With a constant temperature of 29 degrees Celsius, the Ain Juba or Cleopatra’s Spring is a popular tourist attraction near Siwa Oasis. While some say Cleopatra swam in the pool during her visit to the oasis, many other historians dispute about this legend and insist that the spring has nothing to do with the famous Queen of Egypt. The spring is nonetheless ancient and well known in times of antiquity. Referred as the Fountain of the Sun by Herodotus, legend has it that Alexander the Great followed a group of birds in the desert and reached the famous spring during his conquest of Persia. From history to the present, the spring remains as a reliable treat of a cool refreshing dip for tired travellers.
Many tourists reach the pool as part of a local tour going out to the Great Sand Sea, it can also be reached by cycling on the road to the Temple of the Oracle. For me, I have done both, first as part of a local tour on the way to stay a night in the desert, and second time by bicycle on my way to the ruined temple. On my first time, I spent most of my time chatting with the friendly pool caretaker in the pool hut. I didn’t notice any bather during my two visits. Given the fact that swimmers were advised to bath with a t-shirt on in respect to local customs, I didn’t get into the famous water myself given I didn’t have an extra t-shirt with me on both occasions.
Three hours of bus ride took us from Selcuk to Pamukkale. Like everyone else, we came to Pamukkale for the spectacular travertine terraces. As we hopped off the bus, we were immediately approached by bus companies selling us tickets onward from Pamukkale. Along the path to the pools, we stopped by a small shop for a bowl of spicy Korean noodles. The first glance of the white travertine pools cascading up the slope under the blue sky was a truly spectacular sight. Pamukkale in Turkish literally means “cotton castle”. To many, the otherworldly scenery of the white and reflective travertine pools is one of the two most iconic natural wonders of Turkey (the other being the rock formations of Cappadocia). The travertine terraces at Pamukkale is made from continuous mineral deposit of hot spring accumulated for thousands of years. Calcium carbonate from the hot spring is deposited as a soft gel and gradually crystallizes into travertine. Pamukkale has been a popular tourist attraction for over two thousand years. Hieropolis, the spa resort town at Pamukkale, was founded in the 2nd century BC and flourished for centuries as a hot spring and healing resort in the Roman and Byzantine Empire. Today, Pamukkale continues to see large number of visitors from all over the world.
We entered the gate and soon found ourselves arriving at the remarkable travertine area. Shoes were not allowed, and visitor circulation was restricted to a designated path going uphill to the top. The only way to truly experience the pools up close was to take off our shoes and hiked up the travertine path in barefoot. Covered with layers of calcium deposit, walking uphill on the travertine was quite a torture for our feet. Along the way, we were disappointed to see that most pools had been dried up. Moreover, this site was just full of visitors jammed one after another on the path. Unless visiting at 8am during low season, it was next to impossible to enjoy the natural beauty without getting frustrated from overcrowding and misbehaving tourists. According to the UNESCO, this world heritage is threatened by over-tourism, hotel constructions near the pools, water pollution by bathers, illegal diversion of thermal water, etc. In recent years, hotels near the pools were removed, vehicular access banned, and pool access for tourists has been restricted, but overcrowding remains as an issue for the management to tackle.
The sheer scale of the white travertine terraces is quite spectacular.
We were lucky to have perfect blue sky during our visit.
The travertine terraces are as white as snow, but as hard as rocks.
The lower section of the terraces look fairy-tale like from a distance.
We were disappointed to see many terraces were dried up.
The scene would be quite different if the hot spring remained flowing down the terraces.
Other than Pamukkale, similar terraces and pools can be found elsewhere in the world, such as Hierve el Agua in Mexico and Huanglong in China. Each site has its own unique qualities.
The weather didn’t look too promising when we reached the top of the terraces.
Before the weather get any worse, we headed over to Hieropolis for a brief visit of the Roman ruins.
On the banks of Yamuna River stands one of the world’s most recognizable man-made wonders that has captivated the imagination of people for generations. Its perfectly proportioned domes, minarets, white marble facades with spectacular stone inlays, represent the utmost architectural beauty and splendid craftsmanship of the Mughal civilization. The complex immortalizes the eternal love of Emperor Shah Jahan (reigned 1628 – 1658) towards Mumtaz Mahal, whose marvelous tomb complex has become the most famous national icon of India. This tomb complex is of course the magnificent Taj Mahal, which literally translates as Crown of the Palaces. The Taj Mahal stands out as the single most important monument that draws travelers from all over the world to India. Not a mosque or a palace, the Taj Mahal is indeed the final resting place for Queen Mumtaz Mahal and Emperor Shah Jahan.
