DAY 1 (4/6): NATIONAL MUSEUM OF WESTERN ART (国立西洋美術館), Ueno Park (上野公園), Tokyo, Japan, 2017.06.14
Completed in 1959, the National Museum of Western Art is the only building in the Far East designed by modernist architectural maestro Le Corbusier. In 2016, the museum building has been inscribed in UNESCO’s World Heritage along with 16 other Le Corbusier’s works such as Villa Savoye, Unite d’habitation Marseille, Notre-Dame-Haut de Ronchamp, Chandigarh Capitol Complex, etc. We came for the modernist architecture, although many paintings and sculptures on display by world renowned artists were quite interesting too.
Precast concrete panels were used as the main cladding material for the museum.
We were greeted at the front entrance by Émile-Antoine Bourdelle’s Hercules the archer. Bourdelle was an influential French sculptor in late 19th and early 20th century.
The Thinker at Tokyo National Museum of Western Art was made after the death of Auguste Rodin.
The lobby atrium of the museum was a pleasant surprise. The high volume of the space and the trunk-like columns drew our attention to the unique skylight above.
A skylight consisted of multiple triangles provides an interesting design feature to the space, and also magnificent indirect lighting.
An architectural model provides a sectional view of the atrium and shows the exterior form of the skylight feature.
At one side of the atrium, a zigzag ramp led all visitors to the main exhibition on the upper level.
On the upper deck, we could get a clear view of the lobby atrium with its statues.
Again, the concept of bringing indirect sunlight into the interior was the clear intent from Le Corbusier. The glazing bulkhead above the paintings provided the main source of ambient light.
The collection of the museum ranges from Renaissance to the modern ages.
The glazing feature brings in indirect sunlight, but it also creates a long bulkhead along one side of the exhibition hall.
Some of the paintings and statues were interesting, but our focus was always on the architecture itself.
At the museum courtyard, we could see the various facade cladding materials used at different periods of expansion.
At the forecourt, another zigzag ramp supposedly leads visitors to the lower courtyard. Now the entire area, including the exterior ramp, is closed off.
After the National Museum of Western Art, we thought we had enough dosage of art and history for the day. We were quite tired due to the red-eye flight. We decided to check out another piece of architectural gem in Tokyo, Kenzo Tange’s St. Mary’s Cathedral in Sekiguchi.