After the magnificent lunch bento at Innsyoutei, we followed the main path further into Ueno Park to reach the museum clusters. Here one can find the Tokyo Metropolitan Art Museum, National Museum of Nature and Science, National Museum of Wester Art, as well as the largest of them all, the Tokyo National Museum. Established in 1872, the Tokyo National Museum (東京国立博物館) is the oldest and largest Japanese museum. We didn’t plan to see everything. We were a little tired from the flight, so we took it easy to explore the museum complex.
The Tokyo National Museum is consisted of several buildings: Honkan, Toyokan, Heiseikan, Hyokeikan, etc. We started with Honkan, the main museum hall. This present Honkan was designed by Watanabe Jin. The building was completed in 1938 to replace its predecessor designed by British architect Josiah Conder. The former building was severely damaged in the Great Kanto Earthquake of 1923.
There are two main levels in the Honkan. We walked up the grand staircase to the upper level to begin our visit.
Beautiful amours of samurai and shogunate were some of the most impressive artefacts in the museum.
The “Fujin and Raijin”or the Wind and Thunder God by Ogata Korin reminded us our visit to Kyoto’s Kenninji Temple (建仁寺), the original location of the screen. At Kenninji, we saw a replica of the famous screen.
The Yaksha Generals (12 Heavenly Generals) is one of the most impressive display in the historical sculpture collection.
Architectural drawings by British architects from the 19th century reveal the popularity of Western culture in Japan during the Meiji Period.
Historical photograph of a Japanese samurai taken in 1862.
At Honkan, there is a room opens to the garden behind the museum. The room is decorated with exquisite mosaic and plastered motifs.
A traditional telephone matches well with the historical decor.
A garden of traditional pavilion and reflective pool provided some fresh air during our museum visit. Unfortunately the pavilion was inaccessible from the museum.
Apart from sculptures, paintings and photographs, historical textiles and garments also provided us a glimpse of the old Japan.
The museum shop at Honkan is beautiful designed. A gentle passageway ramps up to the upper mezzanine. Along the ramp stands a low wall of book display.
After Honkan, we walked to the adjacent Toyokan Building. Toyokan houses a few levels of artifacts and artworks from Asia and the Middle East.
The Chinese and Korean exhibits reveal the close linkage between the cultures of the Far East.
The Toyokan also contains some interesting pieces from Egypt and the Near East. After visiting Honkan and Toyokan, we had a little more understanding on the heritage of Japan, and felt it was time to check out the other museums in Ueno Park. So we exited the Tokyo National Museum, passed by a gigantic model of a blue whale in front of the National Museum of Nature and Science and headed towards the National Museum of Western Art.
DAY 2 (4/6): ○△□ and Chouontei Garden and Ceiling of Twin Dragons, KENNINJI TEMPLE (建仁寺), Kyoto (京都), Japan, 2016.12.04
Claimed to be the oldest Zen Buddhist temple in Kyoto, Kenninji Temple (建仁寺) is a Buddhist temple famous for its zen gardens and traditional paintings in Gion (祇園). Kenninji was founded in 1202 by Buddhist priest Eisai/Yousai (明菴栄西). Two times Yousai went to China and brought back with him Zen scriptures and tea seeds, from which Zen Buddhism and the practice of green tea drinking flourished in Japan ever since. As a result, Yousai was also considered to be the founder of the tea ceremony in Japan. Since the 14th century, Kenninji was considered one of the five most important Zen Buddhist temples in Kyoto, known as the Gozan (五山十刹制度) or the Five Mountain System. Today, Kenninji stands at third in this ranking system, behind Tenryuji (天龍寺) and Shokokuji (相国寺), and ahead of Tofukuji (東福寺) and Manjuji (万寿寺). On top of this five temples is Nanzenji, which serves as the leading Zen Buddhist temple in today’s Kyoto.
Today, with its meditation gardens, ancient teahouse, and timber halls, Kenninji serves as a tranquil oasis in the busy and dense neighborhood of Gion. We entered the Kenninji compound from its North Gate at Hanamikoji Dori. Once inside, we took off our shoes and paid our admission at Hojo (方丈). Inside Hojo, one of the most popular art work on display was “Fujin and Raijin”, a pair of two-folded screen depicting the Wind and Thunder Gods by Tawaraya Sotatsu (俵屋 宗達) from the early 17 century. The dry landscape garden in front of Hojo was also quite impressive, so as the traditional paintings on the sliding doors of the building, including the Cloud Dragon (雲龍図) and Seven Sages of the Bamboo Grove (竹林七賢図). But for us, the most amazing artwork at Kenninji was Twin Dragons (双龍図), a 11.4m x 15.7m ceiling mural by Koizumi Junsaku in the Hatto (法堂), or Dharma Hall to celebrate the 800-year anniversary of the temple. Completed in 2002, it took Koizumi Junsaku two years to finish this enormous ceiling painting in the gymnasium of an elementary school in Hokkaido.
