Tokugawa Iemitsu (徳川家光), the grandson of Tokugawa Ieyasu (徳川家康), was the third shogun of the Tokugawa dynasty. Somewhat modest than Ieyasu’s final resting place, Iemitsu built his mausoleum less than ten minutes of walk away from Toshogu Shrine (東照宮). Unlike the tightly packed Toshogu Shrine, visiting Iemitsu’s Taiyuinbyo Shrine in Rinnoji Temple (輪王寺大猷院) was much more relaxing. There were only a handful of visitors during our visit. Despite the renovation scaffolding here and there in preparation for the anticipated visitor influx during Tokyo Olympics 2020, we had quite a tranquil and delightful moment as we wandered in Taiyuinbyo Shrine, a sub temple of Rinnoji Temple. We thought of visiting the other UNESCO world heritage temples and shrines in Nikko, such as Rinnoji Temple (輪王寺) and Futarasan Shrine (二荒山神社), but changed our mind when we saw renovation scaffolding here and there. Toshogu and Taiyuinbyo were the only two temples and shrines that we ended up visiting.
A pebble path with stone lanterns led us from the forecourt of Toshogu Shrine (東照宮) to the entrance gateway of Futarasan Shrine (二荒山神社).
The Futarasan Shrine (二荒山神社) is an important Shinto shrine in Nikko inscribed in the World Heritage along with Toshogu Shrine (東照宮) and Rinnoji Temple (輪王寺).
Other than the main hall and a number of shrines in the complex, the iconic Sacred Bridge (神橋 shinkyō) of Nikko also belongs to the Futarasan Shrine.
We didn’t go into Futarasan Shrine (二荒山神社), but passed by the Haiden (拝殿), the Hall of Prayers, a few small shrine pavilions and a stone lion at its forecourt.
From Futarasan Shrine, we found our way to Taiyuinbyo Shrine, a sub-temple belonged to the Buddhist Rinnoji Temple (輪王寺). The Taiyuinbyo Shrine is the mausoleum of Tokugawa Iemitsu (徳川家光), the grandson of Tokugawa Ieyasu (徳川家康).
Similar to other major temples and shrines in Nikko, Taiyuinbyo Shrine also had its share of renovation scaffolding when we were there.
A long flight of stair led us to the main platform of Taiyuinbyo Shrine.
Approaching the core area of Taiyuinbyo Shrine was like entering into a spiritual venue in the embrace of tall cedar forest. The Yasha-mon (夜叉門) was the first splendid architecture we saw without scaffolding at Taiyuinbyo.
There are four Yaksha (夜叉) statues at the Yasha-mon (夜叉門): white, red, blue and green. Yaksha is nature spirits and guardians of natural treasures.
Not as extravagant as the Toshogu Shrine, Taiyuinbyo Shrine does have its fair share of rich carvings and architectural features.
Like Toshogu Shrine, gold and vivid colours are often used in the shrine design.
One big advantage of visiting Taiyuinbyo Shrine was its minimal number of visitors. Unlike the super crowded Toshogu Shrine, we pretty much had Taiyuinbyo all by ourselves during most of our visit.
Without the new golden and colourful paints, the screens at Taiyuinbyo Shrine looked even more natural than the ones at Toshogu Shrine.
The colour gold can be found on a number of shrine facades.
The final resting place of Tokugawa Iemitsu (徳川家光) looks quite modest compared to his grandfather’s mausoleum.
The complex was quite empty and the sky seemed about to rain. We followed the visitor path and walked around the shrine one last time.
The bronze lanterns in front of Yasha-mon (夜叉門) appeared like chess on the board.
We had the shrine pretty much all by ourselves.
At last, we returned to Niomon (仁王門), where two fierce Niō (仁王) guard the entire shrine complex.
140km north of Tokyo, Nikko (日光) is one of the most popular excursion destination out of the Japanese capital. Dotted with onsen villages, ancient cedar forests, scenic waterfalls, turquoise lakes and lush green mountains, the magnificent piece of landscape is also the final resting place of Tokugawa Iayasu (徳川家康), the founding shogun of the Tokugawa shogunate from 1600 until Meiji Restoration in 1868. The Shinto mausoleums of Tokugawa Iayasu and his grandson Tokugawa Iemitsu (徳川家光) in Nikko are part of “Shrines and Temples of Nikkō” inscribed in the UNESCO’s World Heritage in 1999. These historical sites draw huge crowds of visitors daily to the otherwise sleepy hilltown of Nikko.
