Often compared to his contemporary Michelangelo in the west, Mimar Sinan was the greatest architect of the Ottoman Empire. Out of the 370+ projects in his 50-year career, the famous chief architect of the Ottoman Empire considered Selimiye Mosque his true masterpiece. The UNESCO seems to agree on this and granted Selimiye Mosque the status of a world heritage. The huge complex is organized as a külliye, with a wide range of functions managed by the mosque. At Selimiye, Sinan experimented with various configuration of domes, semi-domes and galleries to form an impressive and unified interior bathed with natural light. The famous mosque was even depicted on the Turkish 10,000 lira banknote from 1982 – 1995.
A statue of Mimar Sinan was erected in front of the Mosque to commemorate his architectural achievement.
Instead of a series of small domes, Sinan built a large central dome instead. The size of the dome is similar to the one at Hagia Sophia.
As a külliye, the mosque complex also includes schools, covered market, clock house, outer courtyard and library, all being managed under one single institution.
Four identical minarets were erected by Sinan instead of a series of distinctive minarets like many of its predecessors.
At the four corners, minarets point up to the sky.
The interior is dominated by a series of semi domes and the central dome. Lines are symmetrical, simple and elegant.
Just like the Hagia Sophia, celestial windows are provided at the dome base to lighten up the interior.
Supported by eight pillars, the dome is a stunning spectacle from below.
A drinking fountain is housed under a richly decorated structure.
Considered as one of the finest in Turkey, the mihrab is visible from any location in the mosque.
Several circles of lights are suspended over the vivid carpet to provide a warm ambience in the evening.
Like Rome, Constantinople was founded as the city of seven hills. The First Hill was the heart of the ancient capital where the Greeks found the city of Byzantium. For today’s tourists, the First Hill is equivalent to Hagia Sophia, Blue Mosque and Topkapi Palace, while the Second Hill is dominated by the Great Bazaar. Upon the top of the Third Hill stands Suleymaniye Mosque, one of the most famous mosques in Istanbul. Commissioned by Suleiman the Magnificent and designed by Ottoman architect Mimar Sinan, Suleymaniye Mosque was completed in 1557 as the fourth imperial mosque. For Sultan Suleiman, erecting the Suleymaniye Mosque was like building his version of Hagia Sophia of Temple of Solomon. For architect Mimar Sinan, the most prominent architect in Ottoman history who was responsible for at least 374 structures and worked as the chief imperial architect for nearly 50 years, the Suleymaniye Mosque was considered as a fine example of work from his mid-career.
The four minarets of Süleymaniye Mosque are some of the most visible features of historic Istanbul from the Golden Horn.
The ablution facilities for wudu line along the exterior wall of the mosque.
To the right of the main entrance is the mosque cemetery, containing historical tombstones and the octagonal mausoleum of Suleyman and his wife Haseki Hurrem Sultan.
The design of Süleymaniye Mosque was strongly influenced by the Hagia Sophia.
The dome of Süleymaniye Mosque is 53m high and has a diameter of 26.5m, smaller than the one of Hagia Sophia.
A fountain stands in the centre of the first courtyard of the mosque.
The interior space is square in plan. Although simple in design, the white mihrab is undoubtedly the focal point inside the mosque.
Looking north, the skyline of Karakoy across the Golden Horn lies right in front of us.
Suleymaniye Mosque is surrounded by the campus of Istanbul University. We met two university students who were more than eager to chat with us about their beloved city.
Several restoration staff of Suleymaniye Mosque reminded us that maintaining such a huge amount of historical buildings in Istanbul required continuous efforts and techniques of many generations.
On the banks of Yamuna River stands one of the world’s most recognizable man-made wonders that has captivated the imagination of people for generations. Its perfectly proportioned domes, minarets, white marble facades with spectacular stone inlays, represent the utmost architectural beauty and splendid craftsmanship of the Mughal civilization. The complex immortalizes the eternal love of Emperor Shah Jahan (reigned 1628 – 1658) towards Mumtaz Mahal, whose marvelous tomb complex has become the most famous national icon of India. This tomb complex is of course the magnificent Taj Mahal, which literally translates as Crown of the Palaces. The Taj Mahal stands out as the single most important monument that draws travelers from all over the world to India. Not a mosque or a palace, the Taj Mahal is indeed the final resting place for Queen Mumtaz Mahal and Emperor Shah Jahan.
It would be absurd if we made two visits to India without seeing the Taj Mahal even once. Fitting Agra into our Rajasthan itinerary and completing the Golden Triangle was easy with the frequent train services between Agra, Jaipur and Delhi. In Agra, we purposely picked a guesthouse at Taj Ganj, the district right next to the Taj Mahal. Though not many good hotel options were available in the area, staying at Taj Ganj placed us just a few minutes of walk away from one of the gates of Taj Mahal. Hoping to experience the golden sunrise at the Taj, queuing at the gate about half an hour before sunrise is a common practice for both foreign and local visitors.