It would be absurd if we made two visits to India without seeing the Taj Mahal even once. Fitting Agra into our Rajasthan itinerary and completing the Golden Triangle was easy with the frequent train services between Agra, Jaipur and Delhi. In Agra, we purposely picked a guesthouse at Taj Ganj, the district right next to the Taj Mahal. Though not many good hotel options were available in the area, staying at Taj Ganj placed us just a few minutes of walk away from one of the gates of Taj Mahal. Hoping to experience the golden sunrise at the Taj, queuing at the gate about half an hour before sunrise is a common practice for both foreign and local visitors.
Before the trip, we were a little worry about the restoration work and scaffolding conditions of the Taj. Since 2016, scaffolding were up at different parts of the Taj for a major cleaning work to restore the original white colour of the marble. The process had been painstakingly slow. By October 2018, the cleaning was almost over except the main dome. It would be a woeful view if the central dome was covered in scaffolding. Luckily, the authority had decided to delay the cleaning process until the end of the tourist high season, meaning that the Taj would be scaffolding free from November 2018 to April 2019.
After purchasing the tickets at the gate, we queued in the foreign visitor line for about 20 minutes before going through the security check and arriving at the Jilaukhana Forecourt in front of the Great Gate.
Beyond the Great Gate, we arrived at the starting point of the Water Channel. The channels symbolize the four rivers in the Paradise mentioned in the Koran. A tint of orange gradually lighted up the east side of the minarets and domes.
We slowly walked to the central pool and platform at the centre of the Charbagh Garden.
From the Central Pool, the majestic Taj Mahal looked beautiful and poetic under the early morning sun. No tourist brochure or travel literature could do justice on conveying the true beauty of the marble architecture. We were grateful for not seeing any scaffolding on the Taj, and could see clearly all the major components of the iconic building: four minarets, five domes and an octagonal central structure.
It was a little hazy looking back to the Great Gate.
It was a huge relief to see the Taj scaffolding free. We slowly walked towards the main tomb structure to pay a brief visit of the interior.
No photography was allowed inside the tomb, where the cenotaphs of Mumtaz Mahal and Shah Jahan were on display. Their actual resting place is off limit to the public below the main deck.
After touring the interior, we stayed on the marble platform to check out the minarets and marble facades.
To the west of the Taj stands a beautiful mosque.
To the east, an identical building was used as a guesthouse.
To the north, Yamuna River provides a peaceful backdrop to the Taj.
From the marble platform, we could admire the details of marble carving on the Taj.
Standing face to face to the exterior marble walls, we were overwhelmed by the marble relief and stone inlay.
From the grandeur of the minarets to the splendid carvings and stone inlay of the marble walls, Taj Mahal is truly an amazing man-made wonder.
The sun get higher as time passed, and so as the number of visitors.
We circled the Taj to examine its beautiful marble walls before heading back down to the Charbagh Garden.
Back in the Charbagh garden, we could once again admire the overview of the Taj Mahal,
Back at the Central Pool, we took a few more shots of the classic view of the Taj once again.
Visitors continued to pour in from the Great Gate as we were about to leave the Taj Mahal complex.
We passed by the Khawasspuras (tomb attendant living quarter) one last time before exiting the Great Gate.