There were so much to do and see in Nikko but we could only do a very long day trip this time. We booked the earliest direct train, Tobu Railway’s Revaty Limited Express leaving Tokyo’s Asakusa Station at 06:30, and the last return train leaving Nikko at 19:18, leaving us about 11 hours in Nikko. We also got the Nikko All Area Pass, which covered our local bus fares in the Nikko and Chuzenji Lake area and discount on the Tobu train tickets. We planned to check out the shrines and temples in the morning, and then visit the scenic Chuzenji Lake (中禅寺湖) and Kegon no taki (華厳の滝, Kegon Waterfall) in the afternoon. As soon as the Revaty train pulled into Nikko Station at around 08:20, we were excited to see the beautiful weather.
Our journey to Nikko began from Tobu Asakusa Station (浅草駅), a monumental terminal building constructed in 1931.
In order to take the 6:30 Revaty Limited Express, we had no choice but to get up early and left Shibuya at about 5:30.
The train arrived in Nikko at around 08:20. We hopped onto a Tobu bus in front of Nikko Station for the nearby temple and shrine area. Attempting to avoid the crowds later in the day, we decided to first visit Toshogu Shrine (東照宮), the single most popular attraction in Nikko.
Toshogu Shrine is the mausoleum of Tokugawa Ieyasu, the founder of Tokugawa Shogunate that ruled Japan for 250 years until Meiji Restoration in 1867. Because of its historical significance, the shrine is highly popular among local Japanese. After a short walk along the procession route, we entered through Ishidorii (Stone Torii Gate), a beautiful timber gateway erected by the powerful feudal lord Kuroda Nagamasa, into the shrine complex.
Despite our early arrival, the Toshogu Shrine was already full of student groups and tourists. We passed by a group of students below the Gojunoto (Five-Story Pagoda) as we entered the complex.
We entered the central complex through Omotemon Gate (Front Gate) or Nio Gate that is guarded by a pair of Nio (仁王) guardians.
Once entered the forecourt, we could already appreciate the meticulous relief carvings and vivid architecture features on the Sanjinko (Three Sacred Storehouses). Toshogu presents quite a contrast compared with most other Shinto shrines that are usually minimalist in design and natural in colour tones.
At the forecourt, the Shinkyu-Sha, the sacred horse stable, houses a real horse. This comes from the tradition made by early emperors who would donate to the Kibune Shrine in Kyoto either a white horse to stop the rain in a rainy year, or a black horse to welcome the rain in a dry year.
The front facade of the Shinkyu-Sha, the sacred horse stable, featues the Sanzaru (Three Wise Monkeys) on eight frieze panels depicting ordinary lives of people. The most famous panel is undoubtedly the adorable “See No Evil, Speak No Evil, Hear No Evil”.
Beyond a large tori and a flight of steps is the Yomeimon Gate (陽明門), the gate of setting sunlight.
With 500 beautiful wooden carvings, the Yomeimon Gate (陽明門) is considered by many the most impressive gate in Japan.
The impressive Yomeimon Gate represents the Main Gate of the Imperial Court in the entire complex.
As far as the legend goes, Yomeimon Gate is also called the “Gate of the Setting Sun” because visitor can gaze upon it all day without getting tired.
Impressive decorations at the gate includes a golden lion housed in a niche.
And a lot more that depict anecdotes, legends, wise people, sages, etc.
Another famous feature at Toshogu is Nemurineko, the tiny carving of the sleeping cat on the beam of a hallway. A work by master carver Hidari Jingorou, the napping cat under the warm sun is a depiction “Nikko”, which literally means “sunlight”. It marks the entry point of the path that ultimately leads to the final resting place of Tokugawa Iayasu (徳川家康) on the hill.
Taking the earliest direct train from Tokyo and came to Toshogu immediately upon arrival, we thought we could enjoy a bit of peaceful time at the highly popular shrine before the tourist groups came. That totally didn’t happen as the shrine was already full of student groups when we arrived. Walking up to visit the mausoleum of Tokugawa Iayasu (徳川家康) was not a peaceful journey at all.
Just a few minutes of short walk led us to the hill platform of the mausoleum. Compared to the shrine buildings downhill, the mausoleum carries a more harmonic relationship with the natural surroundings.
The bronze urn on the hill contains the remains of Tokugawa Iayasu (徳川家康), the most powerful shogun of Japan before the modern era.
The calligraphic sign Tōshō Dai-Gongen (東照大権現) near the mausoleum is attributed to Emperor Go-Mizunoo (後水尾天皇) from the 17th century.
The curved archway of Karamon Gate (唐門) symbolizes the authority of the Gohonsha Main Shrine Hall behind. Despite the renovation scaffolding, we were able to enter the hall as a group to have a peek of the space where events and festivals would be held annually.