ultramarinus – beyond the sea

Posts tagged “Matsumoto

DAY 3 (1/2): MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県), Japan, 2018.05.27

Dawn came before 5am.  Taking a walk in Kamikochi before most tourists came out was a charming experience.  Walking southwest along the serene Azusa River before reaching Kamikochi Onsen Hotel (上高地温泉ホテル), a small metal plaque at a small water pond reminded us the early mountaineering history in Kamikochi back in the late 19th century.  Known as the Weston Memorial, the bronze plaque was made in honour of Walter Weston, whom many referred to as the “Father of Mountaineer in Japan.”

Before the late 19th century, the Japanese Alps was largely unknown to the Western world, and climbing mountains just for fun was a non-existence.  Employed by the Meiji government, English surveyor William Gowland became the first foreigner to summit Mount Yari (槍ヶ岳) of the Hida Mountains (飛騨山脈) in 1878.  His adventure started a trend of mountaineering in Japan and was the first person to coin the term “Japanese Alps (日本アルプス)”.  In 1891, English missionary Walter Weston also climbed Mount Yari.  Sometimes referred as the “Father of Mountaineer in Japan”, Walter Weston wrote about his experiences and published “Mountaineering and Exploration in the Japan Alps”, an important travel literature that promoted this part of Japan to the Western world.  He continued to adopt also Gowland’s term “Japanese Alps” in his publications, and established the first Japanese Alpine Club in 1905.  Each year, the Weston Memorial Festival takes place in Kamikochi to commemorate Walter Weston.

DSC_6392Walking at 5am along Azusa River was a lovely experience.  The charming scenery under the early morning sun gave us an uplifting spirit.

DSC_6394The turquoise water of Azusa River led us southwest towards the volcano Mount Yake.

DSC_6403It seemed that our fortune with perfect weather continued.

DSC_6407The rising sun was behind us as we moved along the river in a leisure pace.

DSC_6410The volcano Mount Yake in the distance was our intended hiking destination later in the day.

DSC_6424Before reaching Kamikochi Onsen Hotel, we came across the bronze plaque of Walter Weston.  The memorial could be reached via stepping stones in the pond.

DSC_6435Soon we reached a path that led to the trailhead of Mount Yake (焼岳).  The trail up to Mount Yake (焼岳) can be done in a 6 hour hike (round trip).  It was our intended destination for later today.  But our hotel manager said the snow conditions on the trail was not too convincing, and recommended us to do the day hike of Dakesawa (岳沢) instead.

DSC_6437Continuing south we reached the Tashiro Bridge (田代橋), where we had a fine view of Azusa River, Kamikochi Onsen Hotel (上高地温泉ホテル) and the mountains beyond.  Crossing the bridge, we began to turn back towards Kappa Bridge.

DSC_6454Along the riverside, there were occasional park benches and tables where hikers were enjoying outdoor breakfast.

IMG_6100On our way back, the rising sunlight finally reached the summits of Mount Hotaka (穂高岳).

DSC_6469Before the arrival of tour groups, hikers can enjoy a moment of tranquility in the early morning.

DSC_6476Looking at Mount Yake (焼岳) from Kappa Bridge, we decided to drop by the Visitor Centre to ask for their advice on the trail conditions of Mount Yake.

DSC_6477If the hike up Mount Yake was not possible, we would turn to the Dakesawa (岳沢) trail going up the slope towards Mount Hotaka (穂高岳).

DSC_6486At the Visitor Centre, the staff confirmed that the trail up Mount Yake was still quite snowy at the upper section.  Unless we had snow crampons they advised us not to go for the volcano.  They said even the Dakesawa trail could be covered by snow at the upper sections, so we could go as far as we could accordingly to the trail conditions.

OLYMPUS DIGITAL CAMERABack at Nishi-Itoya Mountain Lodge, we enjoyed our scheduled breakfast at 7am.  It was a tasty and filling meal before we embarked onto the hike up to Dakesawa Hut.