Posts on 2018 Rajasthan:-
Day 1: Jodhpur
DAY 1.1: IN TRANSIT TO RAJASTHAN
DAY 1.2: PAL HAVELI & THE OMELETTE MAN, Jodhpur
DAY 1.3: SPLENDOR OF THE SUN FORT, Mehrangarh, Jodhpur
DAY 1.4: SUNSET OVER THE BLUE CITY, Mehrangarh, Jodhpur
DAY 1.5: SADAR MARKET AND GHANTA GHAR CLOCKTOWER, Jodhpur
Day 2: Jodhpur, Osian, Jaisalmer
DAY 2.1: MARBLE CENOTAPH JASWANT THADA, Jodhpur
DAY 2.2: MEDIEVAL STEPWELLS, Mahila Bagh Ka Jhalra, Gulab Sagar, & Toorji Ka Jhalra, Jodhpur
DAY 2.3: PILGRIM OASIS IN THAR DESERT, Sachiya Mata Temple, Osian
DAY 2.4: SUNRISE AT THE FIRST GATE OF GOLDEN FORT, Jaisalmer
Day 4: Jaisalmer
DAY 4.1: RESERVOIR OF THE GOLDEN CITY, Gadsisar Lake, Jaisalmer
DAY 4.2: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer
DAY 4.3: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer
DAY 4.4: DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer
DAY 4.5: LAST STROLL IN THE GOLDEN CITY, Jaisalmer
Day 8: Bhangarh, Abhaneri & Agra
DAY 8.1: ON THR ROAD TO AGRA
DAY 8.2: HAUNTED RUINS, Bhangarh, Rajasthan
DAY 8.3: CHAND BAORI, Abhaneri, Rajasthan
DAY 8.4: THE ABANDONED CAPITAL OF MUGHAL EMPIRE, Fatehpur Sikri, Agra, Uttar Pradesh
DAY 8.5: FRIDAY MOSQUE, Fatehpur Sikri, Agra, Uttar Pradesh
Day 9: Agra
DAY 9.1: CROWN OF THE PALACES, Taj Mahal, Agra, Uttar Pradesh
DAY 9.2: AGRA FORT, Agra, Uttar Pradesh
DAY 9.3: RAWATPARA SPICE MARKET, Agra, Uttar Pradesh
DAY 9.4: SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh
DAY 8 (2/6): ARCHITECTURE OF THE 21st CENTURY, 21st Century Museum of Contemporary Art (21世紀美術館), Kanazawa (金沢), Ishikawa Prefecture (石川県), Japan, 2018.06.01
For architects and designers, the single most important reason coming to Kanazawa is perhaps to visit the contemporary art museum just across the street from Kenroku-en Garden. Designed by Pritzker Prize awarded firm SANAA under Kazuyo Sejima and Ryue Nishizawa and opened in 2004, the unique 21st Century Museum of Contemporary Art (21世紀美術館) is one of the most widely published contemporary architecture in Japan during the 2000’s. Staying low as a single storey building, the circular building aims to minimize its impact to the surrounding landscape. Exhibition galleries, library, lecture hall, workshops, offices, lobbies, and courtyards are housed in a huge circular building fully cladded with glass at its circumference. Given we have seen the architecture in design magazines and Internet websites throughout the years, SANAA’s famous museum in Kanazawa is like a friend that we have never met. Since the museum would get crowded with its popularity not just for tourists but also local visitors coming for workshops and cultural events, we made the effort to arrive before the facility’s opening time.
With multiple functions configured within a circular plan with a diameter of 112.5m, the 21st Century Museum of Contemporary Art (21世紀美術館) is a unique piece of architecture accessible from all four directions.
The outer facade is entirely covered with full height glazing to express a sense of welcome and transparency for visitors.
Outside the circular building, there are a number of outdoor art installations erected around the museum.
Perhaps inspired by the building form, the outdoor art installations are also organic or circular in form.
Before entering the museum, we walked around the building once to check out the art installations as well as the building itself.
Workshops and other common areas lined along the circumference of the museum building.
Just like many tourist attractions in Japan, the famous museum is also popular with school kids.
We managed to get our admission tickets without much queuing minutes after the museum opened its doors.
The first thing we did was to find a locker to store our bags so that we could enjoy a carefree visit.
Along the curved glazed facade, there were a number of gathering spaces of different sizes available, perhaps catered for different programme.
Everything in the 21st Century Museum of Contemporary Art is clean, minimal and neutral in colour.
Photography was prohibited at indoor exhibitions. At the centre of the building, a glazed walkway passed through a courtyard dominated by a beautiful archway made of green wall.
In the glazed walkway, we could have a glimpse of the interesting art installation on the roof.
The Swimming Pool by Leandro Erlich is the most famous art installation in the museum.
The piece is accessible from both the Ground and Basement levels. From the Ground level, spectators can look down and see the visitors in the basement level through a shallow level of water, as if looking looking into a real swimming pool.
From the basement level, spectators find themselves in a pool like environment as if walking at the bottom of a swimming pool.
The water effect appears in the most spectacular fashion when the sun is out from above.
* * *
CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE
Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)
Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)
Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)
Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)
Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)
Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)
Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)
Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)