Before the trip, we were a little worry about the restoration work and scaffolding conditions of the Taj. Since 2016, scaffolding were up at different parts of the Taj for a major cleaning work to restore the original white colour of the marble. The process had been painstakingly slow. By October 2018, the cleaning was almost over except the main dome. It would be a woeful view if the central dome was covered in scaffolding. Luckily, the authority had decided to delay the cleaning process until the end of the tourist high season, meaning that the Taj would be scaffolding free from November 2018 to April 2019.
After purchasing the tickets at the gate, we queued in the foreign visitor line for about 20 minutes before going through the security check and arriving at the Jilaukhana Forecourt in front of the Great Gate.
Beyond the Great Gate, we arrived at the starting point of the Water Channel. The channels symbolize the four rivers in the Paradise mentioned in the Koran. A tint of orange gradually lighted up the east side of the minarets and domes.
We slowly walked to the central pool and platform at the centre of the Charbagh Garden.
From the Central Pool, the majestic Taj Mahal looked beautiful and poetic under the early morning sun. No tourist brochure or travel literature could do justice on conveying the true beauty of the marble architecture. We were grateful for not seeing any scaffolding on the Taj, and could see clearly all the major components of the iconic building: four minarets, five domes and an octagonal central structure.
It was a little hazy looking back to the Great Gate.
It was a huge relief to see the Taj scaffolding free. We slowly walked towards the main tomb structure to pay a brief visit of the interior.
No photography was allowed inside the tomb, where the cenotaphs of Mumtaz Mahal and Shah Jahan were on display. Their actual resting place is off limit to the public below the main deck.
After touring the interior, we stayed on the marble platform to check out the minarets and marble facades.
To the west of the Taj stands a beautiful mosque.
To the east, an identical building was used as a guesthouse.
To the north, Yamuna River provides a peaceful backdrop to the Taj.
From the marble platform, we could admire the details of marble carving on the Taj.
Standing face to face to the exterior marble walls, we were overwhelmed by the marble relief and stone inlay.
From the grandeur of the minarets to the splendid carvings and stone inlay of the marble walls, Taj Mahal is truly an amazing man-made wonder.
The sun get higher as time passed, and so as the number of visitors.
We circled the Taj to examine its beautiful marble walls before heading back down to the Charbagh Garden.
Back in the Charbagh garden, we could once again admire the overview of the Taj Mahal,
Back at the Central Pool, we took a few more shots of the classic view of the Taj once again.
Visitors continued to pour in from the Great Gate as we were about to leave the Taj Mahal complex.
We passed by the Khawasspuras (tomb attendant living quarter) one last time before exiting the Great Gate.
Posts on 2018 Rajasthan:-
Day 1: Jodhpur
DAY 1.1: IN TRANSIT TO RAJASTHAN
DAY 1.2: PAL HAVELI & THE OMELETTE MAN, Jodhpur
DAY 1.3: SPLENDOR OF THE SUN FORT, Mehrangarh, Jodhpur
DAY 1.4: SUNSET OVER THE BLUE CITY, Mehrangarh, Jodhpur
DAY 1.5: SADAR MARKET AND GHANTA GHAR CLOCKTOWER, Jodhpur
Day 2: Jodhpur, Osian, Jaisalmer
DAY 2.1: MARBLE CENOTAPH JASWANT THADA, Jodhpur
DAY 2.2: MEDIEVAL STEPWELLS, Mahila Bagh Ka Jhalra, Gulab Sagar, & Toorji Ka Jhalra, Jodhpur
DAY 2.3: PILGRIM OASIS IN THAR DESERT, Sachiya Mata Temple, Osian
DAY 2.4: SUNRISE AT THE FIRST GATE OF GOLDEN FORT, Jaisalmer
Day 4: Jaisalmer
DAY 4.1: RESERVOIR OF THE GOLDEN CITY, Gadsisar Lake, Jaisalmer
DAY 4.2: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 1, Jaisalmer
DAY 4.3: ARCHITECTURAL JEWEL OF RAJASTHAN, Patwon Ki Haveli Part 2, Jaisalmer
DAY 4.4: DESERT HERITAGE, Hotel Nachana Haveli and Thar Heritage Museum, Jaisalmer
DAY 4.5: LAST STROLL IN THE GOLDEN CITY, Jaisalmer
Day 8: Bhangarh, Abhaneri & Agra
DAY 8.1: ON THR ROAD TO AGRA
DAY 8.2: HAUNTED RUINS, Bhangarh, Rajasthan
DAY 8.3: CHAND BAORI, Abhaneri, Rajasthan
DAY 8.4: THE ABANDONED CAPITAL OF MUGHAL EMPIRE, Fatehpur Sikri, Agra, Uttar Pradesh
DAY 8.5: FRIDAY MOSQUE, Fatehpur Sikri, Agra, Uttar Pradesh
Day 9: Agra
DAY 9.1: CROWN OF THE PALACES, Taj Mahal, Agra, Uttar Pradesh
DAY 9.2: AGRA FORT, Agra, Uttar Pradesh
DAY 9.3: RAWATPARA SPICE MARKET, Agra, Uttar Pradesh
DAY 9.4: SUNSET AT MEHTAB BAGH, Agra, Uttar Pradesh