DAY 2 (4/5): FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地), Nagano Prefecture (長野県), Japan, 2018.05.26

With a population of less than 250,000, peaceful Matsumoto (松本市) is renowned for its beautiful mountain views, in particular the Hida Mountains to the west.  Coming from Tokyo, we could immediately sense the relaxing air of the mountain city as we stepped out the train station.  We spent 5 hours in Matsumoto, visiting the castle, art museum, and performing arts centre.  All three sites were within walking distance from the train station, and we were able to cover everything on foot.  Near the castle, we passed by small weekend markets where vendors were selling snacks, handicrafts, straw hats, accessories, local produces, artworks, etc.  Our brief stay in Matsumoto provided us a moment of transition between busy Tokyo and tranquil Kamikochi (上高地) in the Japanese Alps.

DSC_5957At 09:40 we arrived at Matsumoto Station (松本駅) by JR East’s Super Azusa.

DSC_5958It was Saturday morning.  Most shops near the station had yet open their doors except this sake store.  Sake, the popular Japanese rice wine, is in fact quite famous in Nagano Prefecture, where clean water, good sake rice and cool weather can be found.

DSC_6062With red polka dots all over, the Town Sneaker bus is undoubtedly designed by Yayoi Kusama (草間彌生), the world renowned artist from Matsumoto.  This inner city loop service is a convenient way for tourists to get around the city.

DSC_5962In front of the newly opened Shinmai Media Garden, a lively street market captured our attention.  Designed by Toyo Ito, Shinmai Media Garden is a shopping centre with an interesting trade mix, including a local beer restaurant, cultural workshops, rooftop cafe, restaurants, apple cider shop, lifestyle store, small exhibition spaces, etc.

DSC_6066At the street market, we could find different local products from handicrafts to snacks.

DSC_6064Even doughnuts were made with local ingredients.

OLYMPUS DIGITAL CAMERAStraw broom (houki) of Matsumoto (松本箒) is a famous traditional handicraft of the city since the late Edo Period 150 years ago.

DSC_5964This minimalist building right by the Metoba River is a small retail complex with a barber shop, restaurants, and fashion boutiques.

DSC_5966Behind the retail complex stands the Matsumoto Timepiece Museum, which hosts a collection of timepieces donated by Chikazo Honda and other local citizens.

DSC_5967Nawate Dori, also called Kaeru Machi or “Frog Street”, is a small street near the castle famous for its traditional shops.  Frog sculptures can be found along Nawate Dori.  Made by students of Tokyo University for Arts, this sculpture of frog samurai is one the most impressive.

OLYMPUS DIGITAL CAMERASome say the abundance of frog sculptures at Nawate Dori is a result from the typhoon incident in 1959, which flooded the area and forced the original Kajika frogs of the Metoba River leaving for higher ground and never returned.  The frog sculptures have since become replacements to retain the original spirit of the place.

DSC_6061The streets of Matsumoto were full of surprises.

OLYMPUS DIGITAL CAMERAThe abundance of nice boutiques and delightful cafes at downtown Matsumoto reveals the youthful energy and desire for a cozy lifestyle.

OLYMPUS DIGITAL CAMERAMatsumoto has a decent student population with its universities, junior colleges, secondary and elementary schools.

DSC_6214At 14:45, we hopped on the Alpico Kotsu’s Kamikochi Line at platform No. 7 at the station.  The 14.4km train ride took us as far as Shin Shimashima (新島々駅) in half an hour, from where we switched to the Kamikochi bound bus for the final leg of the journey.

IMG_6011At Matsumoto Station, we picked up two bento boxes from a convenient store.  They were tasty and decent looking, perfect for a relaxing train ride.

DSC_6227As soon as we stepped out of Shin Shimashima Station (新島々駅), we could see the bus parked outside.  It was a smooth transfer as we boarded the direct bus for Kamikochi.

DSC_6230On the way to Kamikochi, we often passed by picturesque rice paddies.

DSC_6233_01The bus ride took about 60 minutes through mountain valleys and small villages.  All we could hope for was pleasant weather in Kamikochi, where we would make day hikes to explore the mountains.

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)

 

 


DAY 2 (3/5): MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本), Japan, 2018.05.26

Two years ago in April 2016, Pritzker Prize winner Toyo Ito (伊東豊雄) came to Hong Kong for a public lecture.  His recently completed Taichung Metropolitan Opera House was the main focus on that day, but Ito also introduced some of his earlier works, including the Matsumoto Performing Arts Centre (まつもと市民芸術館).  With its spatial fluidity and random windows on the curving outer walls, the Matsumoto project has strongly imprinted onto our memory.  Completed in 2004, the Matsumoto Performing Arts Center is consisted of two performance halls: the great hall (1800 seats) and the smaller hall (240 seats), rehearsal studios, supporting facilities, a cafe, and a reception lobby, all connected by a ribbon-like foyer and a splendid staircase, allowing visitors to freely flow through different spaces.  The performing arts centre was famous not only for its aesthetics, but also its quality as a community theatre, providing a great place for both the audience and performers.  This, to a great extent, was the fruitful result from close collaborations during the design process between architect Toyo Ito and stage director-actor Kazuyoshi Kushida.

