Out of the many ladder streets in Central and Sheung Wan (中上環), the roughly 350m Ladder Street (樓梯街) in Tai Ping Shan is the longest and one of the oldest. While “ladder street” is a general term for all pedestrian stair streets in Hong Kong, “Ladder Street” is also the name of a specific 316-steps stair street running from Caine Road (堅道) in the Mid Levels (半山) down to Queen’s Street Central (皇后大道中) in Sheung Wan. On its way, Ladder Street intersects with Bridges Street (必列者士街) and Hollywood Road (荷李活道), and several smaller pedestrian lanes. It also passes by a number of historical buildings and tourist attractions, including the Museum of Medical Sciences (香港醫學博物館), Chinese YMCA (中華基督教青年會), Man Mo Temple (文武廟) and Upper Lascar Row Antique Street Market / Cat Street Market (摩羅上街). Construction began in 1841 in the same year when the city was founded, Ladder Street is an iconic urban artefact of Hong Kong.
For many, Ladder Street is an iconic backdrop that represents a bygone Hong Kong. Throughout the years, Ladder Street has featured in uncounted films, TV shows (often involves chasing scenes), advertisements, photographs, etc. For foreigners, Ladder Street may be best known as one of the main filming locations of The World of Suzie Wong, a 1960 American/ British movie that tells the story of a American painter Robert Lomax (WilliamHolden) falling in love with a Hong Kong prostitute Mei Ling (Nancy Kwan). For filming, the section of Ladder Street around Hollywood Road was converted into the set of Nam Kok Hotel, a fictional hotel where the two main protagonists stay hang around. The streetscapes of Ladder Street and Hollywood Road in the movie were “enriched” with extra street vendors, Chinese signage, pulled rickshaws, and lots and lots of people.
Walking down the Ladder Street to Sheung Wan Station every morning is a pleasant start to our daily routine. Away from rush hour traffic, Ladder Street offers us a moment of relaxing air before diving ourselves into the bustling dynamics of the city. Singing birds, shadows of swaying trees, rustic balustrades, old brick walls, incense smoke from Man Mo Temple, and scenes of vendors setting up their antique market stalls, every little detail of Ladder Street come together in a poetic picture. In the past two decades, many low rise tenement buildings in the area have been torn down for new apartment towers. Many vendors have retired, and old shops being replaced by new ones. No matter how much has changed, the intimate and tranquil scenery of Ladder Street remains as an icon of an old Hong Kong. Late poet Yesi (也斯), Leung Ping Kwan, in his 1990 poem Ladder Street, imagines himself on a pair of wooden clogs wandering in Ladder Street like a flaneur, mourning for the loss of the old days and yearning for a re-connection to bygone voices. Who knows, we probably would share a similar sense of loss in a few years’ time.