Also worth noting was the Toyobo Tea-house, a two mat tea room dated back to the 16th century. We peeked through an opening into the tea-house and saw a simple interior with tatami flooring and a semi-open partition supported by a natural wooden branch as column. Before leaving, we spent a considerable period of time at Choontei Garden (潮音庭), a beautifully constructed zen garden surrounded by wooden verandas. At Choontei, there were three stones at the centre of the courtyard, representing Buddha and two Zen monks. Choontei was also the perfect courtyard to sit on the veranda and admire the autumn maples. On our way out, we passed by another small courtyard which named as ○△□. The serene garden introduces landscape components such as a tree in circular planter or a square area of gravel as visual representations of ○△□, which symbolized water, fire and earth. The spiritual experience of the gardens, the lovely visual palette of the dark timber, green moss and crimson maples, and the refreshing breeze and warm sunlight enabled us to enjoy a moment of meditation. Leaving this tranquil dimension, we would meander through Gion, cross the picturesque Kamo River, and enter the busy streets of Downtown Kyoto.
Entering the Hojo (方丈) Hall, which was built in 1599.
The first thing of the visit was to take off our shoes.
Centuries-old timber structure of the Hojo (方丈) Hall.
“Fujin and Raijin”or the Wind and Thunder God, is the most popular artworks in Kenninji Temple.
The semi open interior space of Hojo (方丈) allows sunlight to enter the building from different directions.
Visitors sitting by the veranda of Hojo to admire the dry landscape garden.
The Cloud Dragon screen paintings at the Hojo were by 16th century artist Kaiho Yusho.
The elegant prayer hall of Hojo with the painting of Seven Sages of the Bamboo Grove (竹林七賢図) on the sliding screens.
Zen Garden or the dry landscape garden at Hojo.
Visitors relaxed themselves at the veranda in front of the Zen Garden.
We saw quite a number of young women dressed traditional kimono dress in several sights of Kyoto, including Kenninji.
The enormous ceiling mural of Twin Dragons (双龍図) in the Hatto (法堂) or the Dharma Hall.
Twin Dragons over the main altar at Hatto.
A stone tsukubai (蹲踞) or stone waterbasin in the tea house garden of Kenninji.
The minimalist Toyobo Tea-house was built in 1587.
A path of stone pavers connected a prayer pavilion with the building’s veranda.
Chouontei Garden (潮音庭) as viewed from the inside.
Awesome autumn colours at Chouontei Garden (潮音庭).
Deep sense of autumn at Chouontei Garden (潮音庭).
Overview of Chouontei Garden (潮音庭), with the San-zon seki (the three stones that represent Buddha and two Zen monks.
The ○△□ Garden (○△□乃庭) was a simple Zen garden.
The ○△□ symbolizes water, fire and earth.
Leaving Kenninji behind, we were ready to venture into Downtown Kyoto to experience the other side of the ancient city.
Our posts on 2016 Kyoto and Nara:
OUR FIRST KYOTO STORY, Japan
DAY 1: ARRIVAL AT HIGASHIYAMA (東山), Kyoto (京都), Japan
DAY 1: RYOANJI TEMPLE (龍安寺), Kyoto (京都), Japan
DAY 1: NINNAJI TEMPLE (仁和寺), Kyoto (京都), Japan
DAY 1: KINKAKUJI TEMPLE (金閣寺), Kyoto (京都), Japan
DAY 1: KITANO TENMANGU SHRINE (北野天満宮), Kyoto (京都), Japan
DAY 1: NIGHT AT KIYOMIZU-DERA (清水寺), Kyoto (京都), Japan
DAY 2: MORNING STROLL IN SOUTHERN HIGASHIYAMA (東山), Kyoto (京都), Japan
DAY 2: KIYOMIZU DERA (清水寺), Kyoto (京都), Japan
DAY 2: KIYOMIZU DERA to KENNINJI, Kyoto (京都), Japan
DAY 2: ○△□ and Chouontei Garden and Ceiling of Twin Dragons, KENNINJI TEMPLE (建仁寺), Kyoto (京都), Japan
DAY 2: SFERA BUILDING (スフェラ・ビル), SHIRKAWA GION (祇園白川), KAMO RIVER (鴨川) & DOWNTOWN, Kyoto (京都), Japan
DAY 2: YAKITORI HITOMI (炭焼創彩鳥家 人見), Kyoto (京都), Japan
DAY 3: MORNING IN NORTHERN HIGASHIYAMA (北東山), Kyoto (京都), Japan
DAY 3: NANZENJI (南禅寺), Kyoto (京都), Japan
DAY 3: PHILOSOPHER’S PATH (哲学の道), Kyoto (京都), Japan
DAY 3: HONENIN (法然院), Kyoto (京都), Japan
DAY 3: GINKAKUJI (銀閣寺), Kyoto (京都), Japan
DAY 3: CRAB AND SAKE, Kyoto, Japan
DAY 4: HORYUJI (法隆寺), Nara (奈良), Japan
DAY 4: TODAIJI TEMPLE (東大寺), Nara (奈良), Japan
DAY 4: KASUGA TAISHA (春日大社), Nara (奈良), Japan
DAY 4: KOFUKUJI (興福寺), Nara (奈良), Japan
DAY 4: NAKAGAWA MASASHICHI SHOTEN (中川政七商店 遊中川), Nara (奈良), Japan
DAY 4: RAMEN & CHRISTMAS LIGHTS, Kyoto (京都), Japan
DAY 5: FUSHIMI INARI SHRINE (伏見稲荷大社) Part 1, Kyoto (京都), Japan
DAY 5: FUSHIMI INARI SHRINE (伏見稲荷大社) Part 2, Kyoto, Japan
DAY 5: FAREWELL KYOTO, Kyoto, Japan