Despite our limited time in the city, we just couldn’t leave Matsumoto without checking out Ito’s building.  We were eager to have a firsthand experience of the fluid spatial experience, check out the delicate construction detailing, and admire the lovely finish materials.  The performance halls were closed for the public, but we could still freely wander in the common areas, from the grand entrance staircase to the lovely roof garden.

OLYMPUS DIGITAL CAMERAThe Matsumoto Performing Arts Centre is just a few minutes walk from Matsumoto City Museum of Art.

OLYMPUS DIGITAL CAMERAFrom outside, the Matsumoto Performing Arts Centre bends along a side street to the dark grey fly tower.

DSC_6131The expression of fluidity seems to be the coherent design language of the building.  Patterns of flowing water appears on some metal panels near the building entrance.

DSC_6133The magical experience of the architecture begins right from the dramatic entry into the entrance lobby and grand staircase.

DSC_6138A moving walkway along the beautiful outer wall of random openings, where diffused natural light is allowed to enter the interior.

DSC_6140In a magazine interview, Toyo Ito describes the curved facade with windows of sparkling pattern can give the impression of being random and natural rather than geometrically based.

DSC_6155From a distance, the facade of random windows appears like a translucent screen of sparkling gemstones.

OLYMPUS DIGITAL CAMERADuring daytime, the foyer serves as a indoor public space.  The public is free to enter and climb the stair to the upper foyer.

DSC_6143A screen of translucent glass serves as a balustrade for the upper foyer.

 

OLYMPUS DIGITAL CAMERAOn the upper foyer, there is a large glazed wall allowing visitors to take in the view of greenery outside.

DSC_6145The curvature of the outer walls extends all the way to the back foyer of the grand hall.  While the outer wall are defined by the random windows, the walls of the performance halls in the foyer are cladded by dark metal panels.

DSC_6149On the upper foyer, there are several two groups of organic shaped seating under spotlight.

DSC_6150Between the grand and smaller halls, the foyer offers a pleasant space for pre-function activities under the carefully designed ambient lighting.

DSC_6182There is a causal cafe at the end of the foyer next to the smaller hall.  The adjacent glass elevator provides a convenient way to access the above roof garden.

OLYMPUS DIGITAL CAMERAThe flat roof is covered entirely by vegetation.  Both the lawn and the continuous bench along the railing offer pleasant seating to the public.

DSC_6173The roof garden ends at a dance rehearsal studio and the fly tower of the grand hall.

DSC_6167From the roof garden, visitors can enjoy the skyline of Matsumoto and the scenery of Hida Mountains (Northern Japanese Alps) beyond.

DSC_6195After touring the roof garden and upper foyer, we descended back to the ground floor.

DSC_6203We were delighted to have make it to see Ito’s great piece of architecture.  From the performing arts centre, it was a 15-minute walk back to Matsumoto Station for us to embark into the countryside of the Northern Japanese Alps.

* * *

CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)

 

 


DAY 2 (2/5): “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本), Japan, 2018.05.26

First appeared in 1966, the stainless steel balls floating in the natural flow of pond water of Yayoi Kusama (草間彌生)’s “Narcissus Garden” was a remarkable landscape art piece that we saw in 2013 at Inhotim, an outdoor art museum and botanical garden near Belo Horizonte of Brazil.  During the same trip, we went on to see her retrospective show “Obsesión infinita [Infinite Obsession]” at Centro Cultural Banco do Brasil in Rio de Janeiro.  It was an mind-blowing experience to enter Yayoi Kusama’s world of polka dots for the first time.  Four and a half years has passed.  This time, we were fortunate to swing by Matsumoto, Yayoi Kusama’s birthplace, on our way to the Japanese Alps and got a chance to see her latest show at the city’s art museum.  Since its grand opening in 2003, Matsumoto City Museum of Art (松本市美術館) has held three Yayoi Kusama’s shows.  With 180 pieces in display, “All About My Love (私の愛のすべて) has become the fourth show for the famous daughter of Matsumoto.

