by Hiroshi Senju, the lightwells of the building were definitely unique art pieces for me.
Back at the main parking lot, the sleek and dark visitor centre expresses a totally different tone.
While the main museum is all about its nature-inspired interior, the visitor centre contrastingly tells a form-driven design story.