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Posts tagged “美利大廈

HONG KONG’S MODERNIST ARCHITECTURE: Not Old Enough For Conservation?

18th June 2021 was the deadline for developers to bid for the latest waterfront site in Central, between Jardine House and Central Ferry Pier.  With an estimated value at around USD 5 – 7.1 billion, the 47,970 sq.m site encompasses a piece of reclaimed land and the iconic General Post Office at Connaught Place.  Completed in 1976, the fourth generation postal headquarters has been a prominent fixture in the city’s evolving skyline for 45 years. Despite efforts from conservationists, the building would inevitably be replaced by another glassy skyscraper in the near future.  While few people see the modernist post office as an architectural masterpiece, many Hongkongers have expressed their resentment about the potential loss in the business district.  With its horizontal features, modular brise soleil, and concrete vaults, the General Post Office is a decent example of modernist architecture in Hong Kong, the design movement that first emerged in the West between the World Wars. Using modern construction methods and materials like steel, reinforced concrete and glass, Modernism rose to become the dominant architectural style after WWII.  In Hong Kong, the Modernist style in the city is often referred to as the “Bauhaus style”. 

Founded by German architect Walter Gropius, the Bauhaus was probably the most famous and avant-garde design and art school between the world wars (1919 – 1933). From art to graphic design, architecture to interiors, typography to industrial design, influences of the Bauhaus have been an omnipresence in our lives.  Commonly known as International Style, the minimalist and rationalist approach of the Bauhaus reflect the rapid modernization of the 20th century.  To envision Modernism, architectural masters like Walter Gropius, Le Corbusier, or Mies van de Rohe might be looking for a novel design methodology and architectural tectonics that define the functionalism and aesthetics of the Modern Age.  By the time Modernism has arrived to Postwar Hong Kong, the style was quickly adopted due to pragmatic reasons such as construction speed, design modularity, minimal detailing, and versatile functionality.  Modernist apartment blocks, office towers, factories, schools, sport centres, parking garages, market complexes, and government buildings flourished across the city to cope with the population and economic boom, replacing earlier colonial structures and pre-war tenement buildings.

As Hong Kong further developed into one of Asia’s most prominent financial hubs in the 1980’s, the architectural world has already entered the age of Post-Modernism.  Some notable Modernist buildings such as Gropius’ Bauhaus in Dessau, Oscar Niemeyer and Lucio Costa’s City of Brasilia, Le Corbusier’s various projects in Europe, Jørn Utzon’s Sydney Opera House, etc. have been listed as UNESCO World Heritage sites, but many more Modernist buildings have become subjects of demolition and redevelopment.  Modernist architecture has yet been widely recognized as a precious heritage, nor have them been well loved by the public.  Many have already been torn down in Hong Kong in the past three decades.  In recent years, this attitude has finally come to a twist.  The potential demolition of buildings like the General Post Office have raised public awareness of the modern heritage.  This is a realization of what heritage and cultural legacy really are in the making of a diverse urban culture and defining the zeitgeist of an era.

Not all Modernist buildings are designated for demolition in Hong Kong. Some have been preserved and revitalized with new uses and appearances, such as the Murray Building (美利大廈) on Cotton Tree Road.  The 1969 government office tower was recently converted into a 5-star hotel by architect Norman Foster.  Such adaptive reuse of the Modernist building is a convincing way to preserve memories and manage urban changes while retaining the essence of the original architecture.