Born in 1929 and raised in Matsumoto, Yayoi Kusama is a prolific artist with a career spanning many decades.  Since the age of 10, Yayoi Kusama experienced hallucinations of light flashes, auras, or dense fields of dots.  These vivid imagery has since become a powerful source of inspirations for many of her works.  In her childhood, she was also inspired by the smooth and fluid forms of white river stones near her home, which has led to another major influence in her works.  Yayoi Kusama began exhibiting her works in Japan in 1950s.  In 1957 at the age of 27, she moved to the United States to pursue greater freedom and respect for an avant-garde woman artist.  She stayed in the US from 1957 to 1972, based mainly in New York City.  In New York, she soon became an active member in the circle of avant-garde artists, befriended many artists and activists of her era, produced paintings, art installations, performance art, photography, and films, involved in a number of social movements including anti-war protests and opened a naked painting studio and a gay social club.  She stood at the forefront of the avant-garde art scene and held exhibitions/ performances in established venues such as MoMA and the Venice Biennale.  In 1973, she fell ill and returned to Japan.  She checked into Tokyo’s Seiwa Hospital for the Mentally Ill in 1977, and has stayed there since then.  After leaving New York, she was soon forgotten in the international art scene until the early 1990s, when retrospective shows and large outdoor installations revived international interest in her works.  Some notable pieces included the 1993 Japanese pavilion at the Venice Biennale, where she created a mirrored room filled with small pumpkin sculptures, and soon later, huge yellow pumpkin sculptures covered with black dots (representing a kind of her alter-ego) emerged around the world, and so as various reiterations of “Narcissus Garden” around the world.  In recent years, collaborations with commercial labels such as Louis Vuitton and Lancome have further brought the veteran avant-garde back in the limelight.

DSC_6129It was just a  20-minute walk from Matsumoto Castle to Matsumoto City Museum of Art.  The museum building was covered with the trademark of Yayoi Kusama, the Queen of Polka Dots.

DSC_6127_01We were greeted by Yayoi Kusama’s “The Visionary Flowers”, an eye-catching installation of three wacky-looking tulips that have stood at the museum forecourt since 2002.

DSC_6077After presenting our online-purchased tickets, we followed the coloured footprints and headed upstairs to the show.

DSC_6104Photography was not allowed for most of the show, except the common atrium and one of the painting galleries.

OLYMPUS DIGITAL CAMERASomehow the red polka dots fitted in very well with the minimalist museum interior.

DSC_6082Another Yayoi Kusama’s flower installation inside the museum.

DSC_6083A paper cut of Yayoi Kusama was offered as a photo spot for visitors.

OLYMPUS DIGITAL CAMERAThe room filled with paintings from the “My Eternal Soul” series was the only gallery that photography was allowed.

OLYMPUS DIGITAL CAMERAVisitors enjoyed themselves by making selfies in front of the colourful paintings.

OLYMPUS DIGITAL CAMERAUnder the power of the Polka Dot Queen, even the food at the museum cafe provided an Yayoi Kusama experience.

DSC_6102Through a polka dot on the window, we could see a version of Yayoi Kusama’s most recognizable yellow pumpkin in the museum courtyard.

DSC_6108Polka dots were everywhere.

DSC_6120We couldn’t leave the museum without a closer look at the yellow pumpkin.

DSC_6119While most visitors went to make selfies at the yellow pumpkin, kids were having fun at the water feature in the courtyard.

 


DAY 2 (1/5): MATSUMOTO CASTLE (松本城), Matsumoto (松本), Japan, 2018.05.26

Staying the night in Shinjuku provided us the convenience to take the 7am Super Azusa limited express train to Matsumoto (松本) of Nagano Prefecture (長野県).  Matsumoto was our entry point into the Japanese Alps.  The reliable rail service enabled us to reach Matsumoto at 9:40am, giving us a couple of hours to explore the laid-back mountain city before continuing our journey to “Japanese Yosemite Valley” Kamikochi.  After putting our backpacks in the lockers, we stepped out of Matsumoto Station in a fine Saturday morning.  A small line of people were waiting for public bus outside the station, but we preferred to cover the small city on foot.  We planned to visit Matsumoto Castle, Art Museum and Performing Arts Centre before the 14:30 train/ bus departing for Kamikochi.  To avoid the crowd later in the day, we first headed to Matsumoto Castle, the city’s primary attraction.  It took us 20 minutes to reach the castle park, a parcel of green space with the moat surrounded Matsumoto Castle as the centerpiece.

12 castles still standing in Japan today.  Along with Himeji Castle (姫路城) and Kumamoto Castle (熊本城), Matsumoto Castle or Matsumotojo (松本城) is considered one of the three premiere castles in the country.  Built during the Eisho Period of the Warring States Period (戦国時代) by the Toda Clan, Matsumoto Castle is the oldest extant five structures/six story castles in Japan, dating to the late 16th century.

DSC_5973We entered the castle park from the south entrance, and were immediately struck by the beauty of the contrasting black and white castle and its reflection in the moat.

DSC_5979Through the Kuromon Gate (黒門),we entered a nicely maintained courtyard in front of the imposing castle.  The five structures of the castle clearly appeared in front of us.  They were (right to left) Inui Keep (Inui Kotenshu), Watari Tower (Watariyagura), Great Keep (Dai-Tenshu), Tatsumitsuke Tower (Tatsumi Tsukeyagura), and Tsukimi Tower (Tsukimi Yagura).  The Inui Keep, Watari Tower and Great Keep were built in the Warring States Period when defense was the utmost priority.  The Tatsumitsuke and Tsukimi Tower (Moon Viewing Tower) were constructed 40 years later in the peaceful Edo era with almost no defense.

OLYMPUS DIGITAL CAMERAStaff in historical costumes posed for tourist photos in front of the castle.

DSC_5982The well maintained timber interior and structure of Matsumoto is a rarity for the surviving Japanese castles.  No shoes were allowed during the visit.  Visitors were allowed to climb to the top floor in a one-way route.

DSC_5987The Great Keep was built with high level of defense with small slot windows.

DSC_5985115 gun and arrow slots were provided on the structures for defense.

DSC_5989Among with weapons and artifacts, warrior armors were also on display.  This typical armor is equipped with a sword, a ramrod for loading bullets on the back, a bullet case on the waist, and an ignition agent case hanging from the shoulder.

OLYMPUS DIGITAL CAMERASmall amount of paintings were on display illustrating the bloody history of the castle during the Warring States Period.

DSC_6009The third floor is a concealed level, and was used as a warehouse and war shelter.

OLYMPUS DIGITAL CAMERAThe fourth floor was the living space for the lord.

DSC_6006All stairs were narrow and steep and sometimes slippery.  Most visitors took their time to climb and descend each step one by one.  The steepest one was between the fourth and the fifth at an angle of 61 degree.

OLYMPUS DIGITAL CAMERAThe fifth floor was characterized by the gable windows.  This floor was used as a strategy meeting room.

OLYMPUS DIGITAL CAMERAThe sixth (top) floor offers nice views to all directions.  The view of the Hida Range of the Japanese Alps is particularly lovely.

DSC_6001The Toda Clan of Matsumoto Castle worshiped the 26-day old moon.  A small spiritual decoration could be seen in the ceiling of the top floor.

DSC_6017We passed by a photo spot while exiting the castle courtyard.

OLYMPUS DIGITAL CAMERABelow the castle, the castle park offers many pleasant resting spots under shade.

DSC_6023The view of Matsumoto Castle and the moat is spectacular.  We walked along the moat to the photogenic red bridge at the far side.

OLYMPUS DIGITAL CAMERAIn the water, hungry carps came to the surface whenever someone approached the water.

DSC_6049We were lucky to see the beautiful inhabitant, the swan, in the castle moat.

DSC_6058After taking photos at the red bridge, we walked along the moat back to the park entrance and moved on to our next destination in Matsumoto.

 

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CHUBU (中部地方) 2018, Japan, 2018.05.25 – 06.03
Introduction

Day 1: Tokyo (東京)
1.1 TSUKIJI OUTER MARKET (築地場外市場)
1.2 TSUKIJI INNER MARKET (築地中央卸売市場)
1.3 MORI ART MUSEUM (森美術館), 21_21 DESIGN SIGHT & CAFE KITSUNE

Day 2: Matsumoto (松本)& Kamikochi (上高地)
2.1 MATSUMOTO CASTLE (松本城), Matsumoto (松本)
2.2 “ALL ABOUT MY LOVE”, Yayoi Kusama’s Exhibition at Matsumoto City Museum of Art (松本市美術館), Matsumoto (松本)
2.3 MATSUMOTO PERFORMING ARTS CENTER (まつもと市民芸術館), Matsumoto (松本)
2.4 FROM MATSUMOTO (松本) TO KAMIKOCHI (上高地)
2.5 ARRIVAL IN KAMIKOCHI (上高地), Chūbu-Sangaku National Park (中部山岳国立公園)

Day 3: Kamikochi (上高地)
3.1 MORNING WALK IN KAMIKOCHI (上高地), Nagano Prefecture (長野県)
3.2 DAKESAWA HIKE (岳沢), Kamikochi (上高地)

Day 4: Kamikochi (上高地) & Shirahone Onsen (白骨温泉)
4.1 TAISHO POND (大正池), Kamikochi (上高地)
4.2 RETREAT IN THE JAPANESE ALPS, Shirahone Onsen (白骨温泉)
4.3 MOMENTS OF ESCAPE, Tsuruya Ryokan (つるや旅館), Shirahone Onsen (白骨温泉)

Day 5: Hida-Takayama (飛騨高山)
5.1 CITY IN THE MOUNTAINS, Hida-Takayama (飛騨高山)
5.2 HIDA BEEF (飛騨牛), Hida-Takayama (飛騨高山)
5.3 SAKE (日本酒) BREWERIES, Hida-Takayama (飛騨高山)
5.4 YOSHIJIMA HOUSE (吉島家住宅), Hida-Takayama (飛騨高山)
5.5 HIGASHIYAMA WALKING COURSE (東山遊歩道), Hida-Takayama (飛騨高山)

Day 6: Hida-Takayama (飛騨高山), Shirakawa-go (白川郷) & Ainokura (相倉)
6.1 MIYAGAWA MORNING MARKET (宮川朝市), Hida-Takayama (飛騨高山), Gifu Prefecture (岐阜県)
6.2 OGIMACHI IN THE RAIN, Shirakawa-go (白川郷), Gifu Prefecture (岐阜県)
6.3 SOBA, TEMPLE & LOOKOUT, Shirakawa-go (白川郷)
6.4 RAINY AFTERNOON IN AINOKURA (相倉), Gokayama (五箇山)
6.5 GASSHO MINSHUKU, FLOWER BEDS & RICE PADDY FIELDS, Ainokura (相倉), Gokayama (五箇山)
6.6 CROAKING FROGS AND MOONLIGHT REFLECTIONS, Gokayama (五箇山)

Day 7: Kanazawa (金沢)
7.1 DEPARTURE IN THE RAIN, Ainokura (相倉) to Kanazawa (金沢)
7.2 A SEAFOOD PARADISE – OMICHO MARKET (近江町市場)
7.3 D T Suzuki Museum (鈴木大拙館)
7.4 Kenroku-en Garden (兼六園)
7.5 Oyama Shrine (尾山神社) and Nagamachi Samurai District (長町)
7.6 Nomura Samurai House (武家屋敷跡 野村家), Nagamachi Samurai District (長町)
7.7 Sushi Ippei (一平鮨), Katamachi (片町)

Day 8: Kanazawa, Ishikawa Prefecture (金沢, 石川県)
8.1 Iki Iki Tei (いきいき亭) and Higashide Coffee (東出珈琲店), Omicho Market (近江町市場)
8.2 21st Century Museum of Contemporary Art (21世紀美術館)
8.3 Kazuemachi District (主計町茶屋街)
8.4 Higashi Chaya District (東山ひがし茶屋街)
8.5 Kaga Yuzen Toro Nagashi (加賀友禅燈ろう流し), Asano River (浅野川)
8.6 AFTERMATH OF KAGA YUZEN TORO NAGASHI (加賀友禅燈ろう流し)

Day 9 & 10: Tokyo (東京)
9.1 Marunouchi (丸の内) & Nihonbashi (日本橋)
10.1 OEDO ANTIQUE MARKET (大江戸骨董市), Tokyo Forum (東京国際フォーラム)
10.2 FARMER’S MARKET, United Nations University (東京国連大学), Aoyama (青山)