Modernist buildings once dotted around Hong Kong, from residential blocks, office towers to all kinds of public buildings. Mei Ho House (美荷樓), formerly part of Shek Kip Mei Estate, is the sole survivor of a “H” shape apartment building. Built in 1954, the Modernist building has been preserved and converted into a youth hostel and a small public housing museum in 2013. [Mei Ho House, Junction of Castle Peak Road and Tai Po Road, Sham Shui Po, 2021]
Completed in 1960, the existing Garden Centre (嘉頓中心) at Castle Peak Road in Sham Shui Po has gained approval for redevelopment. Designed by famous Chinese architect Chu Pin (朱彬), the Modernist building has all the reasons to be preserved as a modern heritage. Unfortunately, the building is likely to be gone soon. Chu Pin was one of the first generation of US educated Chinese architects. Obtained his master degree at University of Pennsylvania in 1923, Chu Pin moved to Hong Kong in 1949 and established himself as a successful Chinese architect in the city. His other works included the first generation of Man Yee Building (萬宜大廈), home to Hong Kong’s first escalators, and Takshing House (德成大廈), the demolished office tower where curtain walls where first used in Hong Kong 60+ years ago. [Garden Centre as seen from Garden Hill, Sham Shui Po, 2021]
News on the fate of former State Theatre (皇都戲院) in North Point captured the hearts of Hongkongers in the past few years. Built in 1959, the former cinema was one of the last surviving large scale theatre in Hong Kong. In 2020, developer New World Development agreed to preserve the building and revitalize it into a new cultural and heritage facility. [State Theatre, King’s Road, North Point, 2017]
In Central, Modernist style Public Bank Centre (大眾銀行中心) from 1977 and The Center (中環中心) from 1998 stand as representatives from two different eras. [Public Bank Building, Des Voeux Road Central, Central, 2020]
At the junction of Des Voeux Road Central and Pedder Street, the third generation General Post Office (erected 1911) was demolished in 1976. [Photo: Frank and Frances Carpenter Collection, Library of Congress, public domain, 1923]
The current General Post Office at Connaught Place is the fourth generation in Hong Kong. Built in 1976, it was once located adjacent to the former Star Ferry Pier and the old waterfront. [General Post Office, Connaught Place, Central, 2021]
Constructed on reclaimed land, the 5-storey building was designed by architect K. M. Tseng. [General Post Office, Connaught Place, Central, 2021]
Despite there is urge from conservationists and the public to preserve the modernist building, Antiquities Advisory Board refuses to list any structure constructed after 1970. The building is scheduled to be demolished after the land sale tender was closed in June 2021. [General Post Office, Connaught Place, Central, 2021]
The modernist General Post Office and its surrounding open space will certainly be missed. [Back side of General Post Office, Lung Wo Road, Central, 2021]
The mailing counters on the ground floor are some of the busiest in the city. [Interior of General Post Office, Connaught Place, Central, 2021]
Over 69,000 stamps from 98 countries were put together by the staff to create a large wall mural displayed at the entrance of the General Post Office. [Interior of General Post Office, Connaught Place, Central, 2021]
Next to the iconic General Post Office once stood the Star Ferry Pier. The pier was demolished in 2006 as part of the latest land reclamation project. The 1957 Modernist Star Ferry Pier Car Park (天星碼頭多層停車場) survived 2006, but is included in the demolition zone together with the post office as part of the land sale package. [Star Ferry Car Park, Edinburgh Place, Central, 2021]
Perhaps the most famous Modernist building in the city is Hong Kong City Hall (香港大會堂) at Edinburgh Place. Designed by Ron Phillips and Alan Fitch in the 1950’s, the 1962 completed City Hall is comprised of a low block, a concert hall, a theatre, a 12-storey high block and a memorial garden. The high block houses Hong Kong’s first public library, while the low block was the main venue of Hong Kong’s major festivals of art, film, and music from late 1950’s to 1980’s. The City Hall was considered the city’s first major cultural venue that welcomed everyone. [City Hall, Edinburgh Place, Central, 2021]
At the centre of the memorial garden, a 12-sided memorial shrine stands in memory of the soldiers who fought during WWII. An elevated walkway encloses the memorial garden. [City Hall, Edinburgh Place, Central, 2021]
From the elevated walkway, a spiral stair leads visitors back down to the ground level drop off area. Before 2008, the spiral and the drop off area stood directly opposite the now demolished Queen’s Pier. [City Hall, Edinburgh Place, Central, 2021]
The City Hall still contains a few remnants from the previous colonial times. [City Hall, Edinburgh Place, Central, 2021]
Unlike previous stone and decorative architecture, the Modernist City Hall promotes clean lines, large windows, simple geometry, etc. [City Hall, Edinburgh Place, Central, 2021]
In comparison to International Financial Centre (IFC), the Modernist City Hall stands to represent a totally different era. [City Hall, Edinburgh Place, Central, 2021]
While the City Hall flanks one side of Statue Square, the 21-storey Hong Kong Club building stands to the east side of the square. [The Cenotaph, Connaught Road Central, Central, 2021]
Designed by Australian architect Harry Seidler, the current building is the third generation of Hong Kong Club. [Hong Kong Club, Junction of Connaught Road Central and Jackson Road, Central, 2021]
Being demolished and replaced by a newer structure is an inevitable fate for most buildings in Hong Kong. Demolished in 1981, the second generation Hong Kong Club was replaced by architect Harry Seidler’s Modernist version. [Hong Kong Club, photo credit: Arnold Wright, public domain, 1908]
Built in 1953, the former Bridges Street Market was one of the first Modernist market buildings constructed after WWII, replacing old markets that were destroyed during the war. It contained 26 fish and poultry stalls on lower level and 33 butcher, vegetable and fruit stalls on the upper level. In 2018, the building was reopened as a news museum. [Former Bridges Street Market, Junction of Bridges Street and Shing Wong Street, Sheung Wan, 2020]
In 1969, the upper level of Bridges Street Market was converted into a children’s playground. [Former Street Market, Junction of Bridges Street and Shing Wong Street, Sheung Wan, 2016]
Horizontal shading fins are some of the typical features of a Modernist building. [Former Street Market, Junction of Bridges Street and Shing Wong Street, Sheung Wan, 2016]
Sai Ying Pun Jockey Club Polyclinic (西營盤賽馬會分科診所) was redeveloped from Government Civic Hospital, the first public hospital in Hong Kong operated since 1874. [Sai Ying Pun Polyclinic, Junction of Queen’s Road West and Sutherland Street, Sai Ying Pun, 2021]
Built in 1960, Sai Ying Pun Jockey Club Polyclinic is designed by the local architectural firm Leigh & Orange. [Sai Ying Pun Polyclinic, Junction of Queen’s Road West and Sutherland Street, Sai Ying Pun, 2021]
The concrete barrel vaults on the roof of the clinic is a recognizable feature on Queen’s Road West. [Sai Ying Pun Polyclinic, Junction of Queen’s Road West and Sutherland Street, Sai Ying Pun, 2021]
The 27-storey Murray Building (美利大廈) on Cotton Tree Road was a government office building completed in 1969. After the government moved out in 2012, the modernist building was revitalized into a 5-star hotel. [Murray Hotel, Cotton Tree Drive, Central, 2021]
Architect Norman Foster was hired for the adaptive reuse project. Decorative stainless steel were used as design features in the project, offering the 5-star hotel an elegant touch. Murray Hotel opened for business in 2018. [Murray Hotel, Cotton Tree Drive, Central, 2021]
The former car ramp connected to Cotton Tree Drive is now a popular spot for selfies. [Murray Hotel, Cotton Tree Drive, Central, 2021]
The windows were oriented to avoid glare and direct sunlight. [Murray Hotel, Cotton Tree Drive, Central